fundamental Edward looks || Our Flag Means Death
the homosexual urge to wear your unhinged pirate boyfriend’s clothes | OUR FLAG MEANS DEATH
(gentle reminder david jenkins gave us the devastating news that ed is still wearing stede’s black cravat and that the fuschia robe ed did his post-breakup wallowing in was the robe stede wore to illustrate how ed “literally brought more colour into stede’s life”)
Our Flag Means Death - S1E4 Discomfort in a Marriage State
THIS SHOW I SWEAR
Taika Waititi MUST complete the trifecta and give us a show about gay cowboys alongside the gay vampires and gay pirates
Someone might have been projecting their pining on gay pirates a bit too much?
(This is the last of my OFMD finale overreacting for now, back to GO content)
I do wholeheartedly believe Wes Anderson is a sick sick freak. I like his movies but I definitely think this guy has like a hidden room in his spacious french apartment that he slips into quietly each night and it is just filled with tiny little doll replicas of all the actors he's ever used in any of his movies and he puppets them around and mimicks their voices and shit. and sometimes he'll text Owen Wilson pictures of his little doll with a comb or something from an untraceable number and pair it with like "see how I take care of you Owen?" and then the following day Owen Wilson will find him at the service table and go, "Geez Wes look at this," and Wes will pretend to be all concerned and horrified but there is this calculating almost eager look in his eyes that unsettles Owen Wilson. and the next time Wes is having a little soiree with all his actors, his beloved beloved actors, maybe Owen Wilson will accidentally get lost on his way to the beautiful bathroom and find that little room and see all those dolls and his throat will hitch with horror. And before he can call Bill Murray or Adrian Brody to look a dark silhouette will appear in the doorway and Wes looks sort of resigned when he says, "I see you finally found my secret, Owen," and Owen Wilson will try and pretend that he's fine with it but they both know better. and Wes will go (the look in his eyes back again) "We both know this can't get out, right?" and he'll grin very suddenly and Owen Wilson will laugh along very nervously and leave the room and eat some brioche and when the evening is over he will rush over to his Prius and frantically click his keys but over the cobbles on the beautiful beautiful street there is the sound of footsteps. and tears are running down Owen Wilson's cheeks but he can't say a word and Wes, emerging from the shadows, will gently touch him on the shoulder and say, "look, I'll drive you to the airport, huh?" and Owen Wilson will try to refuse but they both know it's futile. and, halfway through the drive, Wes Anderson will smile and say, "I'll miss working with you" and then perfectly jump and roll out of the car, wiping off his corduroy pants, while Owen Wilson's Prius swerves into a local patisserie, bursting into flames
Maybe barriers Frank and leathermouth Frank SEEM like total opposites but
This is absolutely the same man
Alexandre Cabanel’s Fallen Angel (1847) // Frank Iero and the Cellabration’s Joyriding (2014) // Frank Iero (2007)
The moment that devastated the wardrobe department, according to Harvey on After the Shadows. Shared by Harvey on Instagram [source]
If you look in the mirror and don’t like what you see, you can find out firsthand what it’s like to be me. don’t repost. redbubble
Obsessed with this old photo of Green Day performing in skirts/dresses
true forms
ohoo boy this one took a lil while (like five and a half hours) but i think i’m pretty happy with how it turned out! you can check out the timelapse on my instagram
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