Following Someone Else’s Path Isnt Very Punk Of U

The Story So Far // Nerve

i just have one question for the universe: why the fuck was sebastian stan so hot in winter soldier

Eyeliner

a specific combination of lethal physical prowess and heartbreaking emotional vulnerability that most men in action films are not written to show even traces of, also some thighs

hozier is literally the only valid man

fuck it *becomes a mall goth*

due to personal reasons *screams in the middle of a forest*

How Does It Feel? - Citizen

upside down // the story so far

Everything is going to be okay!

let me cry for 2 minutes real quick, I’ll be a new bitch on the 3rd minute

Same bitch

Archetypes, not stereotypes.

That’s what the creators and cast of the hit play-turned-sitcom Kim’s Convenience, the first Canadian TV show with an all-Asian lead cast, have striven for from the beginning. And as the series starts its third season, the CBC production has found lasting success in being both funny and deep.

Creator Ins Choi, whose family moved from Korea and settled in Toronto when he was very young, started penning Kim’s Convenience as a play in 2005. At the time, with his acting career off to a bumpy start, he was invited to join the playwriting unit at fu-GEN, a Toronto theater company dedicated to developing Asian-Canadian stories.

“I came in with an idea: Write what you know,” Choi says.

At the same time, Choi also felt the stage was missing stories like his.

“I wasn’t seeing Asians on stage, I wasn’t seeing Asian stories,” he says.

Indeed, Kim’s Convenience – from its setting in a convenience store in downtown Toronto, to the generational differences between the immigrant parents and their children, to the prominence of the Korean church — is infused with the parts of Choi’s life that shaped him.

‘Kim’s Convenience’ Is A Sitcom About Asian Immigrants — With Depth

Photo: Canadian Broadcasting Corporation