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There is a light that never goes out.

@midnightvea

"The mind is like a parachute, it only works when it's open." Valentina. Italian. Twenty. Michelle Dockery and Marion Cotillard are my muses. Lover of cats and hedgehogs. Here you'll find a lot of Downton, Michelle Dockery, Dan Stevens, art and many other things. ☻

i will literally never forget the watching the season four premiere of the office like we spent a whole summer agonizing over whether or not jim and pam were FINALLY dating and then in the beginning my brother actually threw a pillow at the tv when it looked like they weren’t together and then they kISSED and i swear to god my whole family started screaming and hugging like we woke up my three year old sister lmao and my friend called me during the commercial break so we could yell about it and then we stayed on the line so we could scream every time they did anything like when they held hands we hit decibels that weren’t audible to humans and to this day i have never seen my brother literally flail about something the way he did on that fateful night in 2007

this is the best thing i’ve read this week. like literally put a smile on my face so big. 

Why Veronica Mars Won’t Have a Season 5

My introduction to Veronica Mars came in the midst of my father’s death. I watched episodes in hospital waiting rooms before it happened, and holed up in my room afterwards. I found a lot of comfort in the strength that the characters provided. The scene of Logan at his mother’s funeral - maniac and trying to find the humor in it - is exactly what I felt at my father’s. I, like Logan, made jokes and tried shrugging it off. I was certain that this was some sort of cosmic joke, and I was on the receiving end. Veronica’s personality shaped most of who I was in high school - my dad passed away two weeks before I started. Her snark, intelligence, and resilience inspired me so much then. I found a wonderful community with fans of the show, and to this day as a semi-adult I love and adore so many people I met through the show.

When the movie was announced, I was ecstatic. I remember rushing to a bathroom stall at my high school so I could eloquently keyboard-smash about it with my friends, donating to the Kickstarter, wearing my t-shirt, going to the theater with my friend to watch it and livestreaming it the night of its release with my online friends. In a sea of horrible feelings and helplessness, Veronica Mars helped me feel empowered and supported.

That’s partly why all of this stings so badly and feels so much like a betrayal.

There’s a lot of talk about Veronica’s trauma and how re-traumatising her actually undermines her character, which I agree with totally. But what about Logan’s trauma? 

He was abused by his father, his father slept with and then proceeded to murder his girlfriend. His mother commited suicide and her body was never found. He was accused of murdering Lilly. He was accused of murdering Felix. Busts in on Cassidy attempting to kill Veronica on the roof, watches Cassidy jump off the roof. His dad gets acquitted and then quickly murdered, as well. Tries to help his ex girlfriend through her addiction and self loathing, only to end up accused of her murder too. 

He grows up, he gets a job, he goes to therapy and works on becoming a better, healthier, kinder person. Gets back together with the love of his life only for her to treat him in some less than stellar ways because he dared to try and improve himself. To rid himself of his toxic anger and self loathing, the very things that contributed to the break down of their relationship in the first place. Only to be up and murdered in a cheap and contrived fashion during the final 10 minutes. Off screen, no less. How is that a fitting end? 

Also, the one thing that I struggled with was why people were so upset when she turned down Logan’s proposal. Humbly, I’m so happy being married with two kids. I love the white picket fence that I’ve got. But I’m Voltaire about the fact that’s not right for everyone. I may not agree with what you say, but I’ll fight to death for your right to say it. Not everyone wants to have kids. Not everyone wants to get married. Veronica does not want to get married, right now. She is not ready, and that is her choice. And I didn’t love that people were like, “Why can’t she just marry Logan?” Well, because she doesn’t need a man to fix all her problems. She hasn’t had good examples of marriage. She’s not ready to commit. The true test of feminism is whether or not you’re gonna agree with her, or whether or not you think she should have something different because society states she should. So, it was interesting to me to see so many people upset about that because I thought we had distanced ourselves from John Cusack with the boombox outside our window being right for everyone. It’s not a love story that’s wrapped in a perfect bow. It’s okay for Veronica to have complex feelings about marriage because she’s being honest with herself.

I’ve avoided posting or discussing articles by cast/ crew which which I don’t agree, because everyone’s entitled to their own opinion. But I feel this statement is a deliberate PR misdirect ploy, meant to reframe the backlash as ‘fans being silly’, and KB keeps repeating it in every interview. So, to refute:

1) No fan I know is mad that Veronica turned down Logan’s proposal initially. Pretty much everyone thinks the choice was in character. Veronica’s first line in her first scene, season 1, was something along the lines of ‘I’m never getting married’ and she stated it as an absolute.

2) Veronica DID want to get married and commit in the end, though. You know how I know? Because she did get married. To Logan. By her own choice. In a scene which KB presumably remembers, because she filmed it.

3) How is it distancing the show from ‘John Cusack with the boombox outside our window’ to promote the new season’s theme song with…John Cusack Rob outside KB’s window? This season’s promotional material was 100% tropes she claims they eschew. Which makes their PR a beyond-cynical bait-and-switch con, designed to trick fans into watching something sure to upset them.

The talking point in this interview is a straw man argument, formulated to make the speaker seem more rational and progressive than her opponent. The real reason fans are mad is because the male co-lead was fridged to re-traumatize our heroine–the writers think V’s only interesting when she suffers. And that viewpoint is not feminist or progressive at all.

👆 This 👆 right 👆 here 👆

Should we say it even louder? Casue WE WILL.

“But the schedule reflected to me the diminished value of Mac in this new world of Veronica Mars. “There was no room for my beloved hacker queen and, as conversations continued, that only became more clear,” the actress adds. “So, I made the decision not to participate. I was so pleased with where we saw her end up in the movie that I didn’t want to demean that by making an appearance that would not satisfy me, Mac, or the viewers. I am so grateful to have been a part of this show and the subsequent film and I hope it will bring everyone involved as much success as the original. I hope that the fans understand my logic and I hope that they understand that there are worlds beyond Veronica Mars that we will all explore together in the future.””

— Tina Majorino, who played Mac on why she didn’t return for season 4.

I would love to work into my eighties. I don’t want to be someone who only does a couple of big films and then is famous for just 15 minutes. It’s important as an actor to not just work when you’re young [but when you’re older, too], because there is so much to explore. It’s sad that so many people feel they need to alter their image. I think there is something really beautiful about ageing naturally. That way, you’re representative of whatever age you are at the time and you have that voice as an actor.

*30 years from now*

My daughter: mom, you're going to be a grandma!

Me: Logan never even had the chance to be a great dad, and to undo all the hate and misery his own father put into the world because Rob Thomas is a shitty writer and stole that from all of us.

The Mouth of Krishna

2019,  #722 Pigments, gampi paper and gold leaf.

“Mountains exceed our command. They slip our grip. And there is no glory for those who are left behind. Mountains are so much more than a challenge… Or an adversary to be overcome. For mountains humble the human instinct. And reveal our insignificance. They live in deep time. In a way that we do not. Behind and beyond the mountains stretch eons too fast for us to comprehend. They were here long before we were even dreamed of. They watched us arrive. They will watch us leave. Born of fire. Born of force. Mountains move. Over epochs they rise and fall. This is the symphony of the Earth. A rhythm of uplift and erosion that makes not waves of water… But waves of stone. And from these waves of stone flows life.” - From “Mountain” by Robert Macfarlane and Jennifer Peedom

30 Days of Veronica Mars

Day 1: Favorite Character:  Logan Echolls

I love Veronica more than words could ever express, but Logan is my HEART. 

Everything he does makes perfect sense to me, because I was also a fiery, passionate teenager who lashed out and self-destructed spectacularly whenever I felt rejected or unloved.  

The aching sympathy and compassion this character inspires in me gave me the ability to bestow that same grace upon myself.  He’s come a long long way since high school, and so have I.  

Every series starts out with “a Logan” - there’s a reason Veronica calls him the obligatory psychotic jackass - and OUR Logan comes by it more naturally than most. 

His home life is a nightmare amalgamation of physical trauma, emotional warfare and neglect. He’s deprived of parental love, but showered with material possessions, which, alongside his father’s celebrity, are supposed to make him “better” than everyone else. At the same time, he’s regularly being gas-lighted by his father.  If he wasn’t such an entitled brat, Aaron wouldn’t be obligated to beat the shit out of him. His parents are in and out of town, presumably, leaving him in the care of “the help” (those same people his mother dehumanizes). Nobody protects him. The dominant messaging is ‘don’t make us look bad’ vs. ‘be a genuinely good person’.  

If a “How to be a Bully Handbook” existed, it would be Logan’s nightly bedtime story. 

Every school has an obligatory psychotic jackass. Decades later, most of them still are.  For every CEO raping the environment and destroying the economy to funnel money into their million dollar bonus checks, for every politician hysterically screaming over a woman to keep her from reading a letter, every Supreme Court justice who just really likes beer and sexual assault, there’s somebody who knew them in high school. Somebody who could say “They’ve always been this person.”  That’s how it works.  Bullies grow up and find new ways to bully.  

Nobody watching early season 1 for the first time would be surprised to hear that Logan was still the psychotic jackass fifteen years later.  Apple doesn’t fall far from the tree, after all.  

The true surprise is that he ISN’T.  

Logan chose to reject that path. He rebelled against seventeen years of parental programming telling him he was both unworthy of love and better than everyone else. The glittering pageantry, the fame, the notoriety, the insincerity. He rejected his father’s example of hurting others to make himself feel better. 

And he did it all on his own.  

At the worst point of his life, when he’d lost everything - both parents, his lifelong best friend, the girl he adored. At a time when the town wanted his head and an MC gang wanted him dead, nobody would be surprised if Logan only wanted to spiral. To drink, to get high and numb the pain and forget about everything he’d lost. Or worse.  

Instead, he….went to high school.  

He kept going to high school, he did his homework, he graduated.  All on his own. No parental figures. No mentors. No help.  Sure, there were some backslides, some foibles.  It wouldn’t be realistic if there wasn’t.  But he’s extremely self-aware. He acknowledges his mistakes, learns from them, reassesses, and keeps moving forward. 

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He chose a career where he was almost guaranteed to fail.  For every 1000  applicants to the Naval Academy, 3 will become fighter pilots*.  Logan beat the odds, put in the time, focus, and dedication required to achieve his dream when so many others fail.  

Logan Echolls is indomitable. 

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He’s decent and kind. He’s loves joyfully and whole-heartedly, despite his near-constant heart break. He’s not afraid to be vulnerable, even when his vulnerability has been weaponized against him in the past. He’s fiercely loyal, regardless of the loyalty shown to him. He’s nurturing when he’s never been nurtured. He’s a stabilizing influence when his upbringing was anything but stable. 

Logan Echolls is a brilliant, snarky, world-weary, force-of-nature in orange. 

He’s the most layered, fully-realized character I’ve ever encountered, and the fictional love of my life.   

* prediction for class of 19 found in a quick Google search.  Didn’t have time for a deeper dive. Don’t @ me. 

Veronica will always be my hero. The sassy girl I drramed to be. She has been and continues to be an example for me.

But Logan. Logan always made me extremely proud. Despite everything, I could never stop loving him. He lost so much, continuously. Still, he tried. He fought against all the odds. He never stopped believing in love, even when he got none. He learned from his mistakes, from other people's mistakes, from the world around him. True, he is an exception maybe. Most of the times, people like him don't end like him. But what a a beautiful exception he is.

“And yet the actors on “The Good Place” seem to coexist in a spirit of radical egalitarianism. The younger actors notice Danson arriving early to obsessively work on his scenes, despite the fact that he is literally Ted Danson. And they notice that Kristen Bell memorizes not only her own lines but everyone else’s too, and that she reads all the crazy philosophical course packets Schur sends out, so that she can discourse at length about moral particularism vs. the categorical imperative. Making a sitcom is incredibly tedious. Every scene is repeated infinite times, with tiny variations — and then the cameras are moved and the scene is repeated infinitely again. On set, Bell is a technician, precise and rational and systematic. She has a bright, quick energy, and she can change direction, multiple times, in a single line. In the mansion, I watched her working and reworking a scene in which Eleanor has a meltdown — a moment of insecurity that escalates into an angry retreat. Bell is small, barely five feet tall, and she was dressed that day in jeans and a pink sweatshirt. In the middle of the mansion’s chaos, she seemed like the rock-solid center around which everything else rotated. I watched her perform the same scene over and over, take by take, as if she were slowly turning up an emotional dial… After many takes, Bell reached what she called her “big” take — one in which her rising anger basically blew the gilded doors off the room. (Later, editors would patch pieces of these performances together, deciding which precise emotional shades served the episode best.) Before storming out of the room, Bell had to rip out a chunk of a giant cake with her hands, and she approached that task with similar precision. She tried it standing on one side of the table and then the other, with one hand and then two, pulling the chunk violently up or dragging it straight back. ‘I want a rough rip,’ she declared finally. The cake was huge, and there were only two backups, so it was important not to mess it up. But Bell needed only one cake. The rip, indeed, was rough.”

Well I’m a day late (shoutout to the stomach flu) but the next installment of the 20 kisses challenge with @galindadaae is finally done. My prompt was “kisses meant to distract the other person from whatever they were intently doing”

January 1930

Mary had read this page of her book at least five times; every few minutes, she glanced at the clock and her attention was drawn away. Where was Matthew? It was after midnight, and he was by no means a night owl. She had been sitting in their bed for the last hour waiting for him to come up, but his presence still eluded her.

However, she hardly even needed to ask the question, because she had seen the stress of the past few months wearing on him, and she had hardly seen him outside of the library.

Tired of waiting, she tiptoed down the stairs, past the bedrooms of her children, and came to the door of the library.

Sure enough, there he was, pouring over the estate ledgers, papers spread out all over the desk. The light was low, and he squinted to make out what was in front of him. He looked exhausted, Mary thought, and she was silently grateful that it was a Friday night, that he would not have to go to work early the next morning. But he wouldn’t stop working in some capacity, she knew. What was a weekend, indeed.

He didn’t turn even when she came through the library door, so absorbed was he in his work.

“Darling,” she said softly, moving toward him. He looked up at her, and gave her a sheepish shake of the head, to which she responded, “Come away from that.”

He sighed, taking her hand in his as she came up to his desk. “I can’t, I’m afraid. I’ve got to figure out another way to reduce expenses which Robert might accept. He doesn’t seem to understand how vulnerable it all is right now, with the market crash in America and the increasing irrelevance of grand estates like this I just…”

“Who would have thought fifteen years ago that you’d be so concerned over the future of the estate?” Mary said, reflectively. She wasn’t sure whether she approved of such change or not; she did love Downton, but she didn’t want her love of her home to overwork the man she loved more than anything else.

Matthew sighs and glanced at his lap. “I want this to be there for our children. They don’t need the grand and opulent style that once came with this, but I want them to have security and the best opportunities possible. But that means we need to cut more expenses to make this sustainable in the long term, and if I can’t get Robert to see…”

He was interrupted by an unexpected kiss. Mary was practically on his lap, her lips pressed to his, her eyes closed. He closed his eyes as well, unable to remember what he had last been speaking of.

“Shh…” Mary said, pushing back a piece of hair that had fallen into his face. “You need some distraction from that.”

Matthew looked as if he was about to give in, but his words still would not concede. “No, I need to focus so we can implement as soon as…”

She took his face in her hands and kissed him passionately, intensely, and with the love and desperation of missing him as he was.

As they broke apart, slightly breathless, she caressed his cheek. “I love you, and I so admire everything you do for the children and for me. But you can’t work yourself to death over it. We’ll work on it in the morning, together. But for now, come to bed. Because there’s more where those kisses came from.”

Matthew raised an eyebrow. “Do you consider me so easily distracted?”

“Not as easily as you should be; I have to work hard to pull you away,” Mary said, smiling as he stood up and turned off the desk lamp.

“Perhaps you need to work harder,” he said with a smirk. His stress, in the moment, was beginning to melt away.

Mary took his hand and nearly pulled him out the door. “I think I might, but not in the library.”

Thank you!

I said it more than once but Skam Italia gave me a huge present with Ele.

You think with all these remakes you get same story over and over again, but you’re not. I was never a big fan of Noora tbh. Don’t be shocked haha and don’t kill me, please. I mean I liked her season, I was very involved but I was never THAT in love. I staned another character who till this day I will believe every remake fell to understand. But I’ve found something else. And I will be forever grateful for it. I will be forever grateful for Ele.

I fell in love with this girl in the one of the most contraversial periods for her in this fandom. When she was most struggling with herself I’ve never felt so close to another character. You say being alone is hard, but for someone who does it for extensive period of time being alone is the only way to live. It’s the only way to keep yourself safe. ‘Cause from the distance first thing you notice is how much power people have to hurt you. And you don’t want to lose sight of it ever again. You understand that even when you were out there you were always and be always utterly alone. The one thing you can count on is yourself. You become more sure of own thoughts and own views. Of own actions and words. You can’t afford not to, it’s the only ground underneath your feet. It’s not a healthy way to look at the world but people are different and everyone finds own coping mechanism. And as Ele would never judge Edo for choosing to be alone. I would never judge her. ‘Cause as she understands him I understand her. And while I’m grateful for Edo too there will never be another character so close to my heart as Ele with all her human flaws is.

I’m not saying goodbye. But I am saying thank you. Thank you, Skam Italia! Thank you, Benedetta! Thank you even, TimVision.

Italian now is my next languege to learn. And if you remmeber this video of mine below it also won’t be the last. So stay tuned ;)

I love the fact that this season everything came full circle.

The season started and ended with “Water me”, showing all the places that left a mark on Eleonora and Edoardo’s relationship, meaning that Eleonora, as “the plant”, was finally taken care of by Edoardo, “the water”.

This is why their first date was at the sea, their first kiss had to be in the rain and their final date (that we saw) was again at the sea, this time as a couple.

The season started with Edoardo asking Eleonora where she wanted to go and ended with Edoardo saying they could go wherever she wanted to.

Even if the season had its flaws, meaning shorter episodes and lack of some scenes and dialogues, it was beautifully made and every detail mattered in the end. This is why I think that not everyone could’ve understand the hidden meanings behind it, which is ok, everyone enjoys what they really like.

For me, the ending was maybe a little bittersweet, maybe because of the music or idk, knowing that Edo has to move in the US, but I hope that everything will be alright in the end and Incantava will be happy forever.

skam italia season 3 has built a really strong case for why the italian version of noorhelm genuinely like each other and want to be with each other, something that i felt was missing in the og skam and was never really addressed in a genuine way. you see how the show (despite its lack of clips and runtime lol) has built the idea of edo and ele finding a family of sorts with each other. the show really shows how much edo loves ele (it’s so cute lol he’s such a puppy) and how much he genuinely enjoys being around her and how worried he is when she’s clearly not well. ele responds to his affection in a genuine way and you can tell she cares for him as deeply as well. there’s just a lot of mutual love and respect between the two. it makes me happy to watch that unfold.

the noorhelm thing, while the character situations are a bit whimsical (the “bad boy/womanizer” has a soft side and falls for the independent, ridiculously beautiful girl who’s stood up to him!! never been done before!!!), the deeper meaning has been about being self-sufficient and by default very lonely and learning to find solace and comfort in someone unexpected and learning to embrace that the person you thought you knew isn’t really who they are. ngl, that was the first time i really got that deeper meaning with the noorhelm thing. i didn’t have to read between the lines with this. shoutout to the writers and director of skam italia season 3 for like… actually bringing some much-needed substance to this story and making this story as realistic as it can be. i think i’m one of the only few people that like noorhelm together (lol don’t hate plz), so to see skam italia taking the source material and elevating it is really great to see and makes a point for why these international remakes deserve to have their own space. edo and ele are fucking great and i will literally go down with this ship.

Anonymous asked:

It was so out of character for Edo to act that way that’s why I don’t like watching Noorhelm

But that’s Skam in a nutshell- building character traits so high & then exposing their character flaws all at once.. which isn’t necessarily ‘out of character’ to reveal their character, right? I think Skam Italia (& NL) might be the more difficult behaviors to accept because they really made their Williams wholesome. So when we’re exposed to their cringe behavior towards their Nooras, we’re in even more disbelief because it’s much more unexpected.

Somebody also sent an ask about Lucas acting ‘out of character’ when he was arguing with Eliott that I didn’t respond to yet either.. Sometimes, different circumstances reveal different parts of us- kind of like instinct vs experience.. Some people run from the chaos to get away & others run towards it to help. & ironically Lucas did exactly that.. Sometimes this is instinctual (empathy) & other times this is learned (experience). Good thing for Lucas, he’s still learning.

What wasn’t initially instinctual for Lucas ‘bc he didn’t want crazy people in his life” turned out to be an experience he had that completely changed his mind & we got to watch him grow into the most loving boyfriend— at 16. Amazing.. & it probably also helped him rebuild his relationship with his mom. So when people started calling him out of character for arguing with Eliott, it didn’t fit. We know he’s still human, right? With feelings… that get hurt when he’s not being told the truth…? Eliott is still learning to feel safe with his mental health, how it affected his past, how it affects him now & sharing that all with Lucas & trusting him completely. Lucas is still learning to be patient with the process & not take this personal.

The question is: do people deserve rights to feel & behave ‘out of character’ when they’re going through something personal (even if we don’t know what/why) when it also affects us personally as well? Because it seems as though we can accept/forgive easier once we have that knowledge & understanding.. but as we know with Skam, everyone is feeling ashamed of something so they go way out of their way to hide what that is, creating a domino-effect chain of events.. instead of just talking about it. Which also says a lot about stigmas & stereotypes that society holds- even with the people most closest to us that we love.

so whatever Skam is your favorite, or ship is your favorite, or season is your favorite… yes- they’re all acting ‘out of character’ & it doesn’t always mean it’s “lazy writing.” 

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