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@kathena4

I'm just here for the fanfic and pretty pictures. 90% McShep stuff

John without Rodney 📓

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A book! Perhaps a handbook or a rulebook or....a Uniform Code? 😈😈😈

--

"DADT, Evan. It's gone."

Lorne freezes again, his heartbeat pounding in his ears. He can't have possibly have heard that right. He wants to jump and cheer, he wants to run down to the botany labs and kiss David in front of everyone, he wants to shout from the highest balcony in Atlantis -

"Evan?" Sheppard asks. Lorne blinks, refocusing on Sheppard who has finally lifted his head. The look on his face is inscrutable. That paired with the contents of his desk strewn across the floor as if they'd been swept off in a fit of rage makes him pause. Sheppard was a good commanding officer, one of the best Lorne had ever had, and he was proud to be his 2IC. He didn't think Sheppard would have a problem with his sexuality, but you never knew.

"Is that going to be a problem, Sir?" he asks carefully.

Sheppard blinks at the tone, eyebrows drawing together, before comprehension dawns.

"Shit, no - I'm, I'm happy for you, Evan, really," he says, and he sounds earnest enough, but then why...?

"Then why...?" Evan tries to ask, trailing off in favor of waving a hand around the mess. Sheppard glances around the office and bows his head again. There are tremors running through his frame, Lorne realizes, and his breathing is oddly hitched, like he's trying too hard to keep it steady. When he lifts his head again Lorne is startled to see that his eyes are red and glassy.

"I'm happy about it, I am," he says, voice thick. "It's just four months too late," he finishes hoarsely.

Frantically Evan casts his mind back: four months, what had happened - oh. Oh, no.

---

muahahahahaha

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Life Lessons from Stargate Atlantis:

If somebody needs a hug, even if it’s awkward, do your best. Yes, you have personal space issues. Not everything is about you.

Life Lessons from SGA 7/?

adding these Tags because YES

For the fanfic ask. Talk to me about John going grey

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Directors commentary!

If I recall correctly this was mostly inspired by a gif of John, possibly from Common Ground, where the grey at his temples was more prominent than usual (and a little bit inspired by JFlan being a silver fox), but actually the first scene I wrote was the conversation with Rodney towards the end, when Rodney admits he hadn't been sure he'd get to watch John age and what a privilege it is to him, and it grew from there.

The last thing I wrote was actually the framing device with Keras - he was initially a throwaway reference, but at some point in the editing process I went back and rewrote a few bits to make the theme fit better and he wound up becoming the stand in for everything I wanted to say.

The last thing I'll say is how blown away I've been by the response to this fic. I was pretty pleased with it when I posted it but I never expected how much it resonated with people, and I'm so touched by all the beautiful comments people have left - we truly are so blessed in this fandom to have such a wonderful and supportive community.

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Missing you

read it on the AO3 at https://ift.tt/V6mQG1a

by Mas_Pebbles_Sharp

“Sheppard’s not at the alpha site, Doc, I haven’t seen him all day,” Lorne said, his brows furrowing a little.

Rodney went cold all over. He’d seen John punch in the address himself. Walk through the event horizon. He found himself suddenly needing to sit, lowering his dizzy head close to his knees and holding it tightly enough to hurt.

Words: 3232, Chapters: 1/1, Language: English

Series: Part 2 of Scritches

read it on the AO3 at https://ift.tt/V6mQG1a

Fluffuly2023 Drabbles...

Continuing on from where "Mush" left off. Thanks to @fluffuly2023 for the prompts.

“Come on, let’s get some air,” Rodney says.

“Thought you’d never ask,” is the reply.

John’s ashen-faced, clearly in pain, but the prognosis is hopeful. Carson’s finally letting him out of the infirmary for an hour. 

Rodney wheels his friend/former fuck buddy/love of his fucking life to their favourite balcony. The sun’s still on gentle spring mode; even Rodney appreciates sitting in it.

“Thanks, buddy,” John says, taking Rodney’s hand. 

He’s asleep in minutes, his face peaceful. Rodney can’t help but press a soft kiss to his brow.

“I love you a stupid amount,” he says to his sleeping friend.

i’m having Thoughts about rodney and jennifer so here’s some rambles

i am forever salty about the romance between rodney and jennifer. it felt so forced and so weird to me, neither of them actually seemed to like the other.

it felt so much like rodney went for her bc she was the Young Hot Smart doctor and it was just another status symbol to him. it felt like rodney viewed and treated her as a trophy to parade around and show off (looking at you brain storm) and jennifer deserved better than that, she deserved to be with someone who genuinely understood her and got her as a person and saw the strengths AND flaws to her and still loved and wanted her (like oh idk ronon perhaps?????)

and it definitely felt forced on jennifer’s side too, she kept trying to change him and make him into someone he’s not. the whole ‘i fell for the new rodney mckay’ in shrine really makes it feel like that, bc the whole thing was rodney was losing himself and that’s when they try to establish they’re falling for each other. and rodney deserves better than that too. yeah he’s brash and arrogant and whatever but he has so many strengths too and he deserves someone who will love him because of his flaws, not try to change them (like oh idk john perhaps??????)

and my ronon/jennifer and mcshep hearts aside, the potential of rodney and jennifer to have the best, most chaotic friendship was RIGHT THERE!! they would’ve caused so much trouble oh my god!!! they’re both so sassy and stubborn and strong willed. they both excel so strongly in their specific field but get so flustered outside their expertise (even tho they still kick ass bc they’re super strong and smart) could u imagine them getting together after whatever disaster and just absolutely bitching about how unfair all this is and how this is absolutely not what we signed up for and we don’t not get paid enough but also you can pry this job from our cold dead hands

just

there were so many better options for all the characters than the path they took with rodney and jennifer

Whumptober Prompt Voting

Hi friends, this year we’re opening up a ‘Prompt Vote’ in which we’d like to hear what tropes the community would like to see this Whumptober.

Within the form there’s a list of over 200 tropes, and you can vote for as many or as few as you’d like. This is to give us an idea of different tropes' popularity in order to produce a prompt list catered to the community.

Did we miss a trope? Don’t worry! There’s an ‘honourable mentions’ at the bottom where you can include any tropes you would like to be included.

Please Note: For brevity, some tropes have been listed under an umbrella term - otherwise this list would be over 260 items long! For example, tropes such as 'handcuffs, chains, ropes' are classed as 'restraints'. Similarly, the hurt/comfort trope has not been included, as it is more of a staple 'genre' of whump.

The vote will be open until the 24th of July

Happy whumping!

Hey, writers.

You are not morally superior to tradpub authors because you go indie. You are not morally superior to indie writers because you go self-pub. You are not morally superior to self-pub writers because you go trad. There is no means of publishing that completely removes you from a system designed to devour its own young, just different means of being eaten.

I am a tradpub author. This means I get paid rarely, by corporations that will take any excuse they can find not to pay me at all. It also means my books are not dependent on my having the personal executive function to design them, format them, commission cover art, and post them for sale. There is so much effort in self-pub. I have sold books to indie presses. I experienced most of the same issues I did in tradpub, just magnified, and with big buckets of guilt poured over any complaints, because suddenly I wasn't asking a big corporation for my money, I was asking Susan, who had bills and a sick cat and needed a new roof.

Tradpub is the way to go if you don't have the skills/energy/function to do all the work yourself. Indie is the way if you're willing to give up some control in order to talk to Susan instead of AuthorBot #87. Self-pub is the way to go if you want to know everything is done the way you want it.

Please stop trying to make the way someone publishes into a moral judgement. We're all just trying to survive here.

Wait...

Does this mean I'm a Real Author? I have a self-published book. I've made enough money off of it to buy two pizzas.

For what it is worth, I do not consider myself a Real Author of Fiction.

You are a Real Author of Fiction. 100%. You wrote fiction; you put it out there for the world to look at, opening yourself to the judgment and adulation of the masses. There is no "must sell this many copies to get this label" line that needs to be crossed, no single act that grants you legitimacy.

You, my dear velveteen scrivener, have passed the test of the literary Skin Horse. You are, now and ever after, Real.

Home (S1: E8)

S: 840 years.
R: What?
S: That's how long it would take us to come get you by puddle jumper.
R: And you would do that, right?
S: Of course we would.

Sheppard is being sarcastic, but Rodny puts a plan in place later to rescue Sheppard 48,000 years in the future. 5 minutes into this stupid episode and I'm crying.

Home in the bigger context is just so beautiful.

Up to now, the team has felt a bit fractured. We've had Teyla not being trusted, we've had Sheppard not committed to giving his life for his team, and we've had then leave a new ally behind. Then Home, The Storm, and the Eye.

I love Sheppard and Elizabeth's little back and forth about how they're not going anywhere.

Watching this in chronological order, you immediately know something is wrong because Hammond meets Elizabeth on the other side of the Stargate. He's no longer in charge of the SG-1.

Sheppard, first to notice, because Hammond is telling him how great a job he's done. (Outcast indicates that he never heard that from his Dad, and the way the Sumner and other military leaders treat him, I don't think he's heard it from his superiors.) And it makes me sad that he knows it's wrong because things are good. Atlantis and these people become home because it's the first time Sheppard is actually wanted. Elizabeth straight up told him in their little chat that she wants him to stay. They want Sheppard when no one else on Earth does.

Rodney with no messages on his answering machine made me tear up. They want Rodney on Atlantis when no one else on Earth wants him.

Hospital for souls. The ultimate Goonies.

Sheppard looks so uncomfortable starting at the shopping trip with Teyla. The first time through I thought it was just him being grumpy about girls shopping, but now it makes my stomach turn because I know he's scrambling inside trying to figure out exactly what is going on.

The pause when he sees his Johnny Cash poster. So creepy. And it finally clicked for me why he just casually flips the bottle cap across the room instead of throwing it in the trash. This isn't home. He knows it. He knows this is totally fake.

Sheppard's head is filled with dead people. 😭😭😭

I truly think this is the most important episode in Season 1. This is when Atlantis becomes home.

Sheppard has more holes in his soul, from seeing his dead friends, from seeing his empty life on earth. But he's head home, home and healing. He's going where they want him. Rodney is going where they want him. Atlantis wants them.

The Storm (S1: E9)

I love Rodney standing in front of Weir again and again. I love Sheppard going into total warrior mode.

This is just one of my favorite "fun" episodes.

The Eye (S1: E10)

S: He'll kill them to punish me.

I don't know why, but I found this line haunting. Sheppard's greatest weakness is his people. If you want to hurt him, you hurt them.

I just love these three episodes together. I love how they realize Home is Atlantis and then they fight to save her. Rodney and Sheppard and Weir really bond in this set, along with Teyla, Carson, and Ford. They've really really settled into a great team, great friends who have each other's back. Plus, Kolya makes a great villain.

ronon and teyla: john is such a fucking nerd

rodney: no he's so cool and suave and charming and a flirt and gorgeous and talented and good at everything and-

elizabeth and carson: no he really is a giant fucking nerd like we love him but he's kind of a dork

rodney: he's so amazing everyone wants him sooo badly people throw themselves at him-

anyone who has ever made a move on john: we literally are just using him to get something for our people he was convenient at best

rodney: such a kirk i can't believe it he's so hot and so cool and everyone wants him and he's so popular and-

john himself: rodney i'm literally such a dork what are you even talking about

rodney: but no im not in love with john that's stupid we're just friends

mcshep “Look at me - just breathe, okay?”

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Did someone order some Post-Doppelganger angst with a healthy dose of "Can't tell dream from reality?" (TW for a panic attack that's not really acknowledged as such, but is certainly written to be one)

--

John jerks awake with a gasp.

He sits up in bed and hunches over his knees, head in his hands as he tries to get his breathing under control. He can feel his heart beating wildly in his chest, can almost hear the way it's pounding in his ears, but it doesn't do anything to drown out the shrill noise of the flatline.

He shudders and tries to shake off the nightmare.

"He's fine, you're fine, it was just a dream," he whispers to himself, but he can't quite make himself believe it.

Because...it had felt real, before. He'd heard the flatline, and he'd stumbled out of the infirmary, and nothing had seemed off or out of place even as he was numb with denial. And what if...no. No, John's not going to go there.

The flatline was the nightmare; he fought himself and lost, Rodney fought him and won, Rodney threw the thing with his face through the gate - that was all real. He woke up, and Rodney was fine, and the creature was gone. That was real.

...Right?

He starts to breathe harder again, can feel himself panicking the way he never does in a firefight, and he fights to calm down but nothing works.

Because what if the flatline was real, and everything after was the dream?

He's jumping to his feet almost before he knows what he's doing. He doesn't bother with socks, just shoves his feet in his boots and staggers out the door and down the hall.

His panting sounds disproportionately loud in the quiet hallway, and his steps echo in the emptiness. He moves faster, just barely restraining himself from flat-out sprinting, until he comes to a halt outside the door.

He stands there for a few minutes, fists clenched and breathing hard, but he can't make himself knock and he can't make himself leave. If he knocks and no one answers...

He pounds on the door, harder than necessary really, but he can't help it, and every second the door doesn't open he can feel himself falling apart, and then suddenly he's falling forward into a warm solid mass that catches him with a pained grunt.

"What the hell is going on, it is 3am, what do you possibly - Sheppard?" Rodney asks, as he processes who's hanging onto him for dear life.

John grips him tighter for a moment, trying to ground himself in the physical proof in front of him.

"Rodney," he gasps, and suddenly the hold on him changes, gets more supportive, as Rodney lifts him better and helps him stand properly as he pulls him into the room.

Rodney lets go for a moment and John does his best to stifle his protest but something must come out because Rodney whirls back around and takes him in: flushed and panting and wild-eyed, just on the edge of hyperventilating.

"Jesus, Sheppard, are you - no of course you're not alright, but what's wrong?" he demands, grasping John's shoulders in his hands.

John shakes his head, tries to answer and fails to force any words out. His breath is still uneven and his heart is still pounding, but with Rodney in front of him he can almost forget what the flatline sounded like.

"Okay, okay," Rodney says, still looking freaked out. John can't blame him.

"Look at me - just breathe, okay? Just breathe," Rodney tells him. John tries, choking a little on the exhale, and Rodney moves one of his hands down to rest on John's chest.

"That's it, just focus on me, focus on my hand, listen to my voice," he says, and John does his best to listen.

They stand there for what feels like hours as John slowly manages to get himself back under control. He tips forward at some point and rests his forehead on Rodney's shoulder, trapping the hand still on his chest between them. Rodney hasn't stopped talking the entire time, although John couldn't recall anything he'd actually said; the sound of his voice had been enough to finally drown out the shrill whine haunting him.

When he feels like he's in control again John rolls his shoulders and steps back. He scratches awkwardly at his neck and refuses to meet Rodney's eyes.

"Nightmares, huh?" Rodney says after a minute with a sardonic undertone.

"Yeah, nightmares," John agrees quietly. He takes a deep breath, closes his eyes for a moment.

Then he looks up, and opens his eyes.

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