fuck it. formal time
Friends at the Table should be internationally renowned so I can personally watch the batshit Marn x Big Bucho AMVs
If you've ever wondered why people in Hawai'i hate tourists, try to wrap your mind around the fact that there are CURRENTLY, RIGHT NOW, tourists sipping martinis and looking at fish within swimming range of the fresh corpses of local people who couldn't escape the overnight destruction of their entire town.
Try to comprehend that there are fully functional, high capacity boats passing through the waters in front of an area full of survivors who are stranded and in need of supplies, refusing to help. They are hosting snorkeling tours.
Really think about, try your best to actually picture over two thousand people unhoused and in need of shelter, with nothing but the clothes on their backs and nothing to return to. Understand that the island, stolen land, is littered with hotels full of air conditioned of rooms with beds and showers and toilets, each fully equipped to host hundreds of families for weeks, turning these people away because they're booked up with tourists who refuse to leave.
And understand that these tourists were offered free transport to return home or be hosted on other islands. Free. Courtesy of local tax dollars. 4,000 wealthy tourists were offered free flights shelter on Oahu and begged to leave the island, BEFORE the survivors were given shelter.
And enough still insisted on remaining and carrying out their vacations that people are left without shelter and resources while they enjoy "their stay in paradise".
In case this gains any traction, I NEED people to understand that this is not an invitation for mainlanders to get on a soapbox and start telling each other whether or not or how to visit Hawai'i. The tourism situation is complex and difficult and you don't get it if you haven't lived through it at minimum wage. You don't fully understand the complexities and you will not. And you are liable to do more harm by trying to dictate rules and ethics of visiting the islands to each other.
If you want to help, listen to local people. Seek out and boost what they're saying. Send each other local sources of information. Research from local sources. DO NOT take this crisis as an opportunity to insert your views and speak for us.
I'm not an expert, I know nothing about ornithology or biology or zoology or wildlife science or animal behaviours or animal intelligence, but sometimes I think about the fact that birdwatchers in Toronto observed a raven learn how to mimic crow calls, make a nest with a crow and raise a pair of crow-raven hybrids the birdwatchers referred to as cravens and I just think. That's gotta be love, baby.
Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston
Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here.
Macbeth: here's the 1961 one with Sean Connery. Here's the 1971 by Roman Polanski, with spanish subtitles. Here's the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ">here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here.
Measure for Measure: BBC version here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version
Richard III: here's the 1955 one with Laurence Olivier, and here's the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it's on youtube)
Romeo and Juliet: here's the 1988 BBC version.
The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, herefor the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
Okay, I'm collating everything from the comments because I love this so much!
From vivienlacroix:
Much Ado about Nothing: Here is the Free Shakespeare in the Park version with Danielle Brooks as Beatrice (From 2019)
Hamlet: Here is the 1921 silent film in which Hamlet is a woman (don’t get your hopes up though it’s extremely sexist and heteronormative)
A Midsummer Night‘s Dream: here is the 2019 National Theatre version (With Gwendoline Christie)
From partywithponies:
From ryfkah
"Двенадцатая ночь" (Twelfth Night), a Russian film from 1955 (with subtitles)
Twelfth Night (1986), a filmed version of an Australian stage production with baby Geoffrey Rush as Andrew Aguecheek
From chekovsphaser:
This drive has 4 Globe productions Midsummer 2013 and Tempest 2013 (Both above), and then As You Like It 2009, and Love's Labour's Lost 2010
From maa-pix:
Twelfth Night: the 1998 version, "Live From Lincoln Center" on PBS, directed by Nicholas Hytner, with Helen Hunt, Paul Rudd, and Kyra Sedgwick. Part One, Intermission interview with Nicholas Hytner, and Part Two. Also here. (Absolutely fantastic version, best I've ever seen.)
From everybody-dies-at-least-once:
Andrew Scott's Hamlet: Almeida (2018)
King Lear at Shakespeare Festival NYC (1974) w/ James Earl Jones, Paul Sorvino, and a young (very sexy) Raul Julia here
Then I made a Google Drive for the ones that I have that I haven't seen elsewhere on the list:
They are also all Globe productions: MacBeth 2020, Romeo and Juliet 2009, Romeo and Juliet 2019, The Merry Wives of Windsor 2019, and The Winter's Tale 2018.
And then finally MIT has this super cool repository of performances from around the world and some of them have videos https://globalshakespeares.mit.edu/
In my (unsuccessful) quest to find The Hollow Crown, I also found a few other of the histories, so here's Richard II with Sean Connery, Richard II with Ian McKellan, and a stage play of Richard III
Also, if anyone has a version of the lockdown Romeo and Juliet mentioned above or the Olivier or McKellan Richard IIIs, the current links are broken and the productions sound very cool!
I might kiss you my friend for that work. I awoke from my slumber to find that the post had become popular again and there was way too much notes attached to it for me to read them all.
Panther in the rain.
Happy Wet Beast Wednesday to all those that participate
There’s something extremely funny to me about seeing “critically acclaimed” followed by “mostly negative (12,477)”
It's even funnier now.
Do you see your little red house?
[image: the eye test (autorefractor) image of a small house in the distance surrounded by a bright green field and bright blue sky except the house is on fire]
For those worried about the crew having to do a whole job just for one person, flight staff only get paid for time they're in the air; if he'd cancelled, they wouldn't have gotten paid for zip.
So in other words, he gave them an easy day where they can spend most of it on break, and also airplane staff should unionize.
Oh that's great then
They get paid for the usual full load but only have to worry about 1 passenger, and a (presumably) lighter plane
“For some time, Hollywood has marketed family entertainment according to a two-pronged strategy, with cute stuff and kinetic motion for the kids and sly pop-cultural references and tame double entendres for mom and dad. Miyazaki has no interest in such trickery, or in the alternative method, most successfully deployed in Pixar features like Finding Nemo, Toy Story 3 and Inside/Out, of blending silliness with sentimentality.”
“Most films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They aren’t so much made for children as they’re made to be not not for children. It’s perhaps telling that the genre is generally called “Family,” rather than “Children’s.” The films are designed to be pleasing to a broad, age-diverse audience, but they’re not necessarily specially made for young minds.”
“My Neighbor Totoro, on the other hand, is a genuine children’s film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsuki’s shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows children’s goals and concerns. Its protagonists aren’t given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.”
“Consider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that she’s “off to run some errands” - The film is hers for the next ten minutes, with very little dialogue. She’s seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play “flower shop” with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but we’re never bored, because Mei is never bored.”
“[…] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoro’s world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.”
“My Neighbor Totoro has a story, but it’s the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, “And then what happened?” This kind of whimsicality is actually baked into Miyazaki’s process: he begins animating his films before they’re fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those things—and there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.”
A.O. Scott and Lauren Wilford on “My Neighbor Totoro”, 2017.
every time this shows up on my blog, I’m rescheduling it to show up again at a later date so I can keep remembering how important a child’s perspective is.
Okay so I found the most incredible horse statue while doing research for my job and guys. Are you ready for this. Are you sure you're fucking ready for this thing
*sees 2 notes* FUCK yes let's fucking GOOOO
Behemoth
I saw the opposite of this horse
HONSE & hrse
prayer to whichever dead catholic person is most appropriate: may I not have to run a whole week of surprise camps on crutches. in a knee brace.
Im agnostic raised liberal protestant, but absolutely the catholics got saints right. Sometimes your problem is so fucking specific you need Some Guy. If you're listening, Guy of Workers Who Have Strain Injuries,
No fucking WAY, there's actually a knee injury Guy? Catholicism accidentally reinventing the medical specialty system......
I know you're wondering: are there slutty pictures of him revealing his knees?
Saint Roch, by Francesco Ribalta, c. 1625, Museo de Bellas Artes, Valencia
[image id: st. Roch staring soulfully and hiking up his robe to show that his thigh has a bubo on it, also sluttily revealing his knees]
what the dog doin
omg you can make playlists on bandcamp now???
finally I can know peace
clem totally totally totally loves to act like she’s a new bitch and doesn’t care about any of that old shit and is living her new life as a the witch in glass and perennials favorite little freak but she still absolutely hates brnine for stealing her best friend/not-girlfriend
theyrezi
[video description: a man playing saxophone in front of a large pipe. everything he plays echoes back through the pipe, resulting in a call-and-response type song. the person behind the camera claps along to the beat. end description.]
a reasonable society would base their entire economy around this
GUY BUILDING THE OTHER END OF THE PIPE: the jazz ghost is back
