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This Caring Lark

@lbmisscharlie / lbmisscharlie.tumblr.com

Queer lady art historian alternately disgruntled and delighted with life. Visit me here for fic.
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lbmisscharlie
tonightatomic
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mcubed35

Writers, remember this.

…you guys…

Just read an excerpt from a productivity/goal setting book that concerned Tolkien.

His publisher mentioned that people wanted more about the hobbits after Tolkien published The Hobbit.

So Tolkien started another novel.

And apparently bounced between the depths of despair and the height of confidence for the entire process (he said that: “his ‘labour of delight’ had been ‘transformed into a nightmare.’”)

He gave up multiple times.

That book? Fellowship of the Ring.

You know what kept him going? C.S. Lewis’ support.

First lesson: if you’re stressing over your book, remember that Tolkien did too.

Second lesson: Writers have to support each other. Seriously. It might be the difference between a book that becomes beloved by hundreds of thousands (maybe even millions) even existing or not.

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elodieunderglass

 This is fair! This is so nice! I love this!

You know what else kept him going while he wrote Lord of the Rings? Well, 

  • having an income while he wrote, that he didn’t really have to work for. In fact, he held his dream job (Professor of Literature) with a full-time income, that came with a pleasant private office. He sat at work, for which he was being paid to do something else, and actively avoided doing his actual job while he pursued his own unrelated novel.
  • having a stay-at-home wife to run his entire home and family for him.
  • having servants…. that helps….
  • having a large, pretty house within a pleasant 25-minute walk of work.
  • never having to do:
  • household maintenance
  • laundry
  • cooking
  • cleaning
  • Life Admin
  • the not-fun gardening
  • the not-fun childcare
  • The work day of Men of His Time ended when they came home. Women of His Time, and Staff, existed to run the rest of his life. And that’s what they did. Jonald Ronald Rolkien Tolkien was the center of his household universe, which existed to support him in every possible way.
  • Let’s be real: he was not the person who was up in the night with a teething baby. That was what the nanny was for, followed by the wife. It would have been unthinkable for a man of his time/class to do his own childcare.
  • Actually, it’s worth noting that he had in particular a Very Intelligent Icelandic nanny, who lived in his house and looked after his four children all day, and was never given a holiday, and told the children lovely bedtime stories about trolls and the Icelandic Edda, and who provided a useful resource for the language and myth he used in LoTR, until his wife became too jealous.
  • I mean, what could YOU do if you had that much support? Write an epic! probably!!
  • Because nobody was forcing him to do anything, ever, he slept late and woke up late. sounds nice
  • Tolkien did not do laundry. He did not cook meals. He did not clean the house. He did not wrestle rice pudding down the necks of his screaming babies, while calmly and lovingly answering his schoolchild’s questions. He wasn’t making a cake while talking to his boss on the phone and wiping up the dog’s sick. He did not spend hours every day in the process of keeping his home together, or sorting the affairs of his four children, or sorting out the wifi. The Care and Keeping of Tolkien was outsourced to wife, servants, scouts, assistants, waitstaff.
  • He would have received free meals at work, although he usually walked home for lunch, where he was served food and alcohol that he took into his private study. but if he didn’t want to do that, Oxford profs of His Time could just get free lunch. He could ring a bell to be brought tea and snacks at work. And then he would go home and be served dinner.
  • Going to the pub with his friends, who supported and admired him! Sure!
  • not having to go home in the evening to his four toddlers and children, because he was a Man of His Times! and he could totally just spend evenings holed up in a pub with his admirers, because he was not required at home to help, or parent, or do anything in the home, except be served a glass of beer and go into his study.
  • god, imagine spending hours in the pub on a work night with a bunch of highly qualified literature professors telling you how smart and lovely and amazing you are. heck YES you’d be encouraged.
  • The Hobbit was already popular so it was probably quite helpful to know that while writing the next work.
  • Working and writing in a place that is generally considered to be an inspiring setting for academia and literature. Want to write Elrond’s Council? Sit down at a beautiful old stone table and start writing about the table. Want to write about a tree? Go write under your favorite ancient tree in the Botanical Gardens. Want a snack? Ring a bell and a scout will bring you toast and a cup of tea.
  • I mean, he wasn’t exactly spending his 40 hours a week under a manager’s baleful eye while he manned the self-checkouts at the Tesco in Coventry, or pumped gas for minimum wage in Montauk, scribbling notes into his phone. He floated around The City of Dreaming Spires, dreamily making art, while several people labored very hard so that he would be untroubled by Real Life while he floated.

Let’s be real. Tolkien’s literary accomplishments are very impressive, but he L I T E R A L L Y

was doing them on his work clock with the full support of a pit crew.

To be fair, I love the man. And I love the huffy apologism in the Tolkien Gateway: “Writing  [The Fellowship of the Ring] was slow due to Tolkien’s perfectionism, and was frequently interrupted by his obligations as an examiner, and other academic duties.”

I’m ??? sorry that writing a novel on the company dime was frequently interrupted by occasionally having to do his job???? oh my god I love and hate this so much,

Dianna Wynne Jones, of Tolkien’s students at Oxford, commenting “of Tolkien, they said he was wasting his time on hobbits when he should have been writing learned articles…”

maybe because that’s what academics are SUPPOSED TO DO, it is their job,,,

He would also deliberately mumble incomprehensibly, ignoring his students, deliberately delivering terrible lectures, so that they would all go away; but Dianna actually wanted to receive some of the education she’d been promised:

“I imagine I caused Tolkien much grief by turning up to hear him lecture week after week, while he was trying to wrap his lectures up after a fortnight and get on with The Lord of the Rings (you could do that in those days, if you lacked an audience, and still get paid).”

God love the man! Deliberately teaching so badly because he planned to alienate his students and collect a paycheck! He would be flayed on social media for less, today. There would be news articles about the Lazy Professor. He would be fired, and buried, and dug up, and fired again.

In conclusion: yeah, CS Lewis was very encouraging and that helped immensely! But probably so did a secure income, freedom from chores and labor, and a crew of support staff. Who knows what we might do, if we all had that kind of encouragement. We’d probably be very productive.

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madtumbleson

A choice Diana Wynne Jones quote on Tolkien’s mumbling, from her essay “The Shape of the Narrative in The Lord of the Rings”:

“When I was an undergraduate, I went to a course of lectures he gave on the subject—at least, I think that was the subject, because Tolkien was all but inaudible. He evidently hated lecturing, and I suspect he also hated giving his thoughts away. At any rate, within two weeks he succeeded in reducing his substantial audience to myself and four others. We stuck on, despite his efforts. He worked at it: when it did appear that we might be hearing what he said, it was his custom to turn around and address the blackboard.”

It’s a lovely essay about The Lord of the Rings, but you can tell that she was still very salty about the man’s lecture style, however many years later it was that she was writing this essay.

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petermorwood

One of my Uni tutors had also gone to lectures by Tolkien, and said more than once that whatever else he had learned, the most important was “This is how not to give lectures”…

#this is a Good Post#on making art
lbmisscharlie

Bangs and Whimpers, etc

I’m lbmisscharlie over on AO3 and Dreamwidth and likely, soon, on Pillowfort. For non-fandom content (lots of fashion, sewing, art, and dogs), I’m much more active on Instagram and am happy to give that out if you ask/message.

I’m heading out of state tomorrow (to visit my partner whom I met on tumblr in 2012, god I’m having feelings about that) and don’t currently have the brainspace or time to back up my blogs and whatnot so you might see me here again before The End Times as I work that out upon my return. Tumblr is not my first fandom space and I hope it will not be my last -- please find me if you’ve also enjoyed conversations about queerness and dandiness and art and gender-changed butch versions of Steve Rogers and tiny femslash fandoms and and and...

#the great fandom migration
lbmisscharlie
missoj
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austinkleon

“Study art” signs by John Waters, 2017 Venice Biennale

The signs are parodies of a real sign Waters saw in Baltimore:

“Many years ago, there was a real sign for a real art school in Baltimore on St. Paul Street below 25th Street. It said, ‘Study Art for profit or hobby,’ which is about the most politically incorrect thing you can say if you’re an artist. I loved the sign and was astounded by it. It was completely unironic, and I decided to parody it.”

Here’s the original: 

Filed under: John Waters, signs

#amazing#art#john waters
lbmisscharlie
shayvaalski
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cupidsbower

it’s gonna be ok

For those of you going through this for the first time: everything will be okay. Fandom always survives stuff like this. We’re good at it.

I know there’s lots of advice posts out there. This isn’t an advice post. I’m just going to tell you why it’ll be okay.

So far, on every commercial platform fandom has called home, there has come a tipping point when we leave. There have been a few scares on Tumblr before, but I didn’t think that we’d reached the tipping point back then. I do think so now. Given the way I’ve seen fandom leave platforms before, yes, this is the real thing. It won’t happen all at once, but in waves. You can afford to wait, but start thinking about it so you’re not taken by surprise when you reach your limit.

Take note of those advice posts that are going around, and especially of the things the BNFs in your fandom are planning – people will tend to follow them in clusters, so that’s a good place to start. But even if you leave it all to the last minute in the hope it won’t happen, and then realise you need to leave after all, it will still be okay.

We are fans, and the internet has always been our playpen. We all have multiple social media accounts, many with the same handle. We can find each other again. It won’t be the same. Of course it won’t. Tumblr fandom is different from Livejournal, is different from GeoCities. But it will still be fandom, it will still be good, and you will still find people you like, including some of those currently in your fannish circle.

We have the advantage of the OTW now too – this kind of thing is exactly why we built it. It’s our safe harbour, no matter what, because we own it.

Once you decide to leave Tumblr, it won’t be as scary as you think. You’ll recognise people’s handles. You’ve probably already done this without realising it – remember the people you used to share a fandom with, but no longer do? Their handles are still seared into your brain, and you’ll always feel that pang of nostalgia when you see them again.

It’s just the same when fandom migrates.

Some people will disappear, and you never will find them again. But mostly, you will still see the same handles, having the same conversations, sharing love for the same favourites, just in new places. You will find them on Dreamwidth, Pillowfort, Instagram, Twitter, Google docs, discord, fanfic.net, Wattpad, Deviant Art, YouTube, Vimeo, and so on. Most importantly, you’ll find them on Fanlore and AO3, because they are run by the OTW and we own it.

Fans and fandom will still be here long after Tumblr is full of rolling tumblrweeds.

We’re good at this. No matter where we end up, you will find your people again. Fandom will go on. It will be okay.

#this is true#also if you're not sure of where you'll end up for your fandom home#go and subscribe to all your fave authors/artists on ao3 so you can get notifications of when they post
lbmisscharlie
sapphoshands
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inu-fiction

PSA: Stuff You Maybe Didn’t Realize You Can Back Up To AO3, And How To Tag it

Tumblr seems to be in potential death throes or at least, incredibly volatile and unreliable lately, but we’ve done some pretty good and informative work on canon analysis and reference guides so I was looking for ways to back it up without losing it…and the solution became obvious to me: Archive of Our Own, aka AO3.  “What?” you might ask if you are less familiar with their TOS. “Isn’t that just a fanfic archive??” No! It’s a fanWORK archive. It is an archive for fanworks in general! “Fanwork” is a broad term that encompasses a lot of things, but it doesn’t just include fanfic and fanart, vids etc; it also includes “fannish” essays and articles that fall under what’s often called “meta” (from the word for “beyond” or “above”, referencing that it goes beyond the original exact text)! The defining factor of whether Archive of Our Own is the appropriate place to post it is not whether or not it’s a fictional expansion of canon (fanfic), though that is definitely included - no, it’s literally just “is this a work by a ‘fan’ intended for other ‘fannish’ folks/of ‘fannish’ interest?”  The articles we’ve written as a handy reference to the period-appropriate Japanese clothing worn by Inuyasha characters?  The analyses of characters? The delineations of concrete canon (the original work) vs common “fanon” (common misconceptions within the fandom)? Even the discussion of broader cultural, historical, and geographic context that applies to the series and many potential fanworks?  All of those are fannish nonfiction! Which means they absolutely can (and will) have a home on AO3, and I encourage anybody who is wanting to back up similar works of “fannish interest” - ranging from research they’ve done for a fic, to character analyses and headcanons - to use AO3 for it, because it’s a stable, smooth-running platform that is ad-free and unlike tumblr, is run by a nonprofit (The OTW) that itself is run by and for the benefit of, fellow fans.  Of course, that begs the question of how to tag your work if you do cross-post it, eh? So on that note, here’s a quick run-down of tags we’re finding useful and applicable, which I’ve figured out through a combination of trial and error and actually asking a tag wrangler (shoutout to @wrangletangle for their invaluable help!): First, the Very Broad: - “ Nonfiction ”. This helps separate it from fanfic on the archive, so people who aren’t looking for anything but fanfic are less likely to have to skim past it, whereas people looking for exactly that content are more likely to find it. - while “Meta” and “Essay” and even “Information” are all sometimes used for the kinds of nonfiction and analytical works we post, I’ve been told “ Meta Essay ” is the advisable specific tag for such works. This would apply to character analyses, reference guides to canon, and even reference guides to real-world things that are reflected in the canon (such as our articles on Japanese clothing as worn by the characters).  The other three tags are usable, and I’ve been using them as well to cover my bases, but they’ll also tend to bring up content such as “essay format” fanfic or fanfic with titles with those words in them - something that does not happen with “Meta Essay”.

- I’ve also found by poking around in suggested tags, that “ Fanwork Research & Reference Guides ” is consistently used (even by casual users) for: nonfiction fannish works relating to analyses of canon materials; analyses of and meta on fandom-specific or fanwork-specific tropes; information on or guides to writing real-world stuff that applies to or is reflected in specific fandoms’ media (e.g. articles on period-appropriate culture-specific costuming and how to describe it); and expanded background materials for specific fans’ fanworks (such as how a given AU’s worldbuilding is supposed to be set up) that didn’t fit within the narrative proper and is separated out as a reference for interested readers. Basically, if it’s an original fan-made reference for something specific to one or more fanworks, or a research aid for writing certain things applicable to fanworks or fannish interests in general, then it can fall under that latter tag. 

- You should also mark it with any appropriate fandom(s) in the “Fandom” field. Just like you would for a fanfic, because of course, the work is specifically relevant to fans of X canon, right? If it discusses sensitive topics, or particular characters, etc., you should probably tag for those. E.g. “death” or “mental illness”, “Kagome Higurashi”, etc. 

Additionally, if you are backing it up from a Tumblr you may wish to add: - “ Archived From Tumblr “ and/or “ Cross-Posted From Tumblr ” to reference the original place of publication, for works originally posted to tumblr. (I advise this if only because someday, there might not be “tumblr” as we know it, and someone might be specifically looking for content that was originally on it, you never know) - “ Archived From [blog name] Blog ”; this marks it as an archived work from a specific blog. And yes, I recommend adding the word “blog” in there for clarity- Wrangletangle was actually delighted that I bothered to tag our first archived work with “Archived From Inu-Fiction Blog” because being EXTREMLY specific about things like that is super helpful to the tag wranglers on AO3, who have to decide how to categorize/”syn” (synonym) various new tags from alphabetized lists without context of the original posting right in front of them.  In other words, including the name AND the word “blog” in it, helps them categorize the tag on the back end without having to spend extra time googling what the heck “[Insert Name Here]” was originally. 

Overall, you should be as specific and clear as possible, but those tags/tag formats should prove useful in tagging it correctly should you choose to put fannish essays and articles up on AO3 :) Oh, and protip sidebar for those posting, especially works that are more than plain text: you can make archiving things quicker and easier for yourself, but remember to plan ahead for tumblr’s potential demise/disabling/service interruptions. The good news: You can literally copy and paste the ENTIRE text of a tumblr post from say, an “edit” window, on tumblr, straight into AO3′s Rich Text Format editor, and it will preserve pretty much all or almost all of the formatting - such as bold, italics, embedded links, etc! But the bad news: keep in mind that while AO3 allows for embedded images and it WILL transfer those embedded images with a quick copy-paste like that, AO3 itself doesn’t host the images for embedding; those are still external images. This means that whether or not they continue to load/display for users, depends entirely on whether the file is still on the original external server! As I quickly discovered, in the case of posts copied from the Edit window of a tumblr post, the images will still point to the copies of the images ON tumblr’s servers. What this means is that you should back up (save copies elsewhere of) any embedded images that you consider vital to such posts, in case you need to upload them elsewhere and fiddle with where the external image is being pulled from, later.  Personally, I’m doing that AND adding image descriptions underneath them, just to be on the safe side (and in fairness, this makes it more accessible to people who cannot view the images anyway, such as sight-impaired people who use screen readers or people who have images set to not automatically display on their browser, so it’s win-win)

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destinationtoast

Thanks for this helpful guide! I haven’t used some of these tags so far for the fandom stats work I’ve cross-posted to AO3, but that’s because I didn’t know about them. Great ideas! :)

I keep meaning to mass archive my Toastystats work to AO3, but I am always stymied by image hosting when trying to overcome inertia and do so. It takes time to repost all the images to external hosting (like imgur). So thus far I’ve only done it for a few major analyses, and even in some of those cases, the images are hosted on Tumblr. But I should finally get around to it. At least I’ve exported my Toastystats side blog recently, so most of my stuff should be preserved if anything should happen. But maybe this holiday break I’ll finally make more progress.

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olderthannetfic

I second all of this!

I’ve also found that AO3 is the best way for me to distribute my vids. I do have to host them elsewhere, but AO3 gives me a consistent URL and a way to have useful headers with fandom/ship/etc. even if I switch hosting a hundred times.

#ao3