Reblog to kill it faster

Mothers of POV characters from A Song of Ice and Fire (sigils by @johnjennetteart)

don’t like it when people say you can’t have potatoes in ur fantasy novel without detailed explanation. who gives a fuck

“ohh in europe they didnt have those until” well its not europe is it. its middle earth its earthsea its some country somebody made up

“have detailed knowledge of your dragon’s anatomy and a foolproof scientifically backed explanation of how he can fly” he can fly because he’s a dragon. and because i love him

You can come up with an elaborate explanation if you want to. If anyone says you have to, put them in the story and mock them relentlessly.

Based off of this post righ here

the subsequent dialogue coming after the phone call is something along the lines of

"How the hell do you have UTAS PHONE NUMBER??!?!??!?!" "well, she gave it to me, of course~" "thats, ,, THATS NOT WHAT WE MEANT?"

#pink and yellow #or pink and orange

i’m watching an art theft documentary and they’re interviewing this art history professor from new york who was asked to go with the fbi to authenticate a rubens that had been stolen but it was a sting operation so they had to pretend like they weren’t the fbi, that they were some private buyer about to pay $3.5 million for it, and the fbi was like “this is a VERY delicate operation because you never know how they will react to what you have to say so let the agent do all of the talking, don’t say a word to anyone just nod if it’s the rubens, the last operation we did the guy in your position got shot because things went wrong in a second” and then it cuts to the professor’s interview and he says “i wasn’t going to fly down to miami to be a part of an undercover fbi sting operation to handle what could be rubens’s aurora and just NOT say anything. i was gonna have to ad lib a little” and then he tells the interviewer that when he & the fbi agent got to the hotel while he was examining the painting he started lecturing the other people, first on how badly they had wrapped it, and then about like how it had been painted, the history of it, what the subject was and what she was doing, etc etc, and he was like “i hadn’t taught a class on rubens in 15 years, so for me it was like being back in the classroom except my students couldn’t leave” 

at one point during the deal the professor turned to the woman selling it and he said “isn’t this just the most beautiful rubens you’ve ever seen outside of a museum?” (because the fbi had told him earlier that this piece had been stolen from a museum) and THEN he said “where on earth did you get it from?” and the group of people the woman had with her was like taxidermy-fox.png but the woman was like “inheritance” can you IMAGINE the fbi agent about to have a fucking aneurysm when this random guy you’ve brought in just to nod if it’s the right painting not only starts giving an impromptu lecture but then he asks how they got it

https://www.youtube.com/watch?v=0B4Zm-Aa74Y&t=2613s

omg BLESS YOU for the link and the time stamp that was as glorious as described by the OP

Y’all failed to mention that HE posted the video HIMSELF and liked every single comment oh my god

you: “chaotic lawful” isn’t a valid character alignment this guy: …hold my beer

hello google chrome refugees

don't use any of these browsers, they're also chrome

Here are my favorite firefox plugins for security/anti-tracking/anti-ad that I recommend you get

please get off chrome google is currently being investigated for being an Illegal Monopoly so get outta there okay love you bye

from now on your tumblr nickname is whatever you get from this sexual identity generator  ☆

mine is “retired babygirl” and that’s hilarious

I like this headcanon

A post-Tokyo universe by kurozaki sakura

M-M-M-MULTIKILL!

More of Alistair and his differemt forms + the decisive step on Greta'sjourney to befriend him where she thought of bringing him some tuna with awesome and wholesome results.

.... until she went back home to Croqueta:

Every artist who sees this post should do the following:

- Watch the video.

- Follow the instructions

- Reblog

I can’t stress you enough about how important these exercises are for your drawing hand. You don’t wanna get CTS of Tendonitis and similar stuff that will prevent you from making art or even hold  a pencil.

Okay, this guy is my HERO. I just did these exercises as I watched the video, and already my arms and hands feel better. I have a degenerative tendon disease that prevents my muscles, tendons and ligaments from retaining their elasticity, and so anything that maintains the health of my bendy parts is important.

I URGE YOU. Even if you don’t draw, do these several times a day. Even just sitting at a computer can do serious damage. My dad, who was a rugby player, a carpenter, and now a handyman, suffered from severe carpal tunnel syndrome, simply as a result of sitting at the computer at the end of the day to play a little solitaire. Don’t let it happen to you!

((Guys, I will reblog this like, 5 times a day just so you all will see this. This is REALLY helpful, and it’s quick and easy.))

Wow, these are REALLY helpful. And yes, this is not just good but IMPORTANT for more than artists — if you type a lot, play a lot of video games, do anything that requires lots of repetitive movements of your hands, wrists, and arms (gardening, sewing, factory work), these can help. Even if you don’t yet get pain these are a great preventative measure, because the damage builds up over time. Youth is no protection.

And like he says, you should feel a stretch, but don’t push it too far!

Signal boosting.  Guys, I just did this and holy cow do I feel incredibly light and limber in my arms.  Again, even if you don’t have any sort of disease, do this as a preventative measure.

Digimon Survive, Mistakes and Moving On Part 1: Shuuji and Ryo

(Day 2 of Survive Week: Survive) [Part 2] [Part 3] [Part 4] [Part 5] [Takuma Addition] So Digimon Survive is a huge game, with 4 routes and a lot of moving parts, Digimon Survive tells a story about eight kids transported to dangerous world and the emotionally conflicts and physical challenges that come with it. This was originally going to also talk about all four routes and there respective focus characters but then I realized it was too long so I split it up.

With that out of the way, let's talk about the first two deaths of Survive and how they connect with the games themes. CWs: Discussion of Child Abuse, Death, Self-Hatred Spoiler Warning for: Everything. Mostly the game pre-route split though. My Italics kept on breaking and when I checked this again for some last minute editing. no idea why if you notice any weird itallics that's why. I need to stop writing directly into the tumblr post maker.

Children’s problems

Or why Shuuji makes Survive what it is.

cw: child abuse, self-harm, abuse

Spoilers for the Truthful route

[Image ID: Screenshot of one of Ryo’s dialogue line that reads “What? Like anyone’s listening to what you have to say. Heheh, yeah, nobody’s listening.”]

One of the standout qualities to the writing of Digimon Adventure (1999) was the honest and nuanced yet still optimistic portrayal of the problems children face and the ways they dealt with them. From Koushiro’s alienation from his family due finding out about his adoption to Yamato and Takeru’s awkward bond, abandonment issues and stunted growth stemming from their broken family, and everything in-between, Adventure’s writing managed to shine an empathetic light to the stress responses originating from these difficulties while still showing the possibility of growth and healing.

As a game purposefully advertised as a more mature version of Adventure, Digimon Survive takes upon itself to tackle the depiction of children’s problems with a philosophical core that delivers a well-rounded thesis to this thematic thread.

A matter of survival

About the high-stakes framing of the game to addressing trauma and maladptive behavior using its most overt portayal: Shuuji.

cw: mentions of self-harm, death, trauma

Keep reading

CW: Mentions of Self-Harm, Child Abuse and Suicide, not discussed in depth just mentioned.

Something Really Irritating about how Shuuji was received is something I've said a lot, people want sanitized versions of trauma they can baby and infantilize and make aesthetic, so immediately once characters get out of that circle of "good ways to process trauma" people get angry. I've seem people look at this obviously traumatized child projecting onto someone and go "He's an irredeemable bastard who deserves to die" and you can see how this manifests with Lopmon too, Lopmon is someone that people can coddle and is cute and sweet and can be easily infantilized, people talk about how they wish they could save Lopmon and not Shuuji.

But Lopmon and Shuuji are explicitly, two halves of a soul, all the characters and there partners are two halves of one soul, it's not subtext is told to you right after Part 5...it's almost like the game wants you to make the connection and realize what happened with Shuuji and Lopmon.

The really upsetting thing about this is how Obvious it is, the game isn't hiding this, Part 5 starts with a nightmare with Shuuji remembering how his father abandoned him, Shuuji, says things like "When will I be good enough" and "Let me prove that I'm not worthless/useless" and so on...which echo things Shuuji says to Lopmon and what Lopmon thinks about themselves, him kicking Lopmon (who is established RIGHT AFTER to be the second half of his soul) and him dark evolving is a metaphor for how Shuuji's has been treated/treating himself and how that's hurting Shuuji, you can even read it as self-harm. Right before this Shuuji did offer himself up as a sacrifice because he didn't think his life was worth "that much" and again, Lopmon is a part of him.

But no, since Shuuji's way of expressing trauma is ugly (and it is, it's perfectly understandable why you would dislike him) people just decided, to not read into his character even though the game is pushing you understand Shuuji and his character, and this is troubling cause Shuuji's is a very real portrayal of someone with trauma, I relate to Shuuji on multiple levels, he's a well written depiction of what trauma can do to someone, and to see all of that disregarded because the way he acts isn't sanitized or aesthetically pleasing really sucks and hurts both Lopmon and Shuuji's characters.

Your not supposed to think Shuuji is justified! He DIES because he wasn't able to improve, the way he gets snapped out is Ryo punching him in the goddamn face and telling him what he's Doing, no sugarcoating, just the Truth, and I love that Digimon Survive does this.

Digimon Survive went "Yeah your doing terrible things, and yes you have to take responsibility for your actions, but you can still Become Better, you are not a Lost Cause" that's why they extend the same hand towards Aoi and Kaito later on, there doing something terrible but we can't just abandon them and I love Digimon Survive for that.

So it's infuriating that people are using a black and white lens of morality when reading into it, it's not a black and white story, heck the original Adventure isn't a black and white story, most Digimon series aren't black and white actually, there's usually some layer of complexity to them. There's a reason why there's hundreds of posts dedicated to analyzing this franchise in detail.

And on less, Digimon focused things, the trend of having a Good Victim and Bad Victim in fiction is harmful for many reasons and I'm really happy Digimon is shooting that concept in the foot, but it really sucks that people are trying to make Shuuji into a "Bad Victim" or Lopmon into a "Good Victim" when at the end of the day there both...Victims, the moral categorization of people who've suffered trauma and if there "justified" or not in there actions is a troubling trend in fandom spaces, and the overemphasis on morals in character analysis and how bad or good a character is, not great. That's a bigger issue but I thought I'd mention it.

Art by Law Chang

Specialized Extracurricular Execution Squad