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Ludicrous Foolishness

@jinxamataz / jinxamataz.tumblr.com

Ariel, proud Ravenclaw Professional slacker, aspiring queen, writer, editor, doodler. Multi-fandom blog, primarily LOTR, HP, and space. She/her

Blue’s Feathers and Wings Compendium: Standard Wing Shapes

I have expanded the traditional 4 types; Highspeed, Elliptical, Low Aspect and High Aspect ratio, because they were very narrow and vague categories for the most part, adding High Energy, Thermal Soaring, Night Glider, and Passerine wings. I feel that these extra types make it easier to understand and visualize the differences and similarities between wing shapes.

I’ve renamed Low Aspect to Powered Soaring, and High Aspect to Dynamic Soaring for the purposes of the fact that names made it hard to understand purpose and were easily confusable. 

A lot of these wing types are also affected by tailfeather shape and size, and that will change their agility and energy expenditure as the tail also generates lift.

Disclaimer: This is in no way intended to be an academic dissertation or proposal, do not treat it as such. It is purely for art and writing references for others, to aid description and inspiration.

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art-res

Cool series of tutorials on wings!

It has happened.

I have purchased Trans Wizard Harriet Porber and the Bad Boy Parasaurolophus

Will provide updates

IT’S HERE

I’m going to start it pretty soon. I’m for some reason locked out of my student account and email and IT was no help as usual, so what is there to do except read a parody romance novel written specifically to spite J.K. Rowling?

Chuck Tingle has more or less become a meme because of his bizarre titles and covers and because of the Hugo fiasco, but I’ve heard relatively little about what it’s like to actually read his work and I frankly have no idea what to expect or if I should go into this with expectations at all

This book is...surprisingly easy to take seriously as a book. I don’t know what I’m trying to say. But it’s like. A Book and not just an extended joke. Like on some level it’s not particularly terribly written nor does the plot like, completely exist in service to the...whatever humor is derived from the self-aware absurdity of the premise

AFSGFBCHH??

I love that he’s not even described as a humanoid dinosaur. He’s just sexy goth tattooed Severus snape and he’s also a parasaurolophus and we are left to just figure it out

I have to talk about what is going on with the worldbuilding. Like this is a parody. Of Harry Potter. But there’s an entirely different magic system and....everything???

In summary

  • there doesn’t appear to be a statute of secrecy type thing magic is just fully integrated with the modern world and modern technology
  • Harriet is a wizard, but that means that she creates spells by typing them out in long manuscripts, which on one level is a nod to the book publishing industry but on another level is kind of interesting in of itself
  • there’s a??? spellcasting industry??
  • there are different types of magic users other than wizards, and they appear to be based on the d&d classes
  • or at least, bards exist and they are distinct from wizard
  • the dinosaur is a bard
  • Bigfeet exist and they are integrated with modern society
  • there are sentient motorcycles and no one finds this in any way unusual
  • THE DINOSAUR IS A BARD?!?!?!

...Warlocks in this world get their powers from a pact with Chuck Tingle

The fourth wall break is killing me.

The sexy dinosaur is also trans

As much as I love skillfully crafted satire that takes deft jabs at the flaws of the thing it’s lampooning, there’s also something charming about how every character in this book has a name blatantly and hilariously derived from a Harry Potter character regardless of how most of their roles in the story barely resemble anything like characters in Harry Potter.

...You know, I’m not even sure Chuck Tingle has read Harry Potter.

I’m back to reading. Does chocolate milk have intoxicating effects on sentient motorcycles??

...sentences I never thought I’d write

um im lowkey getting feels from this like there are some genuinely emotionally resonant bits in here what the fuck

chuck tingle’s magic system is unironically better than jk Rowling’s I’m sorry

I’m so sorry to sample the sex scene but. “sexualis secondus” just killed me. I have been pronounced dead by this book. im obliterated this is indescribable

I.

I literally have no idea how to describe what I’m experiencing right now. Like this is a somewhat poorly edited parody adult dinosaur romance novel but. It’s genuinely?? Creative?? In a lot of ways???? And there’s a lot of heart to it, a lot of genuine powerful messages about identity and about art and creativity and the fourth-wall-breaking device is...I can’t explain it because that would spoil it but it’s actually pulled off so well?????

This is not like, a humorous joke story this guy did for Being a Little Shit and Spite reasons, it’s like actually in its themes and message a genuine “fuck you” to j.k. Rowling’s transphobia even though it’s this absolutely wild janky batshit story and I have never experienced anything like this in my LIFE

I did not expect my adhd little heart to be touched by understanding of my fears about creativity and writing and its place in my life. Not like this. What the fuck. What the fuck.

FGDHXWGBKVGSSHBIIDQTVJKBSZVYSTVJKJVBXSGHXHVN

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If there was a way to run SUPER MEGA AD BLOCKER on this website I fucking would

“Please oh please open up your computer to a porn virus! If you don’t you’re evil!”

Freeloader Comin’ through!

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gizensha

We didn’t start this war internet users have with ads - We might have moaned about banner ads, but it was only when they started making noises when we might be listening to music or a podcast or whatever, causing two sound sorces at once, that we started trying to block ads universally rather than just a specific type of ad (pop ups).

And since then ads have gotten worse - Actual malware rather than merely breaking one of the fundamental sins of web design - though shalt not autoplay anything with sound. And the more aggressive a website is with ‘please turn off adblock’ the less I trust it to bother to vet ads and advertisers to make sure they’re not installing malware.

Not to mention that the idea that avoiding ads is “freeloading” is hilariously backward. Advertisement is a transaction between the platform and the advertiser, the user has no obligation to provide the views/clicks the platform has promised. Using an adblocker isn’t freeloading in the same way that leaving the room to get a snack during a commercial break isn’t cheating the tv network.

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pocosun

Ok y’all, I work as a web developer and I’m here to tell you that you are 100% right and that it’s shit. SO I’m going to tell you how to get around websites that block you from using their website if you’re using an adblocker. 

Every website uses a language called JavaScript; long story short it’s a website language that allows developers to do the crazy shit you see on websites. Now the easiest thing to do is to disable JavaScript to stop them from knowing you have an adblocker:

Oh no! I’m blocked from viewing the website. It would be a terrible shame if I were able to right click and select the “inspect” feature

Click the three dots in the top right and open the “Settings” Menu

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And then scrolled down to “Debugger” and checked the “Disable Javascript Option”

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And then just refreshed the page

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eggfucker1

Reblogging to save my life

saving a life

Phobos and Deimos

First Appearance: Act 3 (manga); Episode 10 (anime)

Phobos and Deimos are the names of Rei Hino/Sailor Mars’s crows/guardian sprites. Similarly to Luna (Usagi’s guardian), Artemis (Minako’s guardian), and Diana (Chibiusa’s guardian), they took the form of an animal (crows, in this case) and watched over their charge, protecting and comforting her when needed.

Phobos and Deimos are first introduced as two crows who inhabit Hikawa Shrine. Rei shares a very special bond with them; later in the manga, it’s revealed that Rei first met them on the day she went to live with her grandfather at Hikawa Shrine (which happened after her mother’s death and being abandoned by her father). Rei suddenly spotted two crows and ran to them; instead of flying away, the crows happily allowed Rei to pet them, and she informed her grandfather that they “told” her their names were Phobos and Deimos. From that day on, Rei and the crows were very good friends, and Rei was often seen laughing and playing with them. Phobos and Deimos were Rei’s only true friends before meeting the rest of the Senshi (as she was considered unapproachable at her school, leading to a lack of friends), and she often relied on them for support and comfort. In addition, Phobos and Deimos would occasionally help Rei with her sixth sense; for example, at the beginning of the fourth arc, they give Rei a newspaper and a tarot card about the upcoming solar eclipse, warning her that it was a bad omen.

Phobos and Deimos are introduced along with Rei towards the start of the series. It’s made clear early on that they’re no ordinary crows; they have the ability to sense evil and would attack anyone deemed a threat in order to protect Rei. When Usagi and her friends visit the Hikawa Shrine, they begin to attack her, leading Rei to believe that Usagi was a demon in disguise. After trying to exorcise her with an ofuda, however, Rei realized that Usagi was just an ordinary girl; she apologizes, explaining that Phobos and Deimos usually never attack humans (no official explanation is ever given as to why Phobos and Deimos attacked Usagi; however, it’s probably safe to assume that they were able to sense the Senshi power within Usagi and probably dive-bombed her to get Rei’s attention). While Rei was trying to investigate the disappearances at her shrine, Phobos and Deimos stuck by her side and were with her when she confronted Jadeite, the true source behind the vanishings. Phobos and Deimos seem to be tied to Sailor Mars’s power, as they appeared circling overhead after Rei transformed for the first time and helped her defeat Jadeite. 

In the anime, Phobos and Deimos were just crows. However, in the manga, they were something else entirely. After Rei was targeted by the Dead Moon Circus, Phobos and Deimos came to her rescue and revealed their true humanoid forms. Being twins, they have identical appearances, with only coloration setting them apart: Phobos wears red and Deimos wears blue/purple (the exact color depends on the artwork). After saving Rei from a nightmare and revealing their true forms, they give her the Mars Crystal and the Mars Arrow, which allows her to transform into Super Sailor Mars and perform her ultimate attack, Mars Flame Sniper. 

Later on, in the Stars arc, Phobos and Deimos are confronted by one of Sailor Galaxia’s minions, Sailor Lead Crow. It’s then revealed that Phobos, Deimos, and Lead Crow are all from the same planet, Coronis. A horrified Phobos and Deimos accuse Lead Crow of murdering Coronis’s true guardian, Sailor Coronis, which she confirms. Lead Crow then expresses jealously towards the twins, revealing that the two of them were chosen by Queen Serenity herself to be the guardians of the Princess of Mars. Sailor Mars and Sailor Venus arrive to try and save the twins, but are too late; Lead Crow steals their star seeds, reducing their physical bodies to ash. Although Phobos and Deimos are never shown again in the manga, it’s safe  to assume that they’re alive and well, considering that Usagi eventually liberated all of the stolen star seeds and sent them back to their home planets.

Other notes:

  • Phobos and Deimos are named for Mars’s twin moons. In turn, those moons take their names from the Greek gods Phobos (fear) and Deimos (terror). They were the twin sons of the god of war, Ares/Mars, and the goddess of love, Aphrodite/Venus. Phobos and Deimos would always accompany their father on the battlefield; in the same way, the Phobos and Deimos (who are also twins) of the Sailor Moon universe always accompany their Princess (Rei/Mars). 
  • Which twin is Phobos and which is Deimos actually isn’t completely clear; in the fourth artbook, Phobos was the one in purple and Deimos was the one in red. However, the fifth artbook reversed their positions, making Phobos the red one and Deimos the purple one. Because the fifth artbook was the last one (discounting the Materials Collection), most people assume that Phobos is the red one and Deimos is the purple one.
  • The manga states that Phobos and Deimos were training to become soldiers before the fall of their mother star, Coronis. Their status as warriors contrasts with the Lunar Cats, who act as advisors.
  • Even though Phobos and Deimos are just crows and (presumably) non-magical in the anime, their behavior still makes a lot of sense. Crows are among the most intelligent animals in the entire world; they recognize human faces and act accordingly (for example, if a person is kind to them, they’ll lower their guard and become friendly; however, if a person is mean, they’ll become aggressive and hold a grudge), use tools and problem solving, have very good memory, are able to count, and much more. Seeing how Rei treats Phobos and Deimos as her friends and often feeds and plays with them, it’s no wonder that such extremely intelligent animals would also become attached to her and want to stay with her.
  • In the manga, Phobos and Deimos take the place of Rei’s Sailor Power Guardian, Guardian Mars, by giving her the Mars Crystal and the Mars Arrow; the same thing happens with Minako and Artemis (Ami and Mako receive their items from Guardian Mercury and Guardian Jupiter, respectively).
  • Unlike the Lunar Cats, Phobos and Deimos could not talk while in their animal form.
  • Contrary to popular belief, Phobos and Deimos are not Sailor Senshi, although they do possess star seeds that are on the same level of a Senshi’s and they are warriors. The Lunar Cats are the same way.
  • Their earrings are identical to the ones worn by Sailor Mars.

Prodigious

I find it odd how the fandom focuses so much on Aang’s childhood being ruined when he learned he was the Avatar at 12, but there’s very little talk about how discovering she was the Avatar as a toddler affected Korra’s life and how she was raised.

But we’ll circle back to that…

Because this is a good starting point to talk about one of the most prevalent themes in the story, which the mainstream discussion of tends to only focus on a few characters – That is the Child Prodigy

We’ll start with the two most obvious. The ones we always talk about.

Azula.

The clearest example of your typical child prodigy (if there is anything typical about a prodigy). Azula showed early mastery of very advanced Fire-Bending techniques, and is the only Fire-Bender to use blue flames, which was intended to make her stand out amongst the other villains but is also indicative that her Fire-Bending is more pure and powerful (blue flame is produced when burning pure O2 or fuel without contaminant at a very high temperature). 

All this lead to her being praised and favored by Ozai as a child, but as double-edged swords go, this also meant she had a lot of pressure on her shoulders to never fail, and she rarely did. Her ego matched her talent, and let’s be honest she was the baddest bitch the show had ever seen. Conquering Ba Sing Se, defeating the Avatar in combat, and dropping some of the most devastating lines of dialogue in villain history; she was a force nobody wanted to reckon with. 

And that become a problem for one asshole in particular…

Being jealous of his own child is just one item on a laundry list of reasons why this guy is the worst father in the history of fathers. Azula had begun to outshine him with her victories, and Ozai’s maniacal ego couldn’t handle that, so he left her behind to babysit the Fire Nation while he went out to burn/conquer the world, which also was her idea.

And while this wasn’t the only thing that aided in her demise, it certainly was the final straw which sent her spiraling down into this…

In the end Azula is a sad example of how certain unfair expectations are placed upon talented children, and the more they succeed, the more these expectations grow and weigh on the them until they either disappoint those looking down on them or surpass and embarrass their elders.

It is a lose-lose situation which inevitably destroys them.

There is a similar example of the child prodigy, but his story goes a little different.

Aang.

Even as a twelve/thirteen year-old boy Aang by far has the most impressive stats among any character in the Avatar universe.

Basically mastering 3 of the 4 Elements in less than a year, after mastering Air by the time he is twelve (not to mention inventing his own Air-bending move, the Air scooter). 

Aang is an example of a child prodigy who had too much thrust onto him at too young an age because of the talent he showed; because of this he panicked and ran away, and the world was worse off for it. 

Aang/Sokka/Katara’s story is all about how in times of War, responsibilities normally handled by adults are pushed onto kids who then have to grow up very fast in order to deal with it all.

The message is clear. War robs the young of their childhoods. 

Now, let’s talk about a different kind of child prodigy.

The Unacknowledged. 

Yes, of course I’m talking about Toph, the greatest Earth-Bender to ever live.

Because of her blindness, Toph’s family tried to keep her sheltered and safe by hiding her from the world. Refusing to believe she could ever be more than helpless. Anyone who has seen the show knows that is far from the truth.

But because her potential went unseen, there were some negative effects to her personality. Initially, she resented her parents, and rebelled; which established a certain level of independence, a bad attitude, and a hot-headed streak. Over time spent with the Gaang these behaviors subsided because she finally had friends and they accepted her for who she was. By the end of the series she was fully willing to accept aid from them when she needed it, like holding on to Sokka’s arm in environment where her bending couldn’t help her “see”. 

Toph’s story is a foil to Azula’s, both showed immense talent and badassery, but while recognition of Azula lead to ever-mounting pressure for her to succeed; the lack of recognition for Toph created a need for her to be acknowledged and set an undercurrent of frustration which leads to her acting out in the ways she does.

The lesson to take from Toph’s story is not to shelter your kid from the world out of fear for their safety, and to be open to recognizing their talents, not shun them.

Next are two more Unacknowledged.

Katara and Sokka.       

Their story, and the reason behind their circumstances, is one of the more complicated and nuanced ones in the series, so here we’ll focus on how it fits into the subject of discussion.

Because of the War, Katara was robbed not only of her mother but also of any Southern Masters to train her, and any role models Sokka could have looked up to left with his father to fight. Because of this Katara’s potential and Sokka’s genius went unacknowledged not due to neglect but rather due to circumstance. (Yes, I think Sokka is a genius, how many 15 yr olds do you know that can plan an invasion, design submarines, and spit poetry off the cuff?).

This is a further example of how War robs kids of necessary childhood experiences, and these two robberies had particular effects on both Katara and Sokka’s character developments.

Sokka had the responsibility of protecting his home put upon him at a young age. The men of his tribe leaving prevented him from completing his rite of manhood until the Gaang ran into Bato of the Water Tribe, and early on Sokka was constantly trying to prove himself as a man and a leader. Sokka is one of the smarter characters of the series, but he rarely got credit for it until the third season. Not to mention that because he wasn’t a bender he often seemed less useful than the others. The circumstances of war made his talent go unnoticed and because of that he often was unsure of himself and overcompensated to prove something.

Speaking of talent going unnoticed.

Katara is definitely one of the more talented benders of the series. After training herself for years with little progress, she essentially mastered Water-Bending in a few weeks under Master Pakku. While her anger towards the Fire-Nation mostly centers around the loss of her mother, it can’t be ignored that the delay in her training was a direct result of the Fire-Nations’ actions.  Toph’s anger and frustration vented itself as rebellion. However, the same frustration and anger is within Katara, but because she wasn’t as natural a bender as Toph she sought to learn and be respected, and when that was denied to her is when that anger bubbled to the surface in some terrifying ways. 

While Toph’s talent went unnoticed because of her families neglect, Katara and Sokka’s wasn’t acknowledged because there was nobody to acknowledge it. Because of that both brother and sister wanted to prove themselves to the world.

And then there is Zuko.

I know what you’re thinking. Zuko wasn’t a prodigy, his Fire-Bending skill didn’t catch up with Azula’s until the finale and he never mastered Lightning-Bending, but this section is about the Unacknowledged.

Zuko had many other talents besides Fire-Bending, he was a master swordsmen, and was able to successfully break into every secure facility he attempted in the show (which was almost every secure facility the show featured).  Unfortunately, these talents were never recognized, because the only thing the royal family cared about was bending ability (It’s possible the reason he learned the sword was because he lacked skill in Fire-Bending). 

As per usual with Zuko, this part of his tale is quite sad. Many can relate to being outshined by a sibling, and when it becomes all too clear that one cannot match another’s talent it’s quite understandable to focus on what they do excel at, but even then there is no promise of recognition for their own talent. Zuko was even mocked by his father during the solar eclipse when Ozai tried baiting him into attacking with his swords. 

This lack of recognition is one of many sad aspects of Zuko’s early life, but it is a definitive example of one of the hardest unacknowledged prodigy’s cross to bear. The Outshone prodigy, one whose talents are never noticed because a bigger and brighter star stands in the way of such recognition, and arguably the most frustrating type mentioned here. Toph/Sokka/Katara all came from situations were there was no recognition being given to them or anyone, but Zuko had to bear watching massive amounts of praise be piled on to his sister while he and his accomplishments went by the way side.

Ozai summed up the situation best.

“Azula was born lucky, Zuko was lucky to be born”

Alright now where have I been going with all this?

So, far we’ve covered a lot of wrong ways to treat a child, whether they show talent or not, and how the circumstances of war can also take many things from children.

But what happened to Korra?

(Before we get into to this I should state that I like Korra, and the purpose of this is not to bash her as a character or her arc, but rather to give a little of my insight into it.)

It’s well established that Aang was told of his heritage too young, and that was a detriment on his development into an adult, but what would have happened if he realized his powers himself not long after he could walk? We’ll never know, but we do get to see the effects it had on Korra. 

When she revealed herself as the Avatar, Korra set her entire life in a new direction, and because Aang tasked the White Lotus with finding and training her that direction was out of her control. There are two key differences between Korras’ and other Avatars’ lives.

1. She grew up in isolation on a White Lotus compound.

Every Avatar before Korra we know of spent a portion of their early lives traveling the world in order to master the elements; along this journey they not only learned how to bend the other 3 elements, buy also many things about the 3 other nations and the world they are tasked to protect as a whole. By confining Korra in safety and bringing the masters to her the White Lotus deprived Korra of this opportunity to learn and grow and understand the world and the people within in. It also deprived her of learning modern bending styles until she reached Republic City.

While this might have kept Korra safe from the Red Lotus, it grew within her a naiveté about how the world worked, and because of this when she actually did venture out into the world she was terribly unprepared for it.

2.  She was trained and mastered 3 of the elements by the time she was 16.

Most Avatars don’t know they have this power until they reach 16 and then they spend several years learning to control it. Korra’s natural talent in the bending lead to her training being expedited not by necessity like Aang’s, but due to her talent and eagerness. Korra excelled at the physical part of being the Avatar and because of this by the time she reached maturity she had become over-confident in her abilities and true to what her Fire-Bending master said in Ep.1 she lacked restraint.

I’m not saying her bending isn’t great, but rather because it is so great it’s her go-to solution to anything, and she enjoys that so she uses it with enthusiastic gusto and not a lot of thinking before striking.

This overconfidence coupled with her naiveté of the world is what lead to many of her rash decisions and actions, most of which had negative consequences, and I believe are the reason behind some fan are dissatisfied with her. Aang had been almost the complete opposite, even by the age of twelve he was an experienced world traveler and an incredibly humble guy. 

Some may have been dissatisfied by these character decisions, but they served a purpose, they are only the beginning of her arc. The internal challenge Korra must overcome through 4 seasons is to humble herself before the world, and learn from it. This was finally achieved in the 4th season when the metal poisoning in her body forces her to face others in the world as equals, only then had she completed her journey.

And why did it all go this way?

Because she is a very unique child prodigy, what she demonstrates in the first episode of LOK would be akin to a toddler playing the violin or hitting a three-pointer; she could bend 3 elements close to just after learning to walk. That is the kind of prodigious talent rarely seen because it is mostly impossible. How does a rational person handle a child like that? 

It’s a tough question, and something this essay has been circling around the whole time. Each example here is the wrong way to handle talented and different children, but what is the right way?

As always look to Iroh.

Who treated his surrogate son Zuko with both respect and compassion. 

Unlike Toph’s parents, Iroh worried over Zuko’s well being, but also allowed him to be independent, make his own decisions, and take his own risks.

Unlike the Nomad Leaders, he didn’t want Zuko weighed down by his position in the world and the responsibility that came with, and always encouraged him relax and take advantage of the moment.

Unlike Ozai, Iroh would always be there to support Zuko in his victories and his failures. Iroh shows him the right path but does not force him down it.

And even after Zuko betrayed and abandoned him.

Iroh was never angry with him, and embraced him upon his return.

He wanted Zuko to grow and be a better man. Even if Zuko wasn’t a prodigy like his sister. 

And that is the answer here. The way to raise a prodigy is the same way anyone should raise any child. Love, Support, a Guiding Hand rather than a Forceful Shove, Recognition of What Makes Them Unique, and Forgiveness When They Falter. The problem comes along when you start treating children differently because you see them as different or special. All children are different, all children are special.

Kids are kids, and they all deserve a proper childhood.  

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arofili

It never ceases to amuse me that Feanor’s narrative arc ends like THAT.

like this guy is built up to be a genius in 2384739847 different ways, charismatic as fuck, insanely spiritually powerful, made the magical artifacts the book is named after, he’s got Sexy Protagonist Energy for days, you’re only like a few chapters into the actual story of the Silmarillion, so you’re like “yeah, alright, this guy’s our guy, i can’t wait to see what crazy shit he gets up to in Middle-earth, what kind of character development he has–”

and then he gets to Beleriand, tries to fight Satan, and IMMEDIATELY dies. like. Battle #1. he beefs it. literally spontaneously combusts.

AND YOU STILL HAVE MOST OF THE REST OF THE BOOK LEFT. absolutely ICONIC of tolkien to kill his main character in the first third of the story, and then despite elves being able to return from the dead, he literally never does, not even post-canon. NO ONE ELSE CAN PULL THAT OFF. this is SUCH a power move.

….on a more serious note, Feanor’s decisions and motivations leave a huge impact on every other character, almost every other plot point in the entire story can be traced back to what he did, and killing him off not only increases his narrative importance to those he left behind but also makes it impossible for any character to actually confront him or reconcile with him. he’s a ghost throughout the whole rest of the story, but he’s haunting everyone in myriad ways, through the Oath, through the Silmarils, through his sons, through the repercussions of the First Kinslaying, through the unrest of the Noldor and the rebellion against the Valar, through everything.

So like. Feanor might die as soon as he sets foot in Beleriand, which is hilarious from a narrative standpoint - but only at first glance. Because he’s still there for the rest of the story. You can’t escape him, no matter how hard you try.

I was going to rewatch 1931 Dracula again tonight and just as I turned it on a BAT started flying around at my window and wouldn’t go away and I’ve never seen a bat at my house before and let me tell you I’ve been so gay touched starved this quarantine I was about ready to risk letting a wild bat in my room if it meant it could possibly be one tall, Sexy vampire

Ah rabies