sorry, i'm still feeling insane. in the divorce arc yjh trying to provoke kdj with the 'oh i guess i haven't got a companion in this round either then', so that kdj will give in and spill out his feelings, but kdj is so repressed and depressed and overwhelmed with guilt, he just percieves that as a plain truth. i hate men

yoo joonghyuk probably has all of these really obscure skills from all of his regressions and they're just slowly revealed to kim dokja and co through like hidden scenarios or just randomly walking in on him doing shit. like they accidentally walk into a hidden scenario and its like make ice sculptures to entertain the constellations and the penalty isn't anything bad but it messes with kim dokja's plans and he's like oh for fucks sake but then yoo joonghyuk just rolls up his sleeves and gets to work while everyone just stares in shock as he crafts these immaculate scenes in the ice.

THEY DID IT !! THEY SHOWED SNAPSHOTS OF WELT AND OTTO YOOOOOOOO-

the angler mystery.. detective conan??!?!

Keeping these here bc istg finding doksoo people is like seeing kdj not sacrificing himself

I dont really ship ship them but like the potential they have as a couple i-

If youre a doksoo person, please lemme know bc like i can n o t for the love of god find people who ship them. I just wanna cry about them like 😭🙏

guys, we need to talk about eowyn

So I get really narky when people pull the whole ‘oh Eowyn’s storyline came to such a sucky ending; she was really cool going around killing orcs and Witch-Kings and then she got shoved into a traditional girly role by marrying Faramir and becoming a healer’ thing, because no. No-no-no-no-no. Not only does that stray dangerously into the territory of ‘women only have worth if they’re doing traditionally blokey things’, but that misses almost the entire point of Lord of the Rings.

Tolkien was in the trenches in the first world war, right? He got all that ‘for death and glory’ shit shoved down his throat, that was the whole point about the war, it was when so many people came to see how awful and misleading all the propaganda about winning glory through violence and death was. And Tolkien’s work completely shows that: it’s why the hobbits, who’ve never craved power or battle the way men do, are the heroes of the book; it’s why strong men like Aragorn and Faramir are shown to be lovers of peace rather than war. It’s why the quote - but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory; I love only that which they defend – is so poignant and beautiful, when seen in the context of all Tolkien had gone through. He’d seen all but one of his closest friends die in an utterly pointless war; the prevalent message in his books is ‘if you’re going to have that many people die, let it be for something worth dying for.’ (Like defending your home from the lord of all darkness, for example.)

And Eowyn might be a fantastic female character, but she’s also got so much development to go through, and she’s by no means perfect. I find it really interesting that when Eowyn talks to Aragorn about wanting to go off and fight she never really actually mentions protecting her people, but speaks about wanting to ‘face peril and battle’, and to do ‘great deeds’. And it’s not that Eowyn doesn’t want to protect her people, because of course she does, but she’s also got such a driving motivation within her to do glorious and fell deeds simply for the sake of valour and renown. It’s one of her defining features, having an attitude that got so many young men killed in the war and which, obviously, Tolkien would have been very wary of.

(Also, I think, there’s so much in Eowyn that wants to prove herself to be more than ‘a mere woman’; because twice in that conversation she asserts that she’s no mere ‘dry-nurse’ or ‘serving-woman’, but a member of the house of Eorl and therefore capable of greater things. There’s almost this slight sense of Eowyn considering herself more than ‘just’ a domesticated woman that I sometimes get from her in the books? Which is very sad - the idea of Eowyn having less regard for others of her sex who do mind the house or raise the children - and why I so love that ‘I am no man’ moment in RotK. Eowyn’s no longer hiding herself, or dismissing fellow women as the weaker sex, but acknowledging and embracing the fact that women in all their forms can fuck you up.)

And then we reach the Houses of Healing, and Eowyn yearning for death in battle just like her Uncle Theoden, and basically buying into that whole world war one ethos that Tolkien would have considered so poisonous. Which is why her friendship and courtship with Faramir is so fricking beautiful. Remember that quote I wrote earlier? That’s from Faramir. He’s not backing down from conflict, he’s in no way less of a ‘real man’ than anyone else; he’s just saying there needs to be more to the fight than simply having a fight. There needs to be a reason; something worth fighting for. Eowyn recognises that Faramir is a good man in every sense of the word: he’s strong and valiant, but he doesn’t fight simply to prove himself or for the sake of winning glory, he fights for other people. And Faramir gently challenges Eowyn on her idolisation of battle-glory and encourages her not to scorn gentleness or peace, and he’s so freaking good for her.

(Seriously. Can we just stop for a moment and think about how wonderful Eowyn and Faramir are for each other: Faramir encouraging Eowyn to turn towards life and healing and openness while never denying her strength or courage, and Eowyn giving Faramir the validation and security he never got after so many years of an awful relationship with his father? I honestly don’t know why I don’t get all giddy about these two more often, because they make the very best otp.)

And the result of the departure of the Shadow and her friendship with Faramir is Eowyn’s decision that ‘I will be a shieldmaiden no longer, nor vie with the great Riders, nor take joy only in the songs of slaying. I will be a healer, and love all things that grow and are not barren.’

I think that last bit is so important because I’m certain that Tolkien doesn’t mean for Eowyn to immediately pack up her sword and shield and become a good girl sitting at home with her knitting and waiting for the men to return home after the fight – after all, she’s going to be the wife of the Steward of Gondor and there’s a lot of mess to clean up after the War of the Ring. Eowyn’s probably still going to find herself defending hearth and home from time to time. But the important thing is that she’s no longer defining herself simply by the doing of valiant deeds; she’ll no longer compare herself to the great warriors of her house and feel lacking simply because she hasn’t killed as many men. Most importantly, she’s not going to take joy only in the songs of the slaying, in destruction and death. Tolkien was all about healers symbolising life and rebirth, and Eowyn’s decision to become one – to aid in the preservation of life rather than the taking of it – is so beautiful. I don’t think Tolkien ever wrote Eowyn’s ending to make her reclaim her ‘lost femininity’; I think it’s a lovely way of adding to the ever-present theme in Lord of the Rings of hope and frailty and healing and friendship over glory and battle and strife.

*isolates myself* perfect! but why am i sad

*socializes* perfect! how do I get out of here

women’s flat chests

your true colors are showing for reblogging men’s tits but not this post smh

some sobriety ideas

Listen to me.  If the weekend comes and you can’t stand the thought of not having your time filled with survival requirements and/or the idea of socializing un-anesthetized scares/freaks/weirds the fuck out of you? Go see a therapist and tell them that. Tell them that you can’t stand the thought of doing nothing. Or doing something for no reason other than enjoying it. Tell them you can’t relax without chemical help, be it socially or just in general.  It is not normal. Everyone doesn’t live that way. Even all the people you go drinking with on the weekend? Not all of them need it. But you? You can’t have time off without it. That’s not normal. Look. I’m not hating on social drinking. Before the pandemic, my favorite thing to do with my friends was go to a local brewery and try all the weirdest beer I could find. But when that wasn’t an option, I wasn’t destitute. Boy howdy though there were some people I knew who were. And more importantly, I’ve known people who got help. Some of them got therapy and some got on medication, and it was a world of difference. Some of them even can still drink and often do! But they aren’t driven to it by any need other than wondering what a beer that’s called “Girl From IPA-nena” tastes like.

This is the FUNNIEST SHIT I HAVE EVER SEEN

Reblogging for cultural enrichment

bout time I brought back the Laurel and Hardy flex tape-

From The Killers, 1946. A Film Noir Classic

I’m an archivist, behold my growing collection was of old photos mirroring timeless memes I’ve come across at various places I’ve worked.

"how would YOU fix the medical system then 😡" im 17 years old

like i dont need to be a carpenter to see that your ikea chair that impales everyone that sits on it and then shatters was put together wrong but that doesnt mean i know how to fix it

thank you twitter quote bot godwept for the daily orv quotes that finally convinced one of my friends to pick up orv (again)

Everybody give it up for columnar jointing

Woo! Yeah! Woohoo! Yippee! Hell yeah! Woo!

im not sure how serious redice were with this solo levelingesque kdj (concept???) art but I'm so glad this isn't how he ended up in the end. the way this fills me with rage. this is not kim dokja this is his fuckboy evil twin who says at least two slurs per day

Old concept sketches for an AU of mine

people calling yjhs behavior after witnessing the doksang near-kiss jealousy like its not MILES funnier that hes trying to be supportive of the relationship and the way he demonstrates his approval is by telling kdj point blank that he doesnt care if kdj dies.

characters who did not die and are now forced to live with the knowledge that they shouldve, characters that had made peace with said death but it never came and they have to live on, character who despite their wishes will still fight to live should death come for them again

must representation be “good”? is it not enough to watch two men destroy each other's lives