STAR WARS: REVENGE OF THE SITH

why must life have a grand purpose? is it not enough to have some basil, and mozzarella?

This is wild he’s so self aware

Kirby has a message for you!! Click to see it!

That’s it. That’s his whole character.

tries to throw a stone into a lake but the lady of the lake catches it and throws it back at mach force killing me instantly 

“rudy! you gotta DRAW somethin!” and rudy just draws a fucking glock

all i can imagine is rudy and his squeaky ass tommy pickles voice saying “I’m sick of your shit skrawl this is the LAST time you threaten all my friends in chalkzone” and the sound of a gun cocking 

#RUDY’S GOT THE GLOCK

some reddit gems for you

what part of “do not spend money” do i not understand

I hate this “no spoilers” culture that we live in right now. Producers and writers are so terrified of fans predicting the ending to their works to the point that they’re making nonsensical endings to their narratives. They’re messy, out-of-character, and outlandish, but, hey! at least they’re unpredictable!

Rian Johnson, The Last Jedi — completely ignored & disregarded the 3-film narrative arc J.J. Abrams has planned out for the sequel trilogy, and instead developed his own messy narrative full of subversions for the sake of subversion, and completely disrespected the legacy of Luke Skywalker’s character (Mark Hamill himself has reported several times that he doesn’t recognize the character).

Russos, MCU — give out fake scripts, actors play against green screens and are cut & pasted together in post, show fake/edited scenes in trailers, throw away previous character development (Thor, Ragnarok vs Infinity War and especially Endgame).

D&D, Game of Thrones — throw away a decade of foreshadowing and character development for shock value, not to mention they missed a whole ass Starbucks cup in a shot in 8x03 (either on set or in post, somebody should’ve noticed this).

I’m sick and tired of this. It’s not good writing, and it’s no longer entertaining to fans when the characters they know and love become complete strangers. There’s good shock value — “No, I am your father,” for example — and then there’s ignoring years of character development and turning a kind and caring character into a murderous maniac. There’s a difference, and I think writers still know what that difference is, but they’re pressured to create an ending that fans can’t predict because of this mass panic over “no spoilers”.

This needs to stop. Give me a happy ending. Who the fuck cares if we guess what comes next? That means the writers have done their fucking jobs. If we can guess what comes next that means the writers have successfully developed their characters and foreshadowed future events as you’re supposed to do in a well-written narrative.

No spoilers? Sure. I like to experience narratives without being spoiled. But don’t make the narrative unrecognizable by the ending. It’s just not good writing.

jenna marbles goes on vacation for one week and youtube collapses

spoonfeed me my kid cuisine meal or i will say the f word

pika pika ☕

still thinking about that time when the hex girls performed ‘earth, wind, fire, and air’ at the oakhaven autumn festival in scooby-doo and the witch’s ghost (1999) 

Tom Holland photographed by Michael Muller for Man About Town Magazine

me browsing my dash: cool pic but wouldn’t…