Landscape with Couple, Henri Martin
Medium: oil,panel
Adult friendships be like “I miss you bro, let's hang out in November"
SPIRITED AWAY • 千と千尋の神隠し 2001 | dir. Hayao Miyazaki
1939 … the cat and the butterfly artist - Agnes Miller Parker
reblog this and put in the tags at least two (2) songs you are listening to on repeat right now
computers were supposed to make life better and easier for everyone but instead they have become tools for extracting value out of every waking second of your life. how can you not be angry about this. how can you not be angry that everything about you is mined for value with no benefit to you or to society
Walking up Waden Hill from West Kennet Avenue, looking back behind you from Waden Hill, and then reaching the top of Waden Hill and seeing the Silbury mound there before you.
May 2015.
yefim ladyzhensky, wedding under chestnut trees, odesa series
“People say, “What, are you a dreamer?” And the answer is, yes, we’re dreamers. We want it all. We want a peaceful world. We want an egalitarian world. We don’t want war. We don’t want capitalism. We want a decent society.”
— Howard Zinn Speaks: Collected Speeches 1963-2009
Cheryl Strayed, Tiny Beautiful Things: Advice on Love and Life from Dear Sugar
Franck Antoine Bail (French, 1858-1924)
Interior with Two Women
Birds building nests in unconventional locations, unknowingly generating breathtaking symbolism and visual art > literally anything hollywood can hope to achieve
“In family-melodrama horror there is always one family member…trying to escape the confines of their limited existence, or an outsider coming into the narrative poised to steal them away. Their only social interaction…is with their siblings, but something happens that awakens them to the possibilities of the outside world. They may even make sincere attempts to escape, but as we have learned from a century of such films, the family always comes first, a reconciliation takes place, and the would-be escapee is forced to recognize their inherent nature and the fact that they belong with their family – especially when they are concealing a secret that would render them socially unacceptable to the outside world. They retreat to the familiarity of the only people who accept them for who they are. Again: traumatic bonding.”
— Kier-La Janisse, House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films
The Beaches of Agnès dir. Agnès Varda (2008)