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@llamasmith

A wibbly wobbly mind.

Find your REAL Angel name

• First two letters of your last name • First vowel of your first name • Third letter of your middle name (or parent’s first name if you don’t have a middle name • Last consonant of your last name • Add IEL or EL to the end!

Huekniel

IDK WHAT A CONSONANT IS

all the letters that aren’t the vowels i think

also for me it’s heeetiel

Ereeyel

That sounds so dumb

Griinel

Wut

Jaehlehl

Prounounced as “jah-HNGGGGGGH-l”

Kaeahtiel

sounds like castiel tbh

draikiel

that just sounds like a fancy version of drake

i hate it

anarniel

i kinda like it 🤷‍♀️

Mcaniel

Thats literally just my middle and last name mashed together.

Caamriel

…caramel+camel?

I want a naaaame

Biantiel

I’m hugging every aromantic person who has been called “loveless”, “freak”, “monster” or basically any bad thing for being aro and you can’t stop me.

Y’all didn’t deserved that shit. You only deserve love. I mean, platonical love.

Romantical love is cool, yes. But you don’t need it to be happy, or to live a nice life. (Healthy) Friendships,family, maybe Queer-Platonic relationships if you want, are good too! Are love too!

You matter, your life matters, because romantical love isn’t that important.

You are not loveless for not falling in love. You would be loveless if you were unable to love your family or your friends or your pets in the platonical way you do. But you are not loveless for being aro. That’s not how it works and if anyone tries to tell me otherwise, then I’ll slap them with my tie.

I’m telling this again:

You aren’t a bad person just for being aromantic. Being aromantic doesn’t make you automatically loveless. Love isn’t always romantical.

I love you, Atchy.

Choose Your Lawyer! Patton or Deceit? Not everything is black and white. Colored lineart is a challenge but the payoff is worth it. Also, yes, someone stayed up a bit too late because they couldn’t stop. Working off of the hype and adrenaline of the new episode, I suppose.

so heres a thing my mother always said to me growing up when i broke something on accident that i think is really important

and i know, from watching my friends and seeing their panic and terror when something broke, that not only were not nearly enough children told this thing, many children were punished in place of being reassured

and thats heartbreaking

so heres the words from my mom that i was always told, and theyre the same words that anyone who never got to hear them should hear now, courtesy of my mom, who has repeated those same words to many a friend of mine and now to you

if i ever broke anything, the first words out of her mouth would always be and have always been, “are you hurt?” 

i would say no

she would say, “thats okay, then”

and i would ask why

and she would say “because it was just a thing- even if its a nice thing, or an old thing, or an expensive thing, its still just a thing. it can be replaced, or we can live without it. there is only one you. there will only ever be one you. you will always be more important than just some thing.” 

Character Descriptions & Narrative Perspective

As writers, one of our chief concerns is ensuring that the narrative perspective in any given scene or chapter is clear to our readers (especially when writing in limited). In other words, we want our readers to feel confident that the narrative is being told from Person A’s perspective as opposed to Person B’s or Person C’s (and so on).

One of the main modes of accomplishing this is voicing (i.e. attention to the fact that people talk, think, and feel differently from one another). However, I want to focus on something much simpler – but just as important – today.

IMHO, character descriptions can give readers implicit insights into narrative perspective – and when our character descriptions are inconsistent with the narrative perspective we’ve opted to use, our writing (and their reading experience) suffers. Thankfully, such inconsistencies are easy to avoid if and when we start to explicitly look for (and address) them.

As usual, I think a color-coded (!) example works best when attempting to demonstrate issues like this one. Read onward below the cut!

Let’s Talk About Plot

So this has been a highly requested post as of late, so I thought I’d spend a little extra time talking about plot. What is it? How does it work? What constitutes plot? I get these questions a lot and the more I think about it the more insanely philosophic the conversation starts to get, but I’m too pragmatic to get into that here. Let’s get to the root of it.

How to write a kiss

Rebloggable version, as requested by davrosbro. :)

Oooh!  Yes!  I love kisses.  Kisses are where it all starts ;).

Okay, first, remember that a kiss is much, much more than just lips.  It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats,  breath, voice- and most importantly, a kiss is emotions.  A kiss without emotion is just wet mushy lips stuck together.  Ew.  Gross.  The most important part of a kiss isn’t the how, but the who- because of the emotions between the two people.

Okay so:

lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other.  They can match, top-to-top and bottom-to-bottom, or they can overlap, with one person’s top or bottom lip captured between the other person’s lips (yummy).  If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips don’t have a taste (can you taste yours?).  Lips also can smack- the sound of two of them coming together or pulling apart, because they’re wet and warm and soft. 

tongue- Tongues are always wet, and always warm.  They’re very versatile.  They can trace over lips, teeth, or another tongue.  They can be smooth and graceful or teasing and flicking.  When tongues are involved, there is drool.  It’s only sexy when you like the person you’re kissing, or else it’s kinda gross. :P

teeth- teeth can clack together awkwardly, or teeth can bite down sensually.  A person biting their own lip is cute, a person biting another’s lips is sexy.  A person biting gently is sensual, a person biting roughly is sexual. 

eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure.  Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters.  Have them do whatever you like, but don’t leave them out- give them at least a mention!

faces- Faces are what the lips are attached to.  Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax.  Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats.  Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual.  And a kiss on the lips can be all of those! <3

hands- Hands are super-important.  In order to describe a kiss, usually you want to also describe the hands.  Where are they?  Does one character have their hand behind the other’s head or back, holding them close?  Are they on someone’s shoulders pulling them near, or pushing them away?  Fingers brushing someone’s cheek or palms grabbing someone’s ass convey two very different kinds of situations, even if the kiss itself is exactly the same.

noses- Noses are annoying.  They easily get in the way, especially for first kisses!  People have to tilt their head to one side or the other, and if they don’t, noses bump.  I’d only mention noses if a kiss is supposed to be awkward or uncertain or nervous.

bodies- bodies are either close together, or far away.  Someone can be surrounded comfortingly by someone’s arms, or terrifyingly trapped by them.  Bodies are warm or hot, they are calm or nervous, relaxed or tense.  Body language says a lot.  Is your character pulling away, or moving closer?

heartbeat- Hearts can beat fast or slow, and that’s about all they can do- but there are lots of reasons why they do!  A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy.  Hearts can glow, cower, or shatter.  When you really want to drive the emotions of a character home, mention the heart.

breath- To me, the most consuming part of a kiss is the breath.  The air that someone else has just breathed going deep into your lungs is very intimate.  Lips and tongues don’t have a taste, but breath does.  Each person’s breath tastes different, smells different, and surrounds a person differently than anyone else’s breath.  Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening.  It is something that is very present and should not be left out.  A lot of writers leave breath out.  And it’s so important; it’s the most intimate part of a kiss.  Someone else is breathing into your lungs, and it’s either heaven or it’s hell.

voice- Voice conveys much, even without words.  A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh.  Voice can convey emotion powerfully, and while some kisses are silent, usually they’re not. 

emotion-  Emotion is the most important- and the thing you try not to say.  You want to describe it, through all of the things above, so that it’s perfectly clear what your characters are feeling, without you ever using the “feelings words”.  If they’re in love, their bodies will lean close, their eyes will smile, their voices will giggle softly.  If they’re nervous, their palms will sweat, their noses will bump, their voices will shudder.  If they’re afraid, their muscles will be tense, their faces will grimace, their lips will not open.  Emotion is the color that you keep inside your mind as you write; it’s the base line that drives the description behind everything else you say.

Wow, that was a lot!  Gosh I hope it wasn’t too much!  Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make.  Keep in mind that typing “they kissed for a long time”…that’s six words, it takes half a second to read, so that’s a short kiss!  If you want a long kiss, you need long sentences that make the reader linger. 

So maybe to start off, pick three things on the list to describe in your first kiss.  Don’t try to do it all- that would be too much for even the most epic kiss.  Just pick what’s most important to this particular scene, to these particular characters, and describe those parts along with the lips, and you’ve got yourself an awesome, emotional kiss. <3

Color Synonyms

White

also: pale; blanched; sallow; pallid; waxen; spectral; translucent; albino; 

Grey

also: dust; stone; pepper;  

Black

also:  coal; slate; dusky; ebon; shadow; murky; 

Tan

also: flesh; khaki; cream; tawny; 

Brown

also:  henna; russet; sepia; chestnut; cocoa; drab; bronze; 

Red

also: terracotta ; rouge; carmine;  fire-engine; ruddy

Orange

also:  pumpkin ; rust ; 

Yellow

also: sunny; amber; saffron; hay; straw; platinum; 

Green

also: viridescent; grass; jade; forest; 

Blue

also: turquoise; cyan; ultramarine; royal; aqua; aquamarine;

Purple

also: berry;  amaranthine;

Pink

also: flushed; candy; cherry blossom; petal pink ; 

—–additional synonyms added by me

rb this because it’s important