The Rising Beams x Smart collaboration clear file
Key visuals for Side Tiger/Bunny from the 2023 Sunrise Festival.
Key visual from the 2021 Mitsukoshi campaign
Tiger & Bunny 2 TV Broadcast countdowns (Episode 2 version).
matchablossom + onion headlines
The point shouldn't be to identify for sure 100% what is ai art and what isn't. I keep seeing posts advising one to look out for wonky perspective (as if perspective doesn't routinely trip up even the most experienced artists) or to pay attention to fudged detailing (as if impressionism wasn't one of the most influential artistic movements in history), and I think that's coming from a good place but frankly it's a losing battle. Remember when everyone was on about counting the fingers or counting the teeth, and a week later they had that shit ironed out completely? All you're really doing is giving these people more data points to work with to refine their algorithm. It's just going to be constantly shifting goalposts, and at a certain point real artists are going to get exhausted trying to make their art look as not algorithmically generated as possible. It'll be impossible to keep up.
So what should we do? Honestly, I think old practices are still best practices. Find real artists and follow them. Don't repost art, and dont spread reposted art. If something doesn't have a source, skip it. Support artists you like, either by sharing their work directly or donating. And if someone's work looks suspicious? Maybe give them a second look. See some of their other art before jumping to conclusions.
And yes, that means sometimes, you're gonna be tricked. Some people are going to fly under the radar and pass off ai art as their own. And that sucks, and they're liars, but you can't let the obsession with bad actors police real artists out of their communities, or discourage new artists from entering the scene.
shoutout to the people working for hours on content that only gets ten notes. i’m kissing you tenderly on the forehead as we speak
Did a more simple one this time, but I thought this shot was super fucking cool for the ep 22 redraw! Had a lot of fun with it too!
No hardcore fandom has ever died so quickly and so completely as Veronica Mars. This is the story of its murder.
They should study Veronica Mars in Hollywood. I'm serious. It's an incredible story of how to go from "loud, passionate fanbase with its own fandom name that campaigns and advocates constantly for it" to "absolutely zero fucking interest" damn near OVERNIGHT with just ONE epically terri-bad decision.
If you weren't there, you don't understand: From 2007 to 2014, the fandom — the "Marshmallows," as they called themselves — were everywhere in the Internet's geek spaces, my friends. They routinely beat the drum about the series' three seasons and its excellence, lamented its cancellation, pushed others to give the show a try, and always - ALWAYS - proudly and loudly called for the series to be revived.
FULL DISCLOSURE/CONFESSION: I've not even watched that much Veronica Mars, frankly... ? Yeah, I'm sorry! it does seem pretty good from like the four-or-five hours I've experienced firsthand. I just never took the time to sit down with it. Regardless, I find fandoms and their dynamics — both how they operate internally and how they display to others externally — deeply fascinating. And I honestly find them easier to study from the outside than the inside. Like, if I'm IN a fandom, I'm more likely to stay in my corner and ignore places that seem negative. But being on the outside lets me just... absorb what's out there, looking into every forum without judgment. It's like studying pop-culture sociology or something? And it helps that I'm very close to some serious(-ly burnt) Marshmallows. It makes it so much easier to find and absorb the gamut of the fandom.
Besides: There is NO fandom story I've ever seen that's anything like what happened to Veronica Mars and the Marshmallows.
(Time to insert a brief explainer for the uninitiated: Veronica Mars was a TV series that aired from 2004-2007 on the now-deceased UPN network wherein Kristen Bell played the titular character, a high school girl whose single dad was a private detective in the fictional community of Neptune, California. She grew up working "unofficially" as his assistant, which meant that she herself was effectively a teenage private detective.
The three core elements of the series were: 1) Veronica investigating each week's big mystery with plenty of quips and snark, 2) Watching Veronica's various relationships develop and shift, with most of the focus given to a) her relationship to her father and b) Her romantic pursuits (which began as the Veronica/Duncan/Logan triangle before eventually becoming focused on the slow-burn, off-on Veronica/Logan love story), and 3) The gradual development of that season's "mytharc" — the overarching BIG MYSTERY that doesn't get resolved or wrapped until the season finale. So it went over the course of two seasons that took place in high school and the third, shorter season that was at the start of Veronica's collegiate career.)
Just how big and how passionate were the Marshmallows? WELL! When series creator Rob Thomas (not the Matchbox 20 guy) and star Kristen Bell announced the Kickstarter campaign for the Veronica Mars movie in March 2013, it achieved its heretofore-unprecedented goal of TWO MILLION GODDAMN DOLLARS within less than 12 hours. At that time, it was the biggest Kickstarter goal to ever succeed — and certainly the fastest to reach that kind of height. Fans fell OVER themselves to pay out for it. Hell, my own significant other was DEEP in the tank for VM at the time and invested enough to get multiple t-shirts as backer rewards as well as a disk copy of the movie when it eventually came home.
And AFTER the movie hit in 2014? It was thankfully beloved and embraced! The once-teenage characters were adults who were actually out living on their own and working for a living, but the fandom had grown up with them, so it wasn't like they were begging for them to stay young students. They embraced Adult Veronica and her new adventure. The fandom rejoiced loudly and continued to be all over the geek side of the Internet... where they, of course, still wanted more. Sure, there were new novels in the aftermath (which were written by the creator of the series), but most of the Marshmallows were calling for more movies or a streaming revival.
And then, at long last... season four was actually announced. And there was much (premature) rejoicing yet again.
Yes, Veronica Mars returned for a fourth season on Hulu in 2019. It was just eight episodes, and it was heavily centered on one season-long mystery instead of sprinkling that amongst a bunch of smaller ones, but it would still feature the same ol' Veronica. They promised a new, more "adult" mystery/investigation plus a strong focus on Veronica and Logan's love story.
New Hulu purchased the rights to the first three seasons and hyped up its presence on the platform while marketing the return for the new run. The marketing team played up the most popular quips from the show's history plus put out TONS of stuff centered on the Logan/Veronica ship to pump up the fans.
The season was dropped all at once using the classic Netflix "binge" model in July 2019. And then... afterwards?
There was a brief explosion of LOUD RAGE from the Marshmallows at what series creator Rob Thomas had to done to burn and spite the fandom and ruin his own goodwill.
SPOILERS FOR SEASON 4: See, at the end of the movie, Veronica and Logan finally entered into a long-term relationship. In season four, they've been dating for years, and Logan proposes marriage. But of course there has to be drama/obstacles: In this case, Veronica isn't sure she's ready to marry... or capable of being in a marriage. Ah, but of course she eventually realizes how much Logan means to her. The two are married, and, in the season finale... Logan is killed by a car bomb in the penultimate scene. The final scene is a flashfoward to a year later, where Veronica leaves Neptune alone.
For most fandoms, that'd be a memorable point of pain. A big ol' speed bump that ultimately throws some people off the bus, leaving only the die-hards. But the fact that fans had been invested in this relationship for literally 15 years and that Hulu (and creator Rob Thomas) had heavily marketed the new season as being a big romantic event for the ship... it was too much. Unlike the aftermath of the Star Wars sequels, there was no lingering group of die-hard fans who were open to whatever was next — at least no significant one. I did some Googling and could only find TWO people who still wanted another season.
Funnily enough? Critics LOVED this. Vanity Fair infamously penned an editorial about how Veronica Mars had "finally grown up" with the finale. (The same editorial also featured the author openly hating on Veronica ever being in a relationship because it causes "arrested development" and declaring that the movie -- which was acclaimed by both critics AND fans alike, I remind you -- was a lame dud. So. The writer must be a reeeaaaal fun person.)
But a series doesn't live based on critical acclaim, as it turns out. The fandom was murdered overnight. "Marshmallows" stopped appearing in geek spaces online entirely. No one expressed interest in seeing the next season or the next movie. The constant flow of fan AMVs on YouTube and fanfics on AO3 dried up to nothing.
Since 2019 ? Nothing. Chirping crickets. An intensely dedicated fandom of 12 years was just... vaporized.
I've never seen anything like it before OR since.
That's why it's so fucking fascinating.
So what went wrong?
Creator Rob Thomas was adamant about two things: ONE, the series was intended to be a noir show, which meant there couldn't be any happiness for its protagonist. And TWO, the death of Logan was necessary to evolve and grow the series.
Thomas thought that having Veronica in a relationship would be holding her back, and that a marriage would absolutely kill the series and leave her stagnant. It never even occurred to him that marriage isn't the end of a character's life and growth. It never occurred to him that plenty of drama can be had AFTER someone is married, or that development/growth could be that the characters mature enough to be capable of maintaining a committed relationship. Thomas' view of his own universe was so myopic that he couldn't conceive of any possible way that Veronica could still be a private detective involved in life-threatening investigations AND be married at the same time. Futhermore, he felt that fans just wanted Veronica to become a pregnant housewife, which is about as far from what Marshmallows were after as you can get without straight-up killing Veronica and/or Logan. He managed to do the only thing wronger than what he wrongly thought was their insistence.
On top of the above, Rob Thomas only viewed "noir" as a vehicle for total fatalism... despite the fact that many of the most famous noir stories are cynical and full of moral ambiguity, but they still feature a positive outcome. The Big Sleep still has the protagonist get the girl. The Set-Up arguably ends with the happiest possible ending in spite of the beating the hero receives.
Perhaps most importantly? Despite Thomas own insistence that Veronica Mars was always "noir," the majority of both TV critics and fans did not think that designation ever truly applied. I suspect that's the reason why Thomas decided to go as dark and fatalistic as possible: He wanted to be noir, and he was being told that he wasn't. So he went so far into noir that he killed his own most popular property.
He was adamant that it was the only way for the series to grow. But as it turns out, it was instead the only way for the series to permanently end. Without that season four finale, a passionate group of fans would still be begging for more. With it? It's over. Nobody fucking cares now.
That's kind of amazing.
Tiger & Bunny 2 TV Broadcast countdowns (Episode 1 version).
C’mon Tumblr what’s up with this 404 bs!! What do you mean “not found”; it is your literal home page. Are the tumblebeasts eating the servers again; what gives.
Extremely late theory concerning Jonathan’s time in the castle and who was responsible for the cuisine. Namely…
1. While the Brides were grand gothic girlbosses who went behind Drac’s back to jump his hot young solicitor the second he was in reach, I don’t think the reason they weren’t helping out in Classic Lady Fashion in the kitchen was because they put up their noses and said, ‘Ha, fuck you, Count, we’re not cooking shit.’ Much as I love that image…
2. …being up and about, whether to play Dracula’s questionable roommates or to help with the upkeep, would put them in easy biting distance of Jonathan. So I have to imagine the actual scenario was more along the lines of–
The Brides: “We can help :) :) :) <3 <3 <3”
Dracula, probably lost three other solicitors, a postman, and the guy who fits the horseshoes to their ‘help’: “Hm. No. :) <3”
3. If the quality Jonathan can taste in the meals is any indication, cooking is something the Count actually has some talent in. And probably pride. Meaning that the second reason the Brides didn’t have a hand in the culinary work is likely–
The Brides, sneaking in to turn the cookbook to a page with a recipe they’d like Jonathan to be flavored with: :) :) :)
Dracula: Ladies. :) My loves. :) Unholy lights of my life. :)
Dracula, now holding The Largest butcher knife, calling on the wrathful souls of every chef to live and die before him: What in the entire Fuck are you doing in My Kitchen? :)))))))
Chris Pine as Edgin Darvis and Michelle Rodriguez as Holga Kilgore in Dungeons & Dragons: Honor Among Thieves (2023)
i love you. im glad we exist in the same slice of time and space.
So it turns out that ChatGPT not only uses a ton shit of energy, but also a ton shit of water. This is according to a new study by a group of researchers from the University of Colorado Riverside and the University of Texas Arlington, Futurism reports.
Which sounds INSANE but also makes sense when you think of it. You know what happens to, for example, your computer when it’s doing a LOT of work and processing. You gotta cool those machines.
And what’s worrying about this is that water shortages are already an issue almost everywhere, and over this summer, and the next summers, will become more and more of a problem with the rising temperatures all over the world. So it’s important to have this in mind and share the info. Big part of how we ended up where we are with the climate crisis is that for a long time politicians KNEW about the science, but the large public didn’t have all the facts. We didn’t have access to it. KNOWING about things and sharing that info can be a real game-changer. Because then we know up to what point we, as individuals, can have effective actions in our daily lives and what we need to be asking our legislators for.
And with all the issues AI can pose, I think this is such an important argument to add to the conversation.
The best way to keep your timeline straight in a book with three alternating POVs is just to never, ever, ever mention how many days have passed with any precision whatsoever. Stuff happens when it happens. We do not question the flow of time. If we act like it doesn't exist, it can't hurt us. We are immune. We neither sleep nor eat. Was that last week or last month? No one knows.
Looks like we can’t isolate, ignore, ibuprofen our way out of this one boys
