i now have a drawing box, which means you can anonymously send me silly doodles. please feel free to do so :3
i found the perfect display for my 100,000+ year old shrimp fossil
Reblogging again bc this is found art op. I had a visceral, delighted reaction to this piece
Wait, wait…. Is that seriously it? How their clothes go?
that genuinely is it
yeah hey whats up bout to put some fucking giant sheets on my body
lets bring back sheetwares
also chlamys:
and exomis:
trust the ancients to make a fashion statement out of straight cloth and nothing but pins
Wrap Yourself In Blankets, Call It a Day
Wear blanket. Conquer world.
That last one looks dope
Squares and rectangles: easy to weave!! No cutting means no hemming.
And easy to construct, you don’t have to have complicated seaming and patterning to turn fabric into clothing!
ancient Egyptian robes
This sort of clothing solution wasn’t just for the Mediterranean, or northern Africa, either. Behold the Belted Plaid:
(auto generated captions)
Has anyone already reblogged this with saris? It’s cool how many cultures have similarities like this hidden in plain sight.
Since we are here might as well share the dhoti and the lungi
It’s only men in the photos but really anyone can wear them. I am wearing a lungi right now.
I also know Thailand and Sri Lanka have their versions of a lungi as well.
we need to bring this style of clothing back.
Girls don’t want boys girls want the Bob Basset Dragon Wings
girls want to kiss girls while wearing the Bob Basset Dragon Wings
(it’s me i’m girls)
you're a stupid fucking anti-sjw lol. This blog is stupid. I hate you crackers white people SUCK go suck a dick.
looks like I triggered more sjws. Keep sending these asks they only fuel my logic.
Never forget the guy who didn’t remember to hit anon before sending himself hate mail
Love that we’re still dragging the poor fuckers corpse around years later so no one ever forgets their shameful mistake lol
Honestly, in my work as a therapist, I’m seeing this A Lot, and tbh I still don’t have a satisfactory approach to it. A heavy dose of Existentialist “create your own Purpose” tempered with “when the plane’s going down, put your own oxygen mask on first”, but… yeah, there is no ethical way to work on individual emotional distress without acknowledging the systemic socioeconomic, geopolitical fuckery going on at the moment, and the sheer grief that comes with it.
I’m a guidance counselor/psychologist for teenagers and it’s getting really hard to motivate young people to work for a future they don’t believe in.
They look at ther future and see global warming, wwIII, unemployement, political unstability, poison in everything they eat, the earth and animals dying all around them.
I saw this video where someone was asking french teens in the 50s how they imagine the future would be. The war hadn’t been over for long and yet it was all positive with like peace and flying cars and such. Then they went and ask the same questions to nowadays teens and hell that was depressing. Some still had hope, but it was just that “well I hope I’ll have a nice house and maybe some kid” but there was such a hesitancy to it, like they didn’t dare to hope too much.
People mock Greta Thunberg but what they don’t get is that when she said “you stole my dreams”, it was the truth.
Young people don’t get to dream like they used to. They don’t dream anymore, they grief all that won’t be anymore and that’s just so fucking sad.
The fact that both the tweet and these reblogs are pre-pandemic makes this post even worse
obsessed with villains who you just KNOW are aware deep down in their heart that they've done something unforgivable, but the only way to never admit that or face the guilt is to keep doing it over and over again until they don't feel guilty about that first time anymore
sunk cost fallacy
i think all quiet on the western front and the lord of the rings are in direct conversation with each other, as in theyre the retelling of the same war with one saying here’s what happened, we all died, and it did not matter at all and another going hush little boy, of course we won, of course your friends came back
someone should remake lord of the rings as a grandfather telling a fantasy story to his grand child with flashbacks to world war one showing the dead boys and men the characters were based on. grandpa why didn’t they just fly. because they didn’t. they didn’t.
i’m fine
I will never get over how Tolkien & Lewis took the horrors of war and spun them into fantasy.
Shivering in the trenches dreaming of cozy hobbit holes, shaking as bombs pockmark a forest and imagining each shallow mud-filled crater contains a new world—that maybe there are still as many beautiful things in the universe as there are bombs—that maybe the world is bigger than this moment and this ugliness and one day this will be a peaceful forest again full of small ponds.
I mean look at these photos of the shell craters in Sanctuary Woods, near Ypres Belgium and tell me it’s not the Wood Between The Worlds:
there's something so perverse about phones automatically capitalizing brands. don't make me put respect on youtube's name.
I think if i put into words how happy this type of image makes me I would get diagnosed with something
Things that I knew about: that the mass incarceration of people in the USA , particularly black men, has direct ties to/is an extension of slavery. Things I did not know: this specific shit about Louisiana HOLY FUCK this is evil.
yeah as an american i didn’t know about this either, but now that i do know, it doesn’t surprise me at all. this country is so systemically, foundationally fucked up in so many different ways. really really hope that we can fix it someday (with communism probably), but holy fucking shit, we would have to fix a Lot of things.
In the club
I think I’m literally never gonna be sick of this masterpiece. I think watching it on a loop for eight hours could fix me. Dancing’s what clears my soul. Dancing’s what makes me whole.
peeling those sour rainbow gummy strips into long thin strings and putting them into cheap energy drink to create something im calling battery acid spaghetti will update once ive finished it
dont do this
I really hope its not too bad bc i actually love both components.
it forms a dry skin at the top made of the sour pellets. not a great start.
tastes really good actually. i also feel like i am about to explode.
do not do this.
Unanimous consensus: Do not do this
Other people: Hold on I’m about to do this
Rip to y'all, but I'm built different. Trying this tonight
Best I can do with what I have (I'm at work rn)
Oh that is a... fascinating smell
Don't do this
i think i'll try this tomorrow actually, it can't be that bad, im sure ive made worse cursed foods before
Captions shouldn't be censored. If the video says fuck or cum or cunt the captions should say the fucking word.
Unless it's a slur! No one needs to see that.
If they say a slur in the video, the captions should reflect it. The disabled are not little babies who have to have life sanitized for them.
okay but I feel like ur forgetting that slurs don't just apply to the disabled... children don't need to be seeing the n-word or other racial slurs??
but children DO need to be hearing it? are you actually reading the post here?
Here's how it works when subtitles are done properly:
Audio: Let's BEEP go! Subtitle: Let's (censor tone) go!
Audio: Let's fucking go! Subtitle: Let's fucking go!
Removing swears and slurs from the subtitles without removing it from the audio is implying that deaf/HoH people need babying, unlike their hearing friends and family sitting right next to them. Which is frustrating.
The point of subtitles is to give the same experience to everyone watching, regardless of ability—not to be a more palatable version of what's being said.
I was on a plane this weekend, and I was chatting with the woman sitting next to me about an upcoming writer’s strike. “Do you really think you’re mistreated?” she asked me.
That’s not the issue at stake here. Let me tell you a little something about “minirooms.”
Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can – characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.
This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. It’s not a huge problem now, but the WGA only gets the chance to make rules every three years – if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.
Do I feel like I’m mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me – a mid-level writer who makes a decent living working on someone else’s show (I’d like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels – the handful of glorified idea people who are already scrambling to find their next show because you can’t make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think it’s plain bad for television as an art form – what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner can’t do their best work under all of that pressure, episode after episode, back to back. Minirooms just…fucking suck.
The WGA is proposing two things to fix this – a rule that writers have to be employed for the entire show, and a rule tying the number of writers in the room to the number of episodes you have per season. I don’t think it’s unreasonable. It’s the way shows have run since the advent of television. It’s only in the last couple of years that this has become a new thing. It’s exploitative. It squeezes out everyone except showrunners and people who have the financial means to work only a few months a year. It makes television worse. And that is the issue in this strike that means everything to me, and that is why I voted yes on the strike authorization vote.
I explained this to a young writer recently. They could not understand why the WGA might go on strike, and worried that it would hurt younger writers.
They had worked in TV for 4 years, been on 3 major TV shows, primarily in “mini rooms”, had their name listed as cowriter on one broadcast episode and had never been on set for any of their shows. Had never seen anything they wrote being filmed. They knew next to nothing about the actual process of getting TV made.
I explained that we weren’t going on strike for people like me, we were going on strike for people like them. Because we need more writers to be there, to work their way up. We need a generation of showrunners to take over from us, and to, I hope, have an easier time of it. We need the young writers to be properly paid, not to be on a six week writers room once a year, and a crack at having their names on a script.
Their reply: “So they are basically asking for all the things I could have really done with in the last three years”.
I said, yes, and sent them a link to the WGA pattern of demands, as I link for you now:


























