Homophobes: *try to destroy rainbow statue*
Gays: “fine then we’ll make it an actual damn rainbow”
Reblog to put indestructible rainbows everywhere and kill a homophobe
“No me mientas en la cara. Yo voy a creer todo lo que tú me digas. Tomo cada una de tus palabras como si fuera la verdad. No dudo. Nunca he dudado de las razones por las que quieres estar conmigo. Mi amor por ti es incondicional. Lo único que te pido a cambio es que, cuando hables conmigo, cuides tus palabras. Que tus palabras sean justas. Que sean del tamaño de tus sentimientos. Porque si tú me dices “no” para mi es no. Y si me dices “llueve” para mi está lloviendo. Y si me dices “amor”, para mi es amor.”
Rosario Castellanos
“Los «amarillos» son el nuevo escalafón de la amistad, esas personas que no son ni amantes ni amigos, esa gente que se cruza en tu vida y que con una sola conversación puede llegar a cambiártela”
— El mundo amarillo - Albert Espinosa.
“I wanted to challenge politically the kissing scene, which traditionally either has the surprise kiss scene thanks to a rain shower for instance, or the obvious kiss scene thanks to mustard on the corner of the lips, for instance, and it is generally carefully scripted as ‘They kiss.’ Or ‘They passionately kiss.’ And then it’s on the actors’ shoulders. It seems to rely a lot on them because it’s their bodies and fluids and interaction, but it shouldn’t be. It’s fake. It’s not about finding the magic. Actors should always be part of the elaboration of an idea, especially with intimate scenes. So I wanted to craft a scene that would embody the sexiness of consent. People who are questioning the idea of asking for consent in France, they do exist. They are brave fighters for the culture of French gallantry who say that asking for consent would not be sexy, it will break the mood. Some of the French critics thought the film lacked flesh, precisely because to them eroticism is about conflict. […] At some point I came up with the idea of them having to unveil their mouths like they would undress themselves. So I put a scarf, justified by a strong wind, pressed on their lips and thinking you would see their heavy breathing through the moving cloth.”
Céline Sciamma on creating a new first kiss
Spirited Away (2001) — Dir. Hayao Miyazaki
“Once you’ve met someone you never really forget them.”
Source: ichigoskurosaki
Frozen II’s creative team traveled to Norway, Finland and Iceland for design ideas, and studied everything from haute couture runway shows and 1940s fashion to traditional Norwegian satchels and photos of “anything that feels crystalline,” Brittney Lee, visual development artist, added. “We try to be as thorough with detail as possible, down to the direction of the embroidery thread.”
“Elsa always has been floor-length everything, so with her iconic capes and long trains, her shape line is a very large, elegant triangle,” Lee said. “When we lose that length, it starts to not feel like her anymore.”
FROZEN (2013) FROZEN FEVER (2015) OLAF’S FROZEN ADVENTURE (2017) FROZEN II (2019)
“Después nada. Nadie. La pura soledad. Y la soledad es una cosa que se llega a querer del mismo modo como se quiere a una persona. Viví en medio de ella.”
— Juan Rulfo