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History, Art, And Anything In Between

@litlavenderly

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Hey weird question but what happens if you put two reasonably likeable anthropologists of wildly different cultures together in the same room? Do they study each other? CAN they? Is it like an infinite conversational feedback loop? I'm imagining two dogs eternally sniffing each others butts at the park

We both wind up info dumping excitedly, possibly at the same time. With wild hand gestures when we discover overlaps in our various areas of expertise.

CAN CONFIRM.

If you hear one of them say, "We should write a paper," know that you've just witnessed a beautiful event.

From experience as the president of the Anthropology Club, I can conclusively say:

What happens is it takes forever to get to the items on the meeting agenda because we're all talking about the cool things we learned in class.

Grizzly 399 is so cool! I went to her Wikipedia page intending to screenshot interesting facts about her, but I would really recommend you go check out the whole thing for yourself.

Grizzly 399 lives in close proximity to humans but has never caused problems or attacked a human - she has taught her many cubs important skills like looking both ways before crossing the road. She has had more triplets than is normal for grizzlies, and is far better at keeping triplets alive than less experienced mothers.

She had 22 progeny, (though not all survived) including Grizzly 610, who in 2011 adopted one of 399’s triplets along with her own two cubs. 399 previously went viral on social media for keeping her quadruplets alive through two seasons, despite bear cubs only having a 55% survival rate.

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A beast crushing it on adapting to become more fit for her environment and passing on knowledge to her progeny. Top-tier animal.

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We’re so used to the sexual reading of the entire book of Dracula, which takes the sensuality of the early chapters and jams everything that follows it into the same metaphor no matter how poorly it fits, but I feel the segment we’re approaching works much better with a lens of chronic illness and disease.

Vampire legends are inextricably intertwined with disease. Many of them are said to have been birthed by burying victims of disease too soon, who later seem to rise from the dead. But what’s more is that Stoker and his family have deep-seated trauma over disease: his mother had to flee her hometown at the age of 14 because of a horrific cholera epidemic, and Stoker himself was bedridden as a child from an illness that no one could identify.

Found this quote from Irish Historian Mary McGarry:

Bram as an adult asked his mother to write down her memories of the epidemic for him, and he supplemented this using his own historic research of Sligo’s epidemic. Scratching beneath the surface (of this essay), I found parallels with Dracula. [For instance,] Charlotte says cholera enters port towns having traveled by ship, and can travel overland as a mist—just like Dracula, who infects people with his unknown contagion.

I bring this up because a lot of academic analysis insists that Lucy sleepwalking is proof of her being the Slutty Woman archetype that needs to be punished. This suggested symbolism is hilarious when put next to the text saying she inherited it from her father, but I’d like to suggest a different angle from the lens of disease suggested earlier:

Lucy’s sleepwalking is a condition that predates Dracula but makes her an easy target for him to prey on. Through the lens of disease symbolism, she now is someone with chronic illness or disability who is especially vulnerable to infectious disease. This becomes a cross-section of Stoker’s trauma regarding disease: his own mystery illness and his mother fleeing a plague.

To wind down my rambles with a bit of a soapbox, I feel this adds a very poignant layer to the struggle to keep Lucy alive. The COVID pandemic showed a horrifying level of casual ableism vs disabled and immunodeficient individuals, shrugging off their vulnerability and even their deaths with “well COVID only kills them.” There’s something deeply gratifying at seeing the way everyone around Lucy fights to the bitter end to protect her and refuses to just give her up to Dracula, whether it’s Mina physically chasing him away or the suitor squad pouring their blood into her veins or Van Helsing desperately searching for cures. The vulnerable deserve no less than this. They’re not acceptable casualties.

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absolutely in LOVE with Mina’s update today. I love that her troll side is showing: purposefully egging Mr. Swales on so he’ll tell her more stories and the like.

Her and Mr. Swales’ dynamic is so funny: Lucy is too sweet and angelic for any of the old men to give a hard time, so they double up arguing with Mina! And she doubles down in response! “This old man bullies all his friends into agreeing with him. I’m going to debate everything he says for fun!”

LOVE this woman I would give two limbs to be friends with her, she’s so FUN

Anonymous asked:

Genuine question, and feel free to ignore if you don't want to answer, but could you elaborate on the collections post? What are your own thoughts on the subject?

Okay so "Fewer and Finer" means the director wants fewer pieces on display/accessioned and those pieces are to be finer quality.

Sounds reasonable, right?

No.

In reality this pisses-off guests who have come (in some instances from far internationally) to see pieces in our very vast and encyclopedic collection, that have been pulled from display because they don't meet the qualifications of 'finer'. This is already happening with our textiles gallery and our Japanese ink collection--both of which are closed because we need to use the spaces for storage of all the works that are being pulled from display.

I have a huge issue with the concept of 'finer quality' art. Who decides what is 'good' art? Why do they get to decide? How are they deciding what is and isn't 'good' art?

If you've been following me, you know one of my repeated quotes is that "There's no such thing as bad art. There is stupid art, but you have to intend to make that." Meaning that all art is worthy of display, worthy of engagement, worthy of being valued even if the message it conveys is 'wouldn't it be rad if I taped a banana to a wall?'

What people see in museums shapes what they understand to be of importance. So when you only see a handful of the same artists that have already saturated the public consciousness, you internalize that this is the measure of all art. As a result, anything that falls outside of those names becomes 'bad' or 'lesser'. Now remember that several cultures did not have the same concept of artist as European tradition. As well many artworks were pillaged, or simply did not have a name associated with it in the first place. Other artworks are objects that don't fit standard notions of art mediums; things like woven basketry, contemporary costumery, beaded purses, etc. The line so easily divides along Race, which impacts how guests see themselves, and not in a good way. Representation matters.

So, yes. "Fewer and Finer" fills me with ungodly rage because it reinforces Eurocentric art history and discourages guests from expanding their view of art. It stagnates engagement with culture.

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Anonymous asked:

Hi, I don't know if you're the right person to approach for this, but I'm sort of at a standstill in life and your blog has consistently been my highlight for each day so -

I recently graduated college as an anthropology major and I'm feeling all sorts of stuck. I would love to get into museum and conservation work but I'm currently unable to finance a masters for myself and with just an anthropology degree, museums I apply to don't seem to be entirely keen on hiring me. I really really love museum work and it's something I've been yearning to do since I was a kid, I'm just a little confused about how to get there. Any advice for a dumbdumb that's a little bit stuck in their career and has instead spent the past few weeks just wistfully going through your blog?

- jar :")

Hello there, dirtling! I'm glad that my little old blog has been able to be a source of light in dark times.

First, I'm going to tag @museum-spaces, @museeeuuuum, and @saintartemis because their museum chops are significantly more impressive than mine.

The other thing that I would do is reach out to professors from your undergrad institution. See if they have people they can connect you with. See if they have research opportunities that you could assist on. Jump at any chance to do something that you can put on your CV.

It's okay that things aren't entirely clear right now. This happens to a lot of people after graduation/while they're trying to get their foot in the door. Don't give up.

-Reid

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The International Council of Museums (ICOM) has finally approved the new definition of a museum:

“A museum is a not-for-profit, permanent institution in the service of society that researches, collects, conserves, interprets and exhibits tangible and intangible heritage. Open to the public, accessible and inclusive, museums foster diversity and sustainability. They operate and communicate ethically, professionally and with the participation of communities, offering varied experiences for education, enjoyment, reflection and knowledge sharing.”

Mr. Gaiman

Have you ever been really proud of something you did and decided to show it to someone you adored only for them to insult it?

I wrote a tragic short story about a king and his lover. One that I cried while writing, might I add. I gave it to my friend, who I had a bit of a crush on, only for her to not even finish the first page and say that it "read like fanfic."

Which isn't an insult to me, but because it was to her, it just hurt. It felt like I opened a door for her, and she slammed it on my fingers instead.

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Sure. In 1984 I showed a short story to a friend whose opinion I respected, later a respected and important editor, and she gave it back and told me it told me it was twaddle. And I put it away, relieved that I had been saved the embarrassment of sending it to publishers. Twenty years later, I pulled it out and looked at it, wondering if there was anything in it that could be saved, and really enjoyed it, so typed it up and send it out and it won a Locus Award for Best Short Story.

Which taught me a small lesson about listening to other people when they say things like that.

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Study tips+ recovery

Studying for any school exam can be tedious or boring. WELL IT DOESN'T HAVE TO BE!!! Here are my tips to help you study more effectively.

  1. Ditch the phone. Studying your coursework or exams is going to be impossible if you don't do something about that phone, put it out of sight, put it in your drawer (not the drawer your that is connected to your study space.
  2. Find a quiet place to study. Studying in your room is okay, if you can handle the temptation of the television or the gaming counsel staring you right in the face. Go study outside in nature or in a different room in the house to start getting focused and that you can prepare to go all in on your exams.
  3. Take breaks. It doesn't help that you study and study and study for hours a day, you just going to burn yourself out. Take breaks in between your study sessions. Go for a walk. Read a good book or just listen to some relaxing music.
  4. Set up a timetable or schedule. Having structure in your exam or test studying time is super important. It allows you to see when you should study and when you should take breaks. Studying for any exam is important, but so is taking breaks so you don't burn yourself out.

HOPE THIS HELPS OUT BEAUTIFUL PEOPLE!!

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Anyway here's some additions from the Maasai and Kikuyu, two grassy plain-dwelling groups from Eastern Africa that I think count as unfuckwithable

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Feel like Poland should be included since we're literally called "people of the fields" according to the etymology of Poland.

Also look at her GO

I’m Métis, here’s some of ours! You’ll notice it looks remarkably similar to the above.

We also have some less intricate clothing (if it looks a bit Victorian to you - that’s pretty much the right era for most of this!)

Can’t believe no one’s done it yet I will be the person to add the cowboys: Latin American focus.

Here is the Chilean huaso:

Gauchos, from primarily Argentina where they’re a large national symbol close to the level of cowboys in the US. Also gauchos are in Uruguay.  Their pants are called bombachas and the other garment wrapped around them are called chiripas.  They work in grasslands called pampas, known for being really fertile:

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While they’re not as dressed up as the others or have as prominent of a culture, for a broader Latin American cowboy context, I feel like also adding llaneros, who are from Colombia and Venezuela, in the llanos region, a type of tropical grassland similar to the pampas, hence the name llanero. Pampas get annual flooding and these guys would go barefoot a lot, and you can see that the stirrup on the horse’s saddle is really different than what you’re probably used to seeing, to accommodate for that, which is what I want to point out as an aspect of plains cultures developing clothing/accessories/tools to suit the environment. 

Cowboy culture happened wherever Spanish colonial influence and grassland biomes came together.  They differ based on the grasslands having different climates (ex tropical in South America), and the local indigenous influence (ex, backtracking to gauchos, they would use this tool called bolas to catch animals, which were basically two balls tied to a string that you threw and it spun around an animals legs, and were an indigenous invention):

I would love to keep posting cowboy dress lol but will stick to the post’s theme of grassland of course.  

Adding to the post, I, hereby, present people of Kalash and Chitral:

Chitral means ‘field’ in the native language Khowar. Both Chitralis and people of Kalash are known to be indigenous people of Asia.

Turn Week Day 4: History Nerdery!!

i am a huge history nerd, and my favorite sources for my research are old newspaper articles!! while most of my academic research using newspapers has been focused on the early 1900s, i tried to see if i could find any iconic moments from turn in the newspaper archive. surely enough, i found the most iconic moment of all: the peggy hysteria scene. this article is from Dunlap and Claypoole's American Daily Advertiser, which was a Pennsylvania paper, and it was published on October 17, 1780.