ao3 comments will be like “i like this line of your fic” and my reply will be like “fantastic thank you here’s my entire thought process about how i ended up with that particular line and also an outline for another fic i have and fifteen resources i used to research 1980s politics” and nobody asked for that chill

i asked for that

No we 100% asked for that.

Definitely asked for that, and also here’s the other three dozen lines from your fic that I liked and the outline for the fic they inspired me to write plus some extra character meta that at this point is only tangentially related to your fic but was definitely inspired by those 1980s politics resources and -

Yep.

This is literally how I made most of my fandom besties.

Listen…

Fic Commenters: If you ever want to make a comment going on depth about a part of a fic that stood out to you, but think “does the author really want to read all this?” The answer is YES! YES WE DO WANT TO READ ALL THAT!!!!

Fic authors: If you ever see a comment that makes you want to explain your thought process behind your writing, and you think “does the commenter really want to read all this?” The answer is YES! YES WE DO WANT TO READ ALL THAT!!!

— Tamora Pierce, “Street Magic”

i'm not actually mad i just like the comedic delivery of righteous but pointless anger

Carey Price and PK Subban reminding us of the old days 🥲

Vultures are holy creatures.

Tending the dead.

Bowing low.

Bared head.

Whispers to cold flesh,

“Your old name is not your king.

I rename you ‘Everything.’”

fun fact!

Vultures are also responsible for keeping diseases at bay.

Vulture stomach acid is so powerful that it can kill anthrax and many other deadly diseases.

So when they consume the carcass of a creature that has died of disease, they actually destroy the disease within it too!

So yes vultures are 100% holy creatures because they not only eat the dead, but protect the living from death.

Vulture Aarakocra Clerics

so....do i make a post about other (re: better) magic school/wizard books or what?

because i have strong opinions!

i want to read....

something that pre-dates jkr

something for adults that is darker and edgier

something for middle schoolers

something for young adults

dramatic floor length skirts are nice until you run over the hems with your gaming chair every day of your life forever

*girding my loins for a sick fuckin gaming sesh with the lads*

THE LITTLE VAMPIRE 2000 | dir. Uli Edel

Ok minor detail but ...

So I noticed in A:TLA, and it’s carried over in LoK, that Airbenders always seem to have an advantage in a fight. And at first, it felt like plot armour, particularly in A:TLA.

But when Aang fought Bumi, he lost most of that advantage. And I realised that this wasn’t just plot armour. Someone had sat and worked it out: nobody has had to fight Airbenders for generations. 

None of the other nations have had to train to face them, or practised sparring with them, or anything. Apart from Bumi, no bender in the show has ever even met an airbender before Aang comes along. And in LoK, for the most part people still haven’t. We never see fights between those who have (for e.g. we never see Tenzin and Lin fight); when Korra and Tenzin use airbending, its a unique fighting style that people aren’t trained to manage.

It’s a really small detail, and it fundamentally works to give the heroes an advantage (and make up for Aang’s young age and lack of combat experience), but I love how it’s an advantage in combat for completely logical reasons.

The detail in these shows is amazing. 

You can see the same principle in play whenever somebody fights somebody who uses a completely unfamiliar style. Combustion benders and lavabenders aren’t straight up more powerful, but they’re pretty much always something you haven’t dealt with which presents unique challenges. That red lotus lady with no arms is just a perfectly ordinary waterbender, but using forms and styles nobody else has seen before. Jet routinely smacks around benders and soldiers, but loses hard to the first person he met who had actually studied diverse styles of swordplay. When Toph invents metalbending, nobody can deal with that, but seventy years later the counters are pretty well known among people who might have to fight the cops.

And it’s why Azula, a genius prodigy who has thought long and hard about how to counter every kind of magic and martial arts out there, keeps getting messed up by a kid with a boomerang.

it’s also a detail from the second ever episode

aang straight up says to the fire nation guards on zuko’s ship “you’ve probably never fought an airbender before”, because he in-universe figures out that, if what everyone around him is saying is true, and airbenders have been extinct for a century (or at least have gone to ground enough to make people think that) then he is a totally unknown figure in anyone’s calculations

this has been brought up before but it’s also one of the reasons why hama is so thrown in her fight with katara - waterbending is about energy exchange, keeping things flowing, throwing your opponent’s power back at them and we see katara and hama do this in their fight. however, when katara is faced with a powerful blast from hama, she stands her ground and blows it apart:

[image ID: a gif of katara in the puppetmaster. she is a teenage girl with dark skin and hair and blue eyes, wearing a red outfit. she turns and throws her hand out, stopping a blast of water and turning it into a huge shield. the background is a dark forest. end image ID]

why do i bring this up?

because it’s a move - and a mindset - influenced by earthbending, which hama has never faced (she went from the south pole, to prison, to the fire nation). it’s an indication not only of katara’s skill and power, but also how she’s learned from her travels, and from toph

one of my favorite details of atla is how the main characters’ fighting styles adapt as they take on new enemies and make new friends with other bending styles. iroh straight up tells zuko about how he developed a technique for redirecting lightning by studying waterbenders, but if you watch closely especially in the last season, there’s a lot of this sort of thing happening unspoken with the gaang, using the bending forms of other elements like katara does above. it really shows the strength in differences and diversity coming up against a fascist regime that wants everyone to conform.

Look at Korra metal bending here

It’s completely different than anything we’ve seen from other metal benders, who bend metal with sharp movements like the derivative of earth bending that it is

But Korra is fluid. She is bending metal like it’s water. Because she is a water bender. And she is the first person in history to be able to bend both metal and water and so she is able to combine these styles into one and move seamlessly between them. This shows so beautifully how the Avatar is the embodiment of all bending

Every time I think this show has shown me all it can….it gives me more.

Me and my girlfriend joined in on the batblobbery and here is my ARMY

They bring me so much seratonin and they each deserve a close up

Cass under an umbrella cause I wish it was raining

Natalia Dyer as Nancy “S h a r p  S h o o t e r” Wheeler STRANGER THINGS (2016– )

reddit but in the pokemon universe, part 4 [1, 2, 3]

you. i love you

#We all need a platonic soulmate like Steve 

This makes me so happy - penguins for life