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Everyone gets “The 90s” look wrong and I hate it
Couple years ago I saw these two board games at the store back to back. Well, not saw them per se, but ya know. Spied them out of the corner of my eye. And for a moment without reading the text, I couldn’t tell you which was which decade at first. Funny. Either they were in a rush to get these out the door or they wanted their throwback trivia game boxes to look uniform. I didn’t think too much of it.
Only, from then on I started seeing it MORE. Every time someone markets a 90s or 80s throwback…
Goddammit they’re identical! What??! How did we let this happen? As a 90s survivor and a designer, this drives me up a wall.
Look, I know I’m late to the party to complain about “the 90s look” when we’re just starting to get sick of the Y2K nostalgia train. But c’mon, the 90s were not The 80s: Part Two™
Trust me when I say that we weren’t all wearing neon trapezoids up until the year 2000. The 90s look being peddled is so specific to the tail end of the 80s and an early early part of the 90s - a part of the 90s when it wouldn’t stop being the 80s. This is Memphis design being conflated with the wrong decade.
Keep reading for a long ass graphic design history lesson and pictures of old soda and fast food.
Everyone gets “The 90s” look wrong so let’s fix it
If you weren’t here for part one, lemme sum it up real fast:
Okay, all up to speed? We’re being served 80s throwback stuff with the serial numbers scratched off, re-labeled as yo totally 90s. What we’ve got now isn’t completely wrong, but I’m telling you, there’s so much gold left unmined.
As we saw in part one with Memphis Milano, these things get messy. Trends don’t start and end neatly every ten years. The first wave of 90s throwback attempts focused on the early part of the decade, and nobody since really pushed to represent the other seven years. Well, if you really wanna do something, I guess you gotta do it yourself.
I have suggestions. Get your flannel ready, we’ve got a lot of ground to cover.
Analog Grunge
SURRRRRRRGE or uh, Grunge, is probably the look that defines the decade best. The big kickoff point here is Nirvana - after a shiny pop-dominated music scene in the 80s, Nevermind was like a breath of fresh smog.
Your design has to look like it survived a nuclear blast, then was run over by your parents’ Buick a couple of times.
- Rust. Dirt. Scuffs and scrapes. Signs of distress.
- Handwritten or scribbled illustrations.
- Low-rent aesthetics. Torn paper shapes, label maker or typewriter fonts.
If there’s a Comic Sans for the 90s, it’s “distressed typewriter font.” Seriously, it’s mandatory. When I pulled images for this post I could not escape typewriter fonts. I don’t think you couldn’t call yourself a respectable designer without it. Just look at how much mileage old-timey typewriters and label makers got:
Hell, it’s the giant X in The X Files!
I think another component to Grunge is sort of an anti-digital, pro-analog message. My pet theory is home computers went from being a semi-common novelty in 1990 to an essential gotta-have-it purchase in every American home by ‘99. Desktop publishing apps made it almost too easy to make pixel-perfect, clean, uniform designs. Digital photography and scanners meant you could now publish full color photographs with ease.
But digital perfection is the enemy of Grunge. Analog means authenticity.
So you had a whole gaggle of designers running in the other direction. Sure you could use a computer, but your work absolutely had to look like it didn’t come from one. As much as possible, incorporate hand-drawn artwork, scribbles, dust and splotches. Write text with chicken scratch if you have to. As much as you could make your multimillion dollar ad campaign look like it came from the margins of some high schoolers’ math homework, the better.
Factory Pomo
Not everyone was running away from digital, though. Many designers were embracing computer apps - and I think that’s where Factory Pomo first came into being. Coined by designer Froyo Tam (that’s their logo up above!) Factory Pomo is one of those things that once you see an example, you can’t stop seeing it.
- Strong, basic geometric primitives with inverted, contrasting colors
- Tall typography
- Art Deco style rivets and spikes
Want your logo to look futuristic and modern? Stick it in a circle and put some triangles around. Invert half the colors, then another half.
Max Krieger has a great writeup on the probable inflection point: Tomorrowland. As the story goes, Tomorrowland at Disney - the part of the park meant to look like it’s from the future - would very quickly look very outdated each time they tried to update it. Instead, in 1994 they decided to own being outdated. They came up with a ridiculously fun “timeless” futuristic look, mixing industrial design with Jules Verne. Factory Pomo’s signature was all over the blueprints.
The look quickly escaped the theme park and was especially prevalent in the booming mid 90s home computer market. It’s the Packard Bell cyborg, it’s the logo in Video Toaster. If you caught that The X Files logo earlier is both Factory Pomo with the tall type and X in a ring AND Grunge with the typewriter X in the background, you win 5 bonus Pogs.
And it’s a stretch, but one could draw a line between Factory Pomo’s inverted black and whites and the Ska movement’s two-tone checkerboards. Maybe. Possibly. I’d have to call Tony Hawk to double check.
Back to Froyo Tam for a second, but that bit about them coining the term? That was in 2017. “Factory Pomo” didn’t have a name for like… 25 years. How’s that possible, you may wonder? Weren’t designers following a defined style? Well, yes and no. I think people were designing stuff to look a certain way, but it’s less a game of “this is what the aesthetic looks like” and more like a game of telephone.
If you do an architecture tour in a major city, you’ll learn that every building and skyscraper is classified to a specific architectural movement. Every building that is but ones built in the last 20-30 years. Newer buildings have to wait a few decades for official classification. Historians need time and perspective to figure out what emerging trends in architecture are going on, whose work influenced who, that sort of thing.
Designing a logo for Slim Jims or Cherry Coke takes considerably less time than constructing a skyscraper, but I think the same principle holds true. It’s really difficult to tell what’s a trend and what’s a fad when you’re living in the moment. I couldn’t tell you what’s the defining aesthetic for the 2020s right now. It’ll be obvious in 2053, but right now, no clue.
Enough time has passed between the nineties and today that we can pick this stuff apart easily. Maybe if you’re lucky, you can be the first to classify these design movements, too.
Working on a part three! I’ll look into a few other trends and address the big question– Is the Y2K aesthetic actually a 90s thing? More to come.
*A ton of these examples above are from the CARI Institute, which you should totally check out, they’ve been cataloging this stuff for years.
Fruit bat noises, apparently. If you care
Oh my god. I care. I care SO much.
reblog for noises
this is my son Ollie and he LOVES when we put plastic bags in the sink like a little nest
burrowing creature
Practical tip for those dealing with wildfire smoke now: you can make a very effective air filter for a reasonable amount of money using a box fan & one of those filters meant for your furnace.
Also, I've managed to pick up 2 of the box fans for very cheap/free from yard sales. Make sure you get a filter rated for wildfire smoke, I think this one cost about $20.
These make a huge difference in the indoor air quality.
Posting again because of the fire situation up in Canada and resulting smoke. If you're dealing with wildfire smoke, these are surprisingly effective and relatively cheap.
Just tape the filter to the fan, making sure the air can't sneak around the edges. I used painter's tape, but I'm sure duct tape or similar would work just as well.
Man. The flagrant lack of critical reading skills and basic reading comprehension just makes me sad. There's a lot of joy in reading the English language that these people are missing out on. There's a clear INTEREST in reading and I feel like if we could just get people off this anti-intellectual streak everyone would be having much more fun reading Metamorphosis AND Twilight.
I genuinely hate this attitude that getting better reading comprehension skills will somehow keep you from enjoying your pulp romance or comic books or fanfiction. All a literature education does is give you more tools to analyze writing. It will only increase the joy of reading.
The Iron Sheik passed away today. He may not have been a perfect person, but he was never scared to call Hulk Hogan a piece of shit. Need more people like that in the world. RIP
That’s all
this is my new merch actually
Thinking about 13 Latvias again
I genuinely belive this is the funniest fucking thing we will ever get from reddit
I hate how everything's called devices and apps now. Those are frail words with no weight and show no respect like machine and program do.







