Avatar

Keepinitrealstupid

@keepinitrealstpid

Mesmerized 😃

Are those blades???

Yes and no. Those are Buugeng (buugong?) An ancient style of bo-staff that was used in combat as well as dances. Basically the idea behind them was that they’re effectively unblockable. By the time your mind has processed where the blade/shaft was, it was already cutting you in half.

This looks SO badass

How to Draw Black People (2019)

How to Draw Black people is an interactive learning tool for artists looking to improve their understanding of Black culture and design methods for Black characters.

Learn how to take a cultural approach to character design and navigate the mores of Black culture. Build Black characters from the ground up, while avoiding tired and hurtful cliches. How to Draw Black People shows artists new techniques for rendering dark skin, drawing Afrocentric faces, and breaking through gender norms. With a digital component that includes brushes made specifically for African hair types and a library of sample files to practice on, How to Draw Black People is an essential resource for improving Black character designs in all media formats. Step by step tutorials and challenging activities centered on Black hair, skin tone, facial anatomy and so much more.

How to Draw Black People fills a void that is missing in art instruction by realigning character design with culture, instead of tropes.

by Malik Shabazz

Get it here 

[SuperheroesInColor faceb / instag / twitter / tumblr / pinterest / support

HOLY SHIT, IT WAS THE ORIGINAL ONE

MAKE A WISH

the first post ever on tumblr

I WAS EXPECTING IT TO BE A REMAKE OF SOME SORT HOLY FUCK

WHO THE FUCK KEEPS BRINGING THIS BACK

reblog this because it shows up every blue moon

I FOUND IT ✊

I WAS SO SCARED IT WOULDNT BE THE ORIGINAL

Who first posted this?

I THOUGHT THIS WAS GOING TO END WITH A MEME OR SOME SHIT NO IT’S THE REAL ONE OH MY GOD

Wishing I’ll do well on my finals ✨

Avatar

Wishing for this post to appear more times

Watercolors by Alvaro Castagnet

Alvaro Castagnet (born in Montevideo, Uruguay) is an inspirational and expressive watercolor painter who has won many prestigious international awards, travels extensively, exhibiting, judging, and teaching the arts of watercolor. He is a member of many art societies, including AWI, and AWS. He is a successful author, who holds highly popular workshops and his works are collected worldwide. Check out his website.

 "A painting only exists when you capture the deepest facet of the subject.“ 

Art is the only way to run away without leaving home - run with us.

posted by tu recepcja

Plotting a Series

I’ve gotten a question about whether the process of plotting a single book is the same as the process of writing a series. The answer is: yes, but no. They’re similar in many areas, but there are some differences.

1. In the first book you’ll want to introduce the main conflict first, and then a smaller, less important conflict a little later in. The smaller conflict will be resolved by the end of the book; the larger conflict, which is the main conflict of the series, will not. As an example, take the Harry Potter series (I use it because it’s well-known and won’t take too much explaining). In The Philosopher’s Stone, the first couple of chapters are about Harry and who he is, how he ended up with the Dursleys, what happened to his parents – these chapters accomplish backstory by introducing Harry and his family situation, and introduce the main conflict by telling of the death of Harry’s parents, and by Dumbledore expressing uncertainty about how defeated Voldemort really is. Then, a few chapters in, after being admitted into Hogwarts, Harry finds out that someone is trying to steal the Philosopher’s Stone – the book’s short term conflict.

2. Each short-term conflict should move the long-term conflict closer to a resolution. For example, at the end of Philosopher’s Stone, the stone is safe (the short-term conflict resolved), but it’s been discovered that Voldemort is still alive and is still trying to gain power – the stakes of the long-term conflict are raised. At the end of Chamber of Secrets, the diary is destroyed, but we have some of Voldemort’s backstory, and it seems that Voldemort is gaining power. At the end of Prisoner of Azkaban, Wormtail is introduced – this seems to have nothing to do with the main conflict, but it’s important, because it brings some of Harry’s parentage back to him (although it’s secondhand, only stories of his parents), and because Wormtail turns out to be Voldemort’s right-hand man. At the end of Goblet of Fire, Voldemort regains his body, and at this point you could argue that the long-term conflict is about halfway through its rising action; at the end of Order of the Phoenix, Harry finds out that he must kill Voldemort or be killed by him, and that only he can defeat Voldemort; at the end of Half-Blood Prince, Dumbledore (the one person Voldemort was said to truly fear) is killed, Snape’s loyalty is in major question, and Hogwarts has been overtaken – Harry decides to continue Dumbledore’s work in looking for the Horcruxes. Finally, at the end of Deathly Hallows, Voldemort is defeated and a lot of the smaller loose ends (smaller-scale antagonists like Bellatrix LeStrange and Lucius Malfoy) are taken care of. Over the course of seven books, the long-term conflict – Voldemort trying to return to power and create a society that pampers purebloods and tramples poor wizards – has been resolved.

Basically, draw a circle on a piece of paper and put your main conflict in that circle. Then draw smaller circles stemming from that bigger circle and write your short-term conflicts in those. From there continue – subplots can be drawn stemming from your short-term conflicts. (If you don’t know how to create subplots, this post may help – in it I describe the same process of mapping out possible sub-conflicts to your main conflict, but probably described a little better.) If you don’t know what your short-term conflicts are yet, then think of your long-term conflict as a straight line of rope – then ask yourself how you can knot up that rope. What processes do your protagonists have to go through to get to a solution, and how can your antagonists gum up the works? For example, in the Harry Potter series, the long-term conflict is that Harry has to defeat Voldemort. What gets in the way of that? I can name a few things, from various places in the books: Minister Fudge refusing to believe him when Voldemort comes back after the events of Goblet of Fire, having so much difficulty finding and destroying all the Horcruxes in Deathly Hallows, Dolores Umbridge preaching that Voldemort is not alive when in fact he is, and is growing stronger. (There are a million possibilities for your story’s short-term conflicts, because depending on your characters’ dispositions, they could cause a few themselves – for example, one of your characters could feel they have something to prove and end up getting themselves in trouble, and the plot of an entire book could be finding and saving that character before time runs out.)

I hope this helps! - @authors-haven

The “Magic Mirror”

欲しい。商品化しないかな・・・。

This is super cool but it doesn’t include the text instructions! Here’s the original imgur gallery with some comments on each image, and here is a detailed tutorial that the creator made (he also made the code free to use on his github) in case you want to make one yourself!

Avatar

HOLY SHIT

wtf

His some future shit

I gotta get this in my mancave

A single sperm has 37.5MB of DNA information in it. That means that a normal ejaculation represents a data transfer of 1,587.5TB.

Avatar

Now that’s a lot of information to swallow

how do I delete other people’s posts