If only we were independent so we could just implement this rather than have to wait for the UK to come round to the idea (which they won’t, even with a labour government)

Immediately shut down by the UK Government. Immediately shut down by the Labour Party.

Scotland will continue to have a disproportionately high drug death rate because we’re not giving any of the fucking tools to address it.

Labour is an utterly vile political force and it’s supporters are split into two categories: Evil people and idiots.

They would rather say this to score a win (the policy being denied) against the SNP than support something meaningful.

Absolutely fuck off.

Made a video about it, if I sound exhausted it’s because I’m so utterly tired of shit like this.

"The studios thought they could handle a strike. They might end up sparking a revolution"

by Mary McNamara

"If you want to start a revolution, tell your workers you’d rather see them lose their homes than offer them fair wages. Then lecture them about how their “unrealistic” demands are “disruptive” to the industry, not to mention disturbing your revels at Versailles, er, Sun Valley.

Honestly, watching the studios turn one strike into two makes you wonder whether any of their executives have ever seen a movie or watched a television show. Scenes of rich overlords sipping Champagne and acting irritated while the crowd howls for bread rarely end well for the Champagne sippers.

This spring, it sometimes seemed like the Hollywood studios represented by the Alliance of Motion Picture and Television Producers were actively itching for a writers’ strike. Speculations about why, exactly, ran the gamut: Perhaps it would save a little money in the short run and show the Writers Guild of America (perceived as cocky after its recent ability to force agents out of the packaging business) who’s boss.

More obviously, it might secure the least costly compromise on issues like residuals payments and transparency about viewership.

But the 20,000 members of the WGA are not the only people who, having had their lives and livelihoods upended by the streaming model, want fair pay and assurances about the use of artificial intelligence, among other sticking points. The 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists share many of the writers’ concerns. And recent unforced errors by studio executives, named and anonymous, have suddenly transformed a fight the studios were spoiling for into a public relations war they cannot win.

Even as SAG-AFTRA representatives were seeing a majority of their demands rejected despite a nearly unanimous strike vote, a Deadline story quoted unnamed executives detailing a strategy to bleed striking writers until they come crawling back.

Days later, when an actors’ strike seemed imminent, Disney Chief Executive Bob Iger took time away from the Sun Valley Conference in Idaho not to offer compromise but to lecture. He told CNBC’s David Faber that the unions’ refusal to help out the studios by taking a lesser deal is “very disturbing to me.”

“There’s a level of expectation that they have that is just not realistic,” Iger said. “And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”

If Iger thought his attempt to exec-splain the situation would make actors think twice about walking out, he was very much mistaken. Instead, he handed SAG-AFTRA President Fran Drescher the perfect opportunity for the kind of speech usually shouted atop the barricades.

“We are the victims here,” she said Thursday, marking the start of the actors’ strike. “We are being victimized by a very greedy entity. I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly: How far apart we are on so many things. How they plead poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”

Cue the cascading strings of “Les Mis,” bolstered by images of the most famous people on the planet walking out in solidarity: the cast of “Oppenheimer” leaving the film’s London premiere; the writers and cast of “The X-Files” reuniting on the picket line.

A few days later, Barry Diller, chairman and senior executive of IAC and Expedia Group and a former Hollywood studio chief, suggested that studio executives and top-earning actors take a 25% pay cut to bring a quick end to the strikes and help prevent “the collapse of the entire industry.”

When Diller is telling executives to take a pay cut to avoid destroying their industry, it is no longer a strike, or even two strikes. It is a last-ditch attempt to prevent le déluge.

Yes, during the 2007-08 writers’ strike, picketers yelled noncomplimentary things at executives as they entered their respective lots. (“What you earnin’, Chernin?” was popular at Fox, where Peter Chernin was chairman and chief executive.) But that was before social media made everything more immediate, incendiary and personal. (Even if they have never seen a movie or TV show, one would think that people heading up media companies would understand how media actually work.)

Even at the most heated moments of the last writers’ strike, executives like Chernin and Iger were seen as people who could be reasoned with — in part because most of the executives were running studios, not conglomerations, but mostly because the pay gap between executives and workers, in Hollywood and across the country, had not yet widened to the reprehensible chasm it has since.

Now, the massive eight- and nine-figure salaries of studio heads alongside photos of pitiably small residual checks are paraded across legacy and social media like historical illustrations of monarchs growing fat as their people starve. Proof that, no matter how loudly the studios claim otherwise, there is plenty of money to go around.

Topping that list is Warner Bros. Discovery Chief Executive Davd Zaslav. Having re-named HBO Max just Max and made cuts to the beloved Turner Classic Movies, among other unpopular moves, Zaslav has become a symbol of the cold-hearted, highly compensated executive that the writers and actors are railing against.

The ferocious criticism of individual executives’ salaries has placed Hollywood’s labor conflict at the center of the conversation about growing wealth disparities in the U.S., which stokes, if not causes, much of this country’s political divisions. It also strengthens the solidarity among the WGA and SAG-AFTRA and with other groups, from hotel workers to UPS employees, in the midst of disputes during what’s been called a “hot labor summer.”

Unfortunately, the heightened antagonism between studio executives and union members also appears to leave little room for the kind of one-on-one negotiation that helped end the 2007-08 writers’ strike. Iger’s provocative statement, and the backlash it provoked, would seem to eliminate him as a potential elder statesman who could work with both sides to help broker a deal.

Absent Diller and his “cut your damn salaries” plan, there are few Hollywood figures with the kind of experience, reputation and relationships to fill the vacuum.

At this point, the only real solution has been offered by actor Mark Ruffalo, who recently suggested that workers seize the means of production by getting back into the indie business, which is difficult to imagine and not much help for those working in television.

It’s the AMPTP that needs to heed Iger’s admonishment. At a time when the entertainment industry is going through so much disruption, two strikes is the last thing anyone needs, especially when the solution is so simple. If the studios don’t want a full-blown revolution on their hands, they’d be smart to give members of the WGA and SAG-AFTRA contracts they can live with."

in italy, lesbian parents are being removed from their child’s birth certificate in favor of the ‘biological parent’, regardless if that person ever had a role in raising the child. welsh has been doing this as well. it feels like we’re going back decades.

link to the news article, for anyone curious.

New Mature Content Warning Overlay (And How to Get Rid of It)

More fun community label "features"! Unlike the new mandatory label for #NSFW, this one is a bigger deal to me because it affects my entire blog and it can't be avoided by just using a different tag.

Apparently on custom blog layouts, if you happen to post or reblog even a SINGLE post that's been flagged with the mature content community label, a full-page warning overlay will appear blurring out your entire blog that must be manually clicked through every single time the page is refreshed. At first I thought this was just a bug due to my older layout but I've come to realize it's not. It's a feature (as confirmed by this recent changes post) that affects all custom themes. The formatting will vary based on your own theme but here's what it looks like on my blog:

I don't know about you but I find this is stupid and annoying. If it could be dismissed once and never seen again that might be one thing, but that's not the case. The vast majority of my blog is not "mature" enough to warrant such an aggressive and invasive warning. I also think pop-ups are obnoxious in general and I'll be damned if tumblr's going to force me to have one on MY blog.

After some desperate googling for a known workaround and being unable to find even a single mention of it, I decided to take on the challenge myself. I'm not a theme coder, so apologies if there's a better way to do this, but luckily it only took me like 10 minutes to figure out a simple fix, which I'm now sharing with anyone else who may want it:

Just copypaste that somewhere in your CSS and goodbye pop-up!

If you're not sure how to access your theme code, check out this help article. You can also add the code via the Advanced Options menu, which is actually even better (if you can get it to work, it depends on how your theme was coded), because it will then automatically be reapplied to a lot of themes without having to remember to manually add it every time if you change your theme in the future.

Obviously this will only remove it from your own blog for anyone who may visit it. If you never want to see this warning again on other people's blogs you can also add this custom filter to your ad block:

Unfortunately I do not have an easy tutorial on hand for this one as the method will depend on your specific ad block app or extension.

Some additional notes:

Posting this iconic piece of media that I just NEVER found online isolated except in an archived reddit thread

Time shifting

––

I wanted this but the original poster is transphobic

@staff if you [change] the [design] of the fucking [dashboard] i will kill you

you want to help stop tumblr from murdering itself? here's how!

i encourage you to reblog this so we can get as many people leaving feedback as humanly possible. we need to let staff know this is an utterly terrible idea

by the way, tumblr has turned off asks on all of their staff blogs, so this is the only way to tell tumblr how you feel

here it is again because uh. seems relevant.

my tumblr dashboard hasn't gotten the updated UI yet so hearing more and more people I follow gradually post about the nightmare they're currently living just feels like I'm in the first fifteen minutes of a horror series where Troubling News Stories are starting to crop up on the radio and on blurry background TV sets

From what I understand of The Locked Tomb series it's a fantasy political drama with royal houses and magic, but in space. Also every character is a butch lesbian who dresses like a mid-2000 MCR fan on Halloween.

Killing the emperor sounds pretty political to me.

HEY ITS THE ART THAT INSPIRED THIS!!!!!!!!!

Oh this is cool! I saw this comic and was like ... is that... about my drawing?

like this post to run over elon musk with a 1993 renault twingo

reblog to put it in reverse and run him over again

HEY STAFF YOU'RE NEXT IF YOU DON'T UNFUCK MY WEBBED SITE

TIL Dr. Sigmund Freud was addicted to smoking and failed to quit for good throughout a 45 years long battle that included 33 operations for cancer of the jaw, an artificial jaw replacement, and attacks of “tobacco angina” exacerbated by nicotine . He was known to smoke up to twenty cigars a day.

via reddit.com

Jesus ffucking christ bro.

Seems like he had an oral fixation… Almost as if he were replacing the cigarette with… No i shant say…

Hey. Gentiles. Listen up for a sec.

When September and October are nearing and you’re planning an event: google “Rosh Hashanah *year*” and *Yom Kippur *year*” and then, and I cannot stress this enough, don’t plan your event on those days. In fact, don’t plan any events starting sundown the night before. Those are the three most important days of the Jewish calendar, and, once again, I cannot stress enough how much this little bit of forethought and kindness will make every Jew you know cry tears of joy.

in 2023, the night before Rosh Hashanah is Thursday evening, September 14.

Rosh Hashanah ends Sunday evening, September 17.

calendar date

in 2023, the night before Yom Kippur is Saturday evening, September 23.

Yom Kippur ends Monday evening, September 25.

calendar date

I love the mining-armor sm

hey @staff what the fresh fuck is this

wow i sure wonder 🤔🤔 what the new layouts supposed to look like 🤔🤔🤔🤔 its a mystery