Torso II by Yosuke Onishi, 1981
kadehydrated reblogged
kadehydrated reblogged
sheherazade
“I love borders. August is the border between summer and autumn; it is the most beautiful month I know. Twilight is the border between day and night, and the shore is the border between sea and land. The border is longing; when both have fallen in love but still haven’t said anything. The border is to be on the way. It is the way that is the most important thing.”
— Tove Jansson, “Moominvalley in November” (via existential-celestial)
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Backgrounds set the stage for characters and stories to unfold.
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hugging really close and tight while being far far away
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kadehydrated reblogged
kadehydrated reblogged
kadehydrated reblogged
Why must it be that you always creep into my dreams?
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eater
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Ryan Whelan - Somewhere there’s an open field undisturbed just growing greener, 2020
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kadehydrated reblogged
Lucy Keating, Dreamology
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I’m trying
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“It’s March. I open the window and spring floats in, kisses me on the nose. I have waited so long– and now the Sun is washing the world in yellow, and now the seeds sprout green in the dirt, and now the trees are budding and ready to bloom– and it was all so worth it.”
— Schuyler Peck, Worth the Wait
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Don Ivan Punchatz, 1978, illustrating “‘Repent, Harlequin!’ Said the Ticktockman,” by Harlan Ellison
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i’ll know it when i see it
“weaponized affection”
what are you getting to give
what are you giving to get






