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Unrepentant Dragon of Darkness

@margoteve / margoteve.tumblr.com

Hello, I'm Eve (32yo). Welcome to my blog. Feel free to check my: About Page for more information (fandoms, links to my AO3 account ect.).My stories for fics I wrote. If you like my work, please consider reblogging/commenting or if you can - buying me coffee. Icon by: CookiemagiK on dA, Sidebar: ChocolateFrizz89 on tumblr, and about icon by Kodaris (koda-damn-crap) on tumblr.

Notable Sideblogs:

@eveandtheturtles (tmnt writing blog, mostly bayverse)

@evil-eve-lair (monster lover stuff + occasionally writing)

@isufferformilk (poetry blog where I write about my woes of lactose intolerance, spice that hurts my stomach, other food related nonsense and occasionally a serious poem, updated whenever I feel like it)

listen I expected literally Nothing from the D&D movie okay, like I can't make it clear enough that I expected the most soulless money grab with a good cgi budget imaginable, I went in having already gone through every stage of grief and landed on acceptance and LISTEN

I fucking CRIED during this dumb RPG movie. it wasn't just "not terrible" it was objectively good with a clever plot and compelling characters and sincere emotional beats. this movie loves D&D so fucking much and it NAILS the "a bunch of goobers try to be cool and accidentally discover The Power Of Friendship And Also Great Violence" classic D&D party vibe. their barbarian's last name is fucking Kilgore and my entire family cried in the theater.

I hope they make twelve of these motherfuckers.

#this was to dungeons and dragons as galaxy quest was to star trek (@glorious-spoon)

THAT’S IT THAT’S THE VIBE

Knives Out as a Vintage Murder Mystery Book Series?

Months later, I am still wildly obsessed with the Knives Out movie series, and I cannot wait for the next part to come out. The movies have such a vintage murder mistery novel vibe that it gave me an idea to make it like that, including actual insides of the imagined books (even added the producers little signature). Hope you like it as much as I liked making it. I made it months ago, but forgot to place it on Tumblr. Can’t wait for Part 3

stop saying "gen z brought back bush-era purity politics" i grew up in the bush era and even then people weren't saying that you're a sex addict for having boring marital sexual congress in the same house as your children. this is just plain unhinged

Literally almost every millennial I know has a memory of accidentally walking in on their parents or hearing their parents having sex. It's fucking normal. Human beings have sex. Your parents fuck. Get over it. Being weird about it isn't healthy.

I really loved Robert Evans’s response to this

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UPS has reached an agreement with the Teamsters union to equip its iconic brown delivery trucks with air conditioning for the first time for new units.

The agreement, announced by UPS on Tuesday, comes as the delivery giant and the International Brotherhood of Teamsters negotiate the terms of a new contract for more than 330,000 U.S. employees. (source)

Unions work, unionize.

They only just now got air conditioners?!?!?!

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Yeah it’s a huge win. Those trucks are death traps on a good day. A bunch of drivers died and more got severely ill last year from heat stroke. The temperature in the back of those vans is usually 10 degrees hotter than outside. It’s terrible, and I’m so proud of my union for how harshly they’re negotiating right now. We’ve got a bunch of smaller consessions already but this one was big.

This round of negotiations is difficult. The UPS Overlords are trying very hard to keep their billions of dollars in three pockets instead of spreading the wealth we (the workers) earned for them during the pandemic’s influx of home delivery. They’re trying to give us as little as possible and spinning the news articles to make it look like they’re super generous. Meanwhile almost everyone in my warehouse is on food stamps cuz we aren’t paid shit.

The UPS Teamsters Union are currently voting on whether or not to go on strike in August, so prepare for that. Stock up on essential supplies, just in case. We’ll let everyone know how to support us when the time comes.

This job is my first time being part of a union and I never wanna go back to not having one. It’s amazing to have so much fighting power.

capitalism will work it's people to death if it is legally allowed to do so it's good to see unions fighting back against that

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Glory to God for this victory, and I am HORRIFIED that such an IMPORTANT, ESSENTIAL THING FOR WORKPLACE SAFETY wasn't standard before now!

May the Unions remain strong, and may their negotiations be successful!

I love this so much

[Image IDs: the first tweet is from Lila Byock (@/Lbyock) from June 15th, 2023 and it reads:

Sarandos: Netflix is investing billions in Korean content to undermine American writers.

Korean writers: Fuck you, pay us.

That first tweet quote tweets the second image, a tweet from Tim Shorrock (@/TimothyS) from June 15th, 2023 that reads:

Korean writers picket in solidarity with Writers Guild of America. ✊

That tweet has a link to an article that I posted after it. /End ID.]

So, for those of you unaware: The Korean entertainment industry is an absolute nightmare. Actors have gone years never being paid for work they're owed pay on. The idol industry is terrible in all the ways. And it's honestly no surprise the industry is shit for writers as well. Glad to see the Korean writers are standing up for themselves too!

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Anonymous asked:

You don’t own fanfics. They’re inherently public domain because they aren’t your IP. Agree or disagree with AI, there are no grounds for “protection” from AI because it isn’t your IP to begin with. That’s what you chose when you chose this medium

Oh dear.

Okay, you get an answer, because at least you took the effort to write your ask out properly, even if you are hiding behind the grey, sunglassed circle.

Do I, or any fanfic author for that matter, have any legal claims to our work? No, not really, no. (Although if someone took a fic, filed off the serial number--deleted the fandom specific elements--, and then had it published for financial gain, yeah, that would be a case.)

BUT

Fandoms are built on a social contract that says we respect each others work, the effort people put into their art. We don't steal or disrespect the work of our peers. By feeding people's fanworks to AI you both steal and disprect it, and we need to make people realize that before it's too late--before fandom falls apart, because there will be no more real, actual fanworks.

Disrepectfully,

Orlissa

(i can't believe I have to say this)

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Also this is not true. You do in fact have the copyright to the specific writing you did in a fic, because that's not how copyright law works. Like this is not a grey area.

People who write IP content for corporations give up their copyright on a contractual basis--the company wants writing they can sell about characters/settings they own without getting entangled in royalty obligations etc, so they hire people. Who sign contracts saying they don't own what they write as part of that job.

That's why you don't own Star Wars stuff you wrote for Disney; you specifically agreed not to own it.

Writing for IP you don't own leaves you in a position where you can't legally monetize it (without taking out the Owned parts ad rebranding), but it absolutely does not automatically cede or void copyright. That is super not a thing.

SUPER not a thing, I cannot say this enough.

I can't sell my Batman fic, but neither can DC Comics without my duly authorized consent. Because they own Batman, but not the prose I composed about him.

Do not perform that kind of massive corporate overreach for them. Holy shit. Do they not own enough.

It’s fascinating that this misconception of copyright still exists. Haven’t we all seen the posts on here where authors beg fans to please not send them fanfic of their works? They’re not doing that because they feel like it, they do that because fans legally own their words and ideas, and an author who takes them even unintentionally can in fact end up in real legal trouble for taking something that’s not theirs. It doesn’t matter whether they own the canon.

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This.

Copyright is the most basic of protections for all writers. If there’s anything professional/career writers want spread around, it’s the knowledge that all writers have the same protections that copyright confers on us.

Astonishing indeed that anon would attempt to upbraid somebody on copyright issues when, themselves, they understand them so poorly.

The idea that because you don’t own Batman, your Batman fanfic is public domain is one the DC-Warner Bros’ lawyers would take exception to as well. They know they don’t own the fanfic, but they own the hell out of Batman. Public domain? Not hardly!

Nah, fam. It's not about "taking" criticism. It's about the fact that unless a writer asks for it specifically, it's a dick thing to do on a website that is rooted in community.

If a writer wants critique they will ask trusted friends or professional associates (in the relevant field). When a writer shares a fic on AO3 it's not necessarily with the aim of improving their craft (there are better places for that). It's about sharing joy.

Positive comments enhance that feeling of joy and community. Negative comments do not.

Fic isn't a product to be evaluated. If it's not for you, then you can just walk away. 😁

I'm so tired of this discussion - why do all these people think they're entitled to offer critique on a fic author's work?

When you get a hand-made gift from someone, do you verbally rip it apart in front of them and point out every flaw or perceived flaw you can find? Congratulations, that person will never put the time, love and effort into making anything for you again, and they may question themselves so much they won't ever make anything for anyone else again, either. Well done, you've now deprived a whole community of art and an artist of their source of joy because you're an ungrateful walnut who can't say 'Thank you' and appreciate what you got for free.

Your opinion is not universal. Your tastes are not universal. Your preferred style is not universal. Authors can write whatever the fuck they want and unless you specifically commissioned a fic, you get no say in it.

Tl;dnr: If you don't like a fic or piece of art, hit the back button and keep your mouth shut. If you didn't like something, it likely wasn't meant for you and your 'criticism' is not wanted or helpful. Fandom is about community and lifting each other up, not about you shitting all over another person's work because you think your opinion matters.

Legit, if I want critique I will go to someone who actually knows the fic I’m writing, my goals in writing it, and what I plan to happen later in the fic. Critique from a random stranger has none of that, only Random Stranger’s decisions about what they THINK I’m going for. That makes the critique less than worthless and often frustrating and demoralizing.

Unsolicited critique is never, ever, ever constructive, it’s you deciding that your opinions and your judgements are more important than the writer’s. It’s that simple.

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Anonymous asked:

Do not let the antishippers find the Got or House of the Dragon fandom cause they'll cry

Or Labyrinth, or Flowers in the Attic, or any one of Stephen King's books. It's almost as if the wider public understands that fiction can be both fucked up and entertaining without the need for a moral lesson following after, or that it's an indictment that you're going to partake in the things you read about.

Antis are so far removed from reality, and they have to remain that way in order to not have their beliefs constantly challenged and torn apart.

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The focus should really be on people learning how to consume a wide range of media in a healthy way, and that includes being able to process feelings of disgust, rage, and discomfort in cases where the narrative absolutely is intending you to feel that way!

It feels like we're witnessing a lot of people now grow too comfortable with what they are familiar with that they project their inability to process negative feelings on others and blame the content itself.

For instance, I am aware that I cannot handle very explicit and violent scenes of SA, and had no warning when I first watched The Flowers of War movie. I remember being so affected, I was haunted by those scenes for days. But I don't condemn the movie for existing just because it contains a subject and content that makes me uncomfortable and upset. Especially for what was a war movie.

Ugly things deserve to exist. The critical focus should be on the execution and narrative intent, and even if those end up being bad, people are allowed to make bad things! People can suck at writing! They exist!

We cannot be wishy washy when it comes to creative freedom, especially when you try to commit what is "morally good" to paper under such a subjective perspective.

Multiple things can exists at once, and in this case it's also the fact people are getting too comfortable with the thought of normalizing certain topics and not in a media literacy type of way, but more of a

"Fiction doesn't equal reality!" Or more disturbingly "So long as they only do it behind close doors and doesn't effect me I don't see the problem"

No one has any issues with horror, or disturbing media, and before anyone says anything I say this as an English literature teacher who focuses on Post war literature so you can IMAGINE the things I have to teach and share understanding with

To word as simply and crudely as possible look below

And not to demonize, but if you are watching say Lolita, and rather than understanding that this is from the POV of a predator and has layer of layers to the story, and instead ingredients IDOLIZING and making this sad story out to be sexy, chic, or god forbid, romantic, then you need to stop and question why and see if you have any further issues adding to it

And as much as people hate to acknowledge this, authors DO infact need to be watched and criticized when needed. It's incredibly easy to make CP, romantic violence, bigotry, and hate filled works, and simply slap a genre label on it and then cry "THE ANTIS A RUNING EVERYTHING AND TRYING TO CANCEL ME 😭😭😭😭"

Splatterpunk ESPECIALLY has this issue and is happening with more frequency this last few years

To simply call someone an anti without even stopping to think why and to ignore the same critical thinking you demand others to use is sad at best and bitterly pathetic most of the time

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Perhaps you're not getting the point of the original post, so I'm going to back up a bit. You may not have been in fandom spaces for long enough to know that "proshipping" is a term created by antis so they could carve out an "us vs. them" space in fandom.

Proshipping was the default. "Live and let live" was the motto most fans lived by, at least when I first got into fanfiction in the 90s. This is how I (and a lot of people) define it.

  • Proshipping is anti-censorship. It says nothing about being unable to criticize said media. It says nothing about romanticizing, normalizing, sexualizing, etc. It only means "you shouldn't ban and persecute artists and those who consume their art."
  • That being said, there is nothing inherently wrong with having fantasies, no matter how dark and taboo. Thoughts are not actions. Literature will not "poison" the mind or the soul. "Getting off" on dark content is not a sin. These fears and talking points are steeped in conservative Christian values. Perhaps you are a conservative/Christian, but that has nothing to do with me, or with anyone else.
  • Allowing "bad" content to exist doesn't mean you can't criticize it. The problem is, many antis seem to think stalking, harassing, and doxxing someone until they disappear off social media is the socially acceptable way to criticize fellow fans and artists.
  • By stating proshippers don't want you to criticize or scrutinize anything, you either don't know what proshipping is, or you're moving the goalpost.
  • "Antis are trying to cancel me!" We aren't afraid of antis cancelling us. We're afraid of being stalked, harassed, having our workplaces called on us and accusing us of being predators, etc. (Yes, this does happen, I have real world examples of it). I don't think you realize what a toxic, unsafe environment fandom has become because of this fanatical obsession with "good behavior" when it comes to literature.
  • How do you define romanticize? Who gets to decide what is romanticizing and what isn't? What if you think I'm romanticizing something, while I believe I'm writing it in a non-romantic way? Who gets the final say?
  • "Authors need to be watched" Authors are not here to teach you moral lessons, let alone need to be watched (whatever the hell that means). If you want moral lessons, go to church. I'm not being facetious. If you want your literature to "teach right from wrong" (and I say that very generously because I'm no longer religious), then controlling authors is not the way.
  • "We're not against dark subjects, we're against romanticizing and getting off on it." Got it. No one is allowed to be horny from sinful fantasies.
  • "So long as they only do it behind close doors and doesn't effect me I don't see the problem" I'm not sure what you find wrong with this statement. What do you care what consenting adults do behind closed doors? These talking points you're coming up with are reminiscent of right-wing, historically anti-queer language. Whether intentionally or not.
  • "We're not against writing/exploring dark topics!" That's. That's exactly what antis are against. Because they can't agree on HOW to explore those topics "tastefully" or "correctly." They can't even agree amongst themselves what content is problematic. It's a goddamn train wreck of hypocrisy.

I know exactly why antis think they way they do. I was Mormon once. You don't get more pro-censorship, thought-policing than that. So, yes, I have years of personal history and critical thinking when it comes to considering the media I consume. Don't worry about me, I'm doing just fine.

What I worry about are young people growing up in this environment where fantasies aren't only considered sinful, they're considered harmful, and they're being told to purge them from their thoughts if they want to be a good person. I can't even begin to describe how harmful that is to children and adults alike.

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Tl;dr: as someone who's been in a creative slump TWICE as a result of this, EXTREMELY harmful. Because it tells me that I'm a terrible person because because I like characters in danger, that essentially being mean to Sims negates my reaction to actual people suffering

I’ve said this multiple times on here, so some people who follow me will have heard this rant already, but:

My mom is a college professor whose special subject is media criticism and the effects of media on children. Therefore, my parents were extremely focused on moderating our media consumption. We had four TV channels and two of them were PBS. I have never in my life played a video game all the way through. I read the books my mom assigned to her students for fun (“Consuming Kids” was my favorite). My job as I got older was to screen stuff for content considered inappropriate for my younger siblings or other people’s kids. Even when we watched movies or TV or commercials, my parents would analyze them in front of us and encourage us to analyze them ourselves. What techniques are they using in this commercial to get you to buy it? What's the subtext in this scene? What message is this scene trying to convey?

So when I say that antis are Not Doing It Right, I’ve got textbooks and almost 30 years of lived experience backing me up.

There are three major problems with how antis approach media criticism.

#1: Ignoring the concept of individual analysis and multiple lenses.

A key concept in media criticism is that there is no one way to interpret a work. Certainly there's how the author might want you to interpret it, but part of communication (which is what media is) is the effect on the audience member. How I interpret a particular work is going to be influenced by my personal experiences; someone else may interpret the exact same thing differently.

And what you're specifically looking for in a work is also important. The point of analyzing something through different lenses – a queer lens, a feminist lens, a post-colonial lens, whatever – is to look at the same thing from different angles. And even then, two different people might have two different perspectives even within the same framework, looking for the same things. Consider the argument about whether specific Disney movies are feminist or not - they're looking at the same material, but coming to different conclusions based on their interpretation of it.

So you can't unequivocally say "this glorifies violence" or "this promotes misogyny" outside of very, very specific examples (I'm thinking about shit like The Turner Diaries, here). You can certainly make that as an argument, and back it up using evidence, but ultimately, that is your interpretation, not objective fact.

#2: Failing to understand what media criticism is trying to solve.

Whenever someone points out that fiction is not reality, someone always responds that it affects reality, and then will point to something like The Jaws Effect as an example of how media affects real-life things. I'm pretty sure that's what @sweetlavenderdarling is referencing.

Which: sure! I won't dispute that! The issue is failing to understand how and why media affects real-life things.

The first thing is that, barring a few exceptions, the majority of media's influence is in the aggregate. Watching one period drama with a majority-white cast is not going to make you think that all of European history only involves white people. What can make you think that the past was whites-only is if every single period drama you ever watch has an all-white or majority-white cast. Watching one action movie is not going to make you violent. What can make you violent is if the main way you see problems being handled is through violence (regardless of whether the tone is "this is a horrible thing but we have no choice" or "it's totally cool to murder people").

The second thing is that, just as we cannot claim our single opinion is objective fact, we can't claim a 1:1 cause-and-effect thing between "X is in media" and "person believes X," because different people can interpret the same thing differently. There's a difference between me watching, say, an Alex Jones broadcast vs. a longtime fan of Alex Jones listening to the same thing: I'm not going to become a conservative conspiracy theorist solely from listening to it because my perspective on it and preexisting beliefs are very different from those of than a true believer.

And we can actually see this in an example antis love to trot out: Finding Nemo. Antis love to pull out Finding Nemo as an example of people's behaviors changing (i.e. a spike in owning clownfish and blue tangs as pets) based on it being in a popular work. Here's the problem with that argument: the entire point of Finding Nemo is that keeping tropical fish as pets is a bad thing. THAT'S WHY THEY NEED TO FIND NEMO.

The scene where Nemo gets caught is treated like a human child getting dragged into a white van in front of their parents. Home aquariums are portrayed as jails where longtime residents go insane. The little girl with the braces is a terrifying eldritch murderer from the fish's perspective because she shakes them to death. Finding Nemo can't be more obvious in how it treats owning tropical fish as pets: it's not romanticized, and in fact is universally portrayed throughout the film as a very bad thing that no one should do.

And a shitload of people either didn't pick up that message or did but ignored it. Because there's no 1:1 transfer of message to audience.

#3: Failing to provide an actual solution/ignoring the next steps.

Okay, so you've identified a problematic element of a work. And you're concerned that it's going to affect your thinking or other people's thinking! Cool! Awesome! Now what?

A short list of things that you can possibly do to mitigate its effects:

  • Stop consuming media with content you want to avoid, using tools like content warnings. This is why movie ratings include things like "graphic violence" or "cigarette smoking" or whatever, rather than just a letter rating: it's so that adults who want to either avoid something themselves or prevent their kids from seeing can make those decisions knowingly.
  • Deliberately consume media with content you want to promote. This can be stuff like deliberately watching more racially diverse movies or reading books with queer protagonists; in extremes, it's why Pure Flix exists as a brand.
  • Diversify the media you consume. Since most media effects are aggregate, having a variety of perspectives and kinds of media can dilute those effects because you're getting multiple competing ideas.
  • Reduce the amount of media you're consuming, period. Do things that don't involve media consumption and don't make media consumption a background thing for other stuff, like eating or sleeping. Go for a walk without music on or spend time with friends in person without watching a movie or being on your phone at the same time.
  • Identify your own biases when consuming media. Everyone has a blind spot about at least one thing, and that's okay: the point is to acknowledge it. (My mom's is British media. We were never allowed to watch horror or violent action movies or stuff that was "gross" like CSI, but British murder mysteries where someone gets strangled to death onscreen? Totally okay!)
  • Regardless of what you're consuming, actively analyze it (ideally in real time). Not just movies or books, but billboards, ads, songs, nonfiction stuff like the news, labels, toys: anything that's meant to convey a message, you're supposed to analyze it and be aware of it. Which can lead you down interesting thought trains, like, "Why do so many 'natural' body care products have matte labels/packaging compared to more name brand ones?"

What doesn't help literally at all:

  • Yelling at people who enjoy the content you don't like.
  • Harassing people who create content you don't like.
  • Attempting to parent strangers, i.e. trying to control what other people create, consume, and enjoy. That is something you can do for yourself, or that you can do on behalf of your own kids, but you cannot control what other adults do.
  • Accusing people who create or enjoy content you don't like of being pedophiles. Literally I cannot express this point enough: unless you believe they are actively abusing actual children and have some kind of concrete evidence of it, do not just throw that shit out there. And if you do believe they are actively abusing actual children, based on some kind of concrete evidence, that's territory to report them to the feds, not yelling at them on Tumblr.

I realize that this is a very long response but I am Sick and Tired of antis pretending that their ship wars are somehow a force for moral good or completely ignoring their own biases to focus on stuff they personally don't like.

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Reblogging for excellent points by @wolveria and @bemusedlybespectacled

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my dad took some ancestry tests and eventually found out who his father was (and that he has 5+ siblings who are also finding all of this out) and honestly it's been pretty bizarre and emotional so far, naturally

but one of the biggest changes for me is no longer having to give the whole spiel of "oh i know i'm racially ambiguos but hey there's a whole story behind it because this that and here's my father's backstory"

like no i... i just have a grandpa from Nigeria now

...that's way less mysterious >:(

Congratudolences OP, your family are hilarious