luminarystudies reblogged
luminarystudies reblogged
Surreal Self-Portraits by 22-Year-Old Photographer Noell S. Oszvald who Began Shooting a Year Ago. (via my modern met)
luminarystudies reblogged
I will not feel a thing, My Dead Pony
Source: mydeadpony.com
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Paris Brut, Zupagrafika
Source: zupagrafika.com
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To scale, Ryan Monahan
Source: instagram.com
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Lackdose, Iran, 1753
Source: schreib.land
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Your Body is a Space That Sees – artist Lia Halloran’s stunning cyanotype tribute to women in astronomy.
Beautiful!
luminarystudies reblogged
Harald Sohlberg (Norwegian, 1869-1935), Sea Spray (1908) , pen and ink and watercolour on paper
1908: My Favorite Year, aesthetically, always
luminarystudies reblogged
Summer in the City, Philip Barlow
Source: philipbarlow.com
luminarystudies reblogged
Double exposure, Miki Takahashi
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reverb
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Putting this old shit here, because I just rewatched it for the first time in ages and realised I don’t actually hate the drawings I did for it. Congratulations, video, you earn the dubious privilege of being on my tumblr.
Story: Michelle Law Artwork: Meeghan O’Shea Sound: Timothy Nicastri & Luke Mynott Animation: Gabriel Clark & Benjamin Zaugg Producers for Radio with Pictures: Gabriel Clark & Que Minh Luu Producer for RN: Jesse Cox Titles: Matt Taylor, The Explainers
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Dan Wolgers: Self (Soi), 2016
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untxt
“Antiheroes” is a project by Susana Blasco that combines vintage photographs with everyday objects to create funny and bizarre portraits, which the artist shares on her Instagram account.
luminarystudies reblogged
Photographic prints, insect pins, pinning foam, gelatin capsules, glass vials, painted canvas, cast resin, pill organizer, plastic specimen bags, cotton thread, costume jewelry, sequins.
luminarystudies reblogged
I think as an artist it’s very easy to [equate self-worth with artistic success] because of the nature of the work. If you think of art as a job, then your product is so much more than hours invested. The product is a piece of yourself, so of course if the reception is not the greatest, then it can feel like a direct hit to who you are as a person. I think this happened a lot more when I was younger and still finding my way around. I would doubt my direction when a viewer wasn’t thrilled. The trick for me is not to put more distance between my work and myself, but to close that gap completely. I can see myself in the art that I create, and that builds a wall of confidence.