Ganas de playita
one of the most enlightening realizations ive had was finding out that non-24 hour circadian rhythm people were a pretty large group and most of us have oddly similar cycles of usually around 28hr internal âdaysâ and this masquerades as âinsomniaâ but if allowed to sleep and wake naturally we will just advance forward through time an extra 2-4 hours a day at a relatively stable pace. we canât go to school or jobs or even run errands on normal schedules without massive pharmacological and behavioral intervention. most of the people who have been diagnosed or figured it out themselves will report horrific, life-ruining disruption in their professional lives and terrible health from accrued lack of sleep. this disorder is most common in vision-impaired people which seems to suggest itâs related to light cues. anyway just thinking about this as extremely loud yard work woke me up at 8am for the second day in a row
lot of people reblogging this identifying themselves in it so i wanted to give you a link to a more detailed desription of Non-24-Hour Sleep-Wake Disorder, and mention theres a similar disorder called Delayed Sleep Phase disorder where you are on a regular 24 hour cycle but you naturally get sleepy around 3-4am every day and wake up around 10am-12pm (roughly). as far as i can tell, despite the widespread nature of both these disorders, its basically impossible to get diagnosed bvecause sleep medicine is probably the single most useless specialty and if you dont have sleep apnea they dont want to hear about it.
*scrolling*
not reading that sorry
not reading that sorry
squeak now or forever hold your cheese? lol!
not reading that sorry
wish all cane users a very permission to beat up ableists with your cane
made a disco ball hanging planter the other day and it adds so much to my roomâs decor in the morning
I saw this tweet and was inspired
Yes sometimes I think about this and... lmao
cakes for when you die and get brought back but there's something wrong with you and everyone can tell
me remembering all of the personal information Iâve shared with ppl I no longer talk to:
bring back the habits that made you happy as a child. thereâs no reason you should ever have to give up harmless things that bring you joy. you donât have to age out of having fun. finger paint. write mediocre fanfiction and questionable poetry. put chocolate chips in your waffles. sing in the bath, and while working in the yard, and while washing your hands. hammer tunelessly on a piano. spin in circles until you fall down. climb a tree. just because youâre now in charge of your life doesnât mean youâre expected to give up on the things that make life feel worth living
If I could impart one thing to a young adult - it would be this. This is literally the secret to being okay your entire life.
I . . . I need a moment.
I . . . I need a moment.
oh no is she problematic????
another girlboss lost to cancel culture
To Wong Foo Thanks for Everything, Julie Newmar (1995)
Dir. Beeban Kidron
This was such a formative movie
This shit was revolutionary for the mid-90s. Among other things it helped me understand that transgender and cross-dressing were completely separate things.
To this day, I am in awe of the fact that Patrick Swayze not only campaigned hard to get the audition, not only auditioned in dress and makeup, but spent most of the day leading up to the audition walking around LA in dress and makeup.
This was a man who could sing, dance, act, ride a horse, fight, and walk in heels, he had nothing to prove to anyone, and he is MISSED.
Okay, Iâm not done feeling about this.
If youâre younger, you may not know Patrick Swayze; he was Taken From Us in 2009. But Patrick Swayze was an icon of masculinity. Men were willing to watch romantic movies because Patrick Swayze was in them.
Patrick Swayze was fucking beefcake.
And this man didnât just agree to do a movie where the only time heâs not actually in drag is the first three minutes, which involve stepping out of the shower, doing make up, and getting Dressed. He has ONE LINE that is delivered in a manâs voice, and itâs not during those three minutes.
And if you watch those three minutes, you see a stark difference between his portrayal of Miss Vida BohĂ©me and Wesley Snipes as Noxeema Jackson. (I am not criticizing Snipesâ performance. They were different roles.) Noxeema was a comedy character. Chi-Chi was a comedy character. But Miss Vida BohĂ©me was a dramatic role, played by a dramatic powerhouse.
When Vida sits down in front of the mirror, she sees a man. And she doesnât like it.
Then she puts her hair up, and her face lights up.
âReady or not,â she says. âHere comes Mama.â
And while Noxeema is having fun with her transformation (at one point breaking into a giggling fit after putting on pantyhose), Vida is simply taking pleasure in bringing out her true self. And when sheâs done, she sees this:
And you can FEEL her pride.
All of this from an actor who, up to this point, walked on to the screen and dripped testosterone.
the fact that some of you history-ignorant children in the notes are trying to shit on groundbreaking historical queer cinema because it doesnât meet 2021 standards is infuriating. sit down, shut the fuck up, and listen to the elders in the room for fucking once
This. If you have never lived in a world where queerness was universally pathologized and criminalized to the point that even IMAGINING a world where it wasnât constituted a radical and potentially dangerous act, you donât have any business judging those of us who have for how we survived it and how we found (or still find) comfort in the few imperfect representations we got.
You donât have to like it. You probably arenât capable of âgettingâ it. And to be honest, I donât want you to! I am glad that young queer people will never know exactly what it was like âback then.â But what you also will not do is refuse to learn your own history and then shit on everything that came before you, because like it or not what came before you is the reason you will never have to get what it was like back then.
On Wesley Snipesâs role Noxeema and John Leguizamo as Chi-Chi Rodriguez.
âI grew up in the â70s and even within the street culture, there was a lot of flamboyancy,â Snipes told TODAY of his perception of drag before filming. âPimps wore the same furs as theprostitutes wore.
âSome of the great musicians of the world, like Parliament-Funkadelic, were very androgynous. So it wasnât really new for me to see men dressed as women or men dressed as drag queens.â
Snipes attended the famed LaGuardia High School of Performing Arts and then State University of New York at Purchase. He wasnât a dance major, but most of his friends were. âThat exposed me to the world of glam, vogue, drag, transgender and gay people, LGBTQ⊠but it wasnât in fashion those days. But it existed and I was around it.â
Not only did âPriscilla, Queen of the Desertâ pave the way for âTo Wong Foo,â so did films like the 1968 documentary âThe Queenâ and âParis Is Burning,â the 1990 doc that chronicled ball culture of New York and the various Black and queer communities involved in it.
Even though he was known for his action roles, Snipesâ portrayal of Noxeema wasnât the first time he played a drag queen. In 1986, he made his Broadway debut in the play âExecution of Justice,â playing Sister Boom Boom, a real-life AIDS activist and drag nun who acted as the showâs voice of conscience. Snipes pointed out, âSister Boom Boom did not have Noxeemaâs makeup kit.â
On whether he got any pushback for stepping into Noxeemaâs pumps, he said, âNot so much professionally but the streets werenât feeling it, and there were certain community circles. The martial arts community⊠they were not feeling it at all.â
âIn fact, when the movie came out and they would come down the street, I would see them in Brooklyn sometimes, they started listing all my movies. I noticed they would always skip that one. I would correct them, âNow you donât got the full count!ââ
Lesser-known than his co-stars at the time, Lequizamo didnât really anticipate becoming a transgender icon, but he did know that they were working on something special when they started filming.
âDrag didnât really exist in movies,â Lequizamo, who was nominated for a Golden Globe for his portrayal, told TODAY. âThere were straight men pretending to be women to get out of trouble or into trouble but this was not that. I was trying to make Chi-Chi a real life trans character and Patty and Wesley were trying to be real drag queens.â Never fully articulated in the film, Chi-Chi Rodriguez has always been perceived as transgender, something that ending up making an indelible mark on LGBTQ people in the late â90s as trans representation in media was limited.
âChi-Chi was a trans icon, but she also showed us that gay men and trans women can both perform and work in drag side by side, and that those relationships are symbiotic,â Cayne explained.
âIt was a powerful thing. I get lots of fan mail from LGBTQ teens telling me how my character helped them come out to their parents,â Leguizamo said. âThey didnât feel like they were seen, so that was a beautiful gift from the movie.â
Lequizamo also articulates that if âTo Wong Fooâ were cast today, a trans actor should be cast in his role. (And that just may happen, since Beane is developing a musical for Broadway.) âAnybody can play anything, but the playing field is not fair that way,â he said. âNot everybody is allowed to play everything. So until we get to that place, it is important for trans actors to get a chance to act which they donât. In the project Iâm doing, Iâm making sure that the person playing trans is a trans person so we can make it legit, make it real. That just needs to be done right now.â

















