“Can we play on the computer too? 🥺 👉👈 “
guy who just had like 3 weeks to do several things and didn’t do them: boy i need a week off!
is there yaoi in the barbie movie
sorry. is there yuri in the barbie movie
now we just wait for the tweet in three days time where misha clarifies that despite mispeaking at a fan convention this weekend warner brothers never actually asked him to be bisexual for pr reasons and that he is sick to his stomach at the thought he could co-opt the struggles of unprofitable production companies
loving the lord of the rings so far
my theory is that reincarnation is real and that's why everything is so fucked up. we got too many people on earth and their souls were supposed to spend a few more cycles as endangered animals or smthn but we fucked the environment and overpopulated. so we get guys who was SUPPOSED to be black-footed ferrets or whatever til their soul reached maturity but instead they're like, influencers and politicians. this is also why furries exist.
old guys say the coolest shit like “boy if I have another one of these peanut butter cookies theyre gonna have to lock me up and throw away the key”
*covered in blood & in visible distress* i just need to write a list
Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil-paints on sheets of glass as the animator gradually alters the shapes they create, and during this process, a camera records each finished ‘frame’.
When adapting ONE’s Mob Psycho 100, director Yuzuru Tachikawa wanted to adapt the source material in fantastic ways. And so, by combining the talents of a skilled staff, an anime with an incredible mix of animation techniques was born.
Mob Psycho’s ending, and a good portion of the paranormal scenes are a complex product of paint-on-glass animation, done by Miyo Sato, a Tokyo University of Arts graduate and animator who has had her work nominated for multiple international animation awards.









