“I’m not the problem. My husband is the problem.” VICTORIA PEDRETTI as LOVE QUINN in YOU (2018-)
“I hate the way you talk to me, and the way you cut your hair. I hate the way you drive my car, I hate it when you stare. I hate your big, dumb combat boots and the way you read my mind. I hate you so much it makes me sick, it even makes me rhyme. I hate the way you’re always right. I hate it when you lie. I hate it when you make me laugh, even worse when you make me cry. I hate it when you’re not around. And the fact that you didn’t call. But mostly I hate the way I don’t hate you. Not even close, not even a little bit, not even at all.”
10 THINGS I HATE ABOUT YOU (1999) dir. Gil Junger
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love triangles can’t exist without at least 1 lgbt person. cishets just don’t know how shapes work
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I’ve created this helpful info graphic
Most of the characters that people call a love triangle is really just a love corner. And the woman is usually backed into it.
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Reblogging for the last comment
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Me: "I need some serotonin."
Husband: Stands up.
Husband: Sits back down.
Hisband: "I didn't remember what serotonin was until after I stood up so I was deadass about to go get you some."
Hes a little confused, but hes got the spirit
Source: cactus-spirit
Yennefer of Vengerberg // 1.07 “Before a Fall”
Endings are tricky because we expect answers. Fifteen years ago, with my first film Saving Face, I got one recurring question: “Is this ending… too happy?” At the time, as much as I saw the truth in it for my characters, I confessed to not knowing if that happy ending could be expected in real life; but as a queer woman, I wanted - needed - to see it in order to believe it could happen for me. Now with The Half Of It I’m regularly peppered with questions over whether certain characters end up together in an ever-pointed crescendo toward “But is the ending happy?” (Ha!) My honest answer is that the point of the film isn’t about who ends up with whom. It’s about three people who collide in a moment-in-time before going their separate ways, each now holding the piece of themselves that allows them to become the person they are meant to be. The end of the film is each of their beginnings. And for my characters, I can think of no happier ending. - Alice Wu
GEMINI You will be drawn into the unexpected
Radical idea: promote laws, protocol and safeguards that protect victims of sex trafficking without legally, financially and socially punishing sex workers.
The team forming a wall around Marjan so she can put her hijab back on in privacy.