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@jeezusgut

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The Midnight Club - Season Two

I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.

My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.

So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.

So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!

AMESH Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.

Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.

Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is... REMEMBER ME.

This was the thing I was most excited about for this season.

REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes. We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...

Anya.

Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife. And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.

As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.

In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.

In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...

With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed. Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season. The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.

Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.

For Spence, though, things would take a different turn.

The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.

Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.

But onto the BIG MYSTERIES of the season one... here are some answers: What is up with Dr. Stanton's tattoo and bald head? Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.

It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).

She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful. She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.

Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.

What about the Living Shadow? It's Death, right? Well... no.

At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.

HE is Death. And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die. Then what was the Shadow?

This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.

The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.

THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.

The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.

We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:

Who were the Mirror Man and the Cataract Woman?

They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).

But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.

Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built. They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.

The story is this: Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.

She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.

He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.

They were soul mates.

So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time. When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way. The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation. The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."

Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending. I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.

But for now, we'll put the fire out, and leave the library dark and quiet. To those before, and to those after. To us now, and to those beyond.

Seen or unseen, here but not here.

I'll always be grateful that I got to be part of this Club.

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being a self-taught artist with no formal training is having done art seriously since you were a young teenager and only finding out that you’re supposed to do warm up sketches every time you’re about to work on serious art when you’re fuckin twenty-five

someone: oh yeah, do this exercise during your warm ups! it’ll help

me: my what

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thepioden

What’s up I have an actual college degree in art and I was never ONCE taught to do warm ups.

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sparksel

when i was in undergrad, it was kind of mentioned in and offhand way that we should do warmups, but we were never shown what that meant. And, y’know, we were young so it didn’t matter so much. 

Being older now and having an art job it’s…kind of essential. 

So: a quick primer for those of you who are like ‘ok but how do i actually go about doing this warmup thing.’ 

1) you may be tempted to do ‘a warmup drawing’ which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didn’t warm up first. It’s tempting but always a trick your brain is playing on you! Do not trust! 

2) warmups will vary based on what feels good to you/what task you’re about to do/what motor skills you want to practice. That being said, some good standbys:

a) circles. Just a whole page of circles on whatever drawing surface you’re going to be using, whether that’s your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that you’re drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it! 

In order to ensure that you’re drawing from your shoulder, when you’re holding your pencil or whatever drawing tool you’re using, the only part of your hand that should be touching the drawing surface is part of the last two fingers–some people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support. 

I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes i’ve already drawn as a precision exercise, but i don’t do that unless i’m feeling loose

b) spirals! i don’t always do spirals, but if i’m stiff and the circles just aren’t cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me it’s all about making sure i’m comfortable with how i’m moving so who really even cares about how the spirals look. Not me! 

c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if I’m working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface

d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I don’t always remember where I picked up my warm up exercises, but I’m pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)

e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and I’ll often take the time to do some rough shading on at least a few of them

f) spidermans! This one is really good if you’re going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics. 

g) beans. I don’t do beans too much anymore, but I know a lot of people like it so I’m mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper. 

h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what you’ve already drawing. Repeat with a wavy line. I’m bad at this one, which means I probably need to do it more. 

And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when you’re getting bored, etc. 

This is a long list, I know, but I usually don’t take more than 10 to 15 minutes to warm up, and I can warm up one handed while I’m drinking coffee, so, multitasking hurrah. 

Sometimes I’ll advance to a precision warmup and find that I haven’t loosened up enough yet; it’s totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if I’m not feeling it before I start, by the time I’ve gotten to the end I’m usually Ready For Drawin’. Brain hacks. 

so, yeah! that’s a lot of words, but! Warmups are important! Save your joints, take less advil, do better drawings! 

How on earth are you supposed to draw from a sholder? might as well tell me to draw from the foot. It makes no sense

Reblogging to save a wrist

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ultrafacts

Follow Ultrafacts for more facts

The picture in the background of the second one

Tama is boss

THE TRAINS HAVE CARTOON TAMAS ON THEM

Sad update everyone, Tama recently passed away… An estimated 3,000 people, including railway officials, attended Tama the cat’s funeral on Sunday, days after she died of heart failure aged 16. [x]

For those who haven’t read articles about it, the local shrine elevated her to a god. She’s now the Eternal Stationmaster and patron god of the station.

Beautiful.

Now I’m crying thanks

and a new cat was hired right?

yep! her name is Nitama (essentially ”second tama” or “tama II”) and she served under Tama as an apprentice before being appointed her deputy

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she works very hard

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beasti

Everytime this crosses my dash, I reblog. It is the law.

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tooiconic

I’m crying at 11pm over train cats

Nitama, already now a mature cat (born 2010), has a protege named Yontama (fourth Tama, b. 2016).  There is no information available for either the physical befellment or tragic self-disgrace which has removed Santama from contention.

^Nitama majestic, and below with Yontama

Yontama.

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linkislost

a legacy

okay but actually what happened to santama (or sun-tama-tama, which is her name because it’s a pun on santama) was that she was basically sent to train for the position in okayama and they liked her so much they refused to send her back

“Sun-tama-tama” (a pun off of “Santama”, lit. “third Tama”) was a calico cat sent for training in Okayama. Sun-tama-tama was considered as a candidate for Tama’s successor, but the Okayama Public Relations representative who had been caring for Sun-tama-tama refused to give the cat up writing, “I will not let go of this child, she will stay in Okayama.” [25]
As of September 2018, Sun-tama-tama is working as the stationmaster in Naka-ku, Okayama and appears occasionally on Tama’s Twitter account.

Every time I see this post there’s new info and it gets better

You are only allowed to scroll pass this after you pay tribute to the great Tama Station masters.

The shrine of Tama Daimyōjin (Great gracious deity Tama), next to the Kishi station where she worked.

Nitama presenting her yearly offerings to Tama Daimyōjin on the anniversary of Tama’s Death, June 23 (The offerings are presented by the company president, as Nitama is a cat and thus can’t hold the offerings herself) (Not pictured, but also present, Yontama)

world heritage post

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that-house

Untitled.

i made a comic in google slides for some ungodly reason

the long-awaited sequel, Untitled #2

Untitled #3 explores the formulaic entertainment mass-produced by the pawns of capitalism. Or I just wanted to say ass. One of the two.

Untitled #4: the plot thiccens. also there’s a plot apparently

Untitled #5. This whole comic is 23 strips long, and I’ll be doing daily uploads until it’s all posted. Thanks for the great response y’all.

Untitled #6. Okay so firstly, HOLY FUCK Y’ALL. I did NOT expect this comic to get notes, let alone fanart. The most recent strip will always be linked at the bottom of my pinned post, so you can check there to see if you’re caught up.

Untitled #7. Not much to say here. I hope you’re having a good day!

Untitled #8. The true plot begins.

Untitled #9. The Creator can possess Red because I, like Red, have a phenomenal ass. That’s it. It’s not that deep.

Untitled #10. *slaps roof of blue square* this bad boy can fit so much fucking existential despair

Untitled #11. Bet you didn’t expect the ass jokes comic to come to this now did you

Untitled #12. Red is fucking pissed at me. sorry buddy

Untitled #13. I indeed cannot have a comic without characters. Well played, Red.

Untitled #14. Red has his priorities straight.

Untitled #15. It would be funny if this were the last strip but I promise it isn’t. I put too much effort into the end of the comic to stop it now.

Untitled #16. Nice try, Red. Nice try.

Untitled #17. The paradox of omnipotence perpetually vexes me :(

Untitled #18. Let’s not have any ambiguity: Red’s dead. Hey, that rhymes! Neat!

Untitled #19. While strip 18 coincidentally did fall on April Fool’s, it wasn’t a prank. This comic has two characters now. Remember when this comic was about ass jokes?

Untitled #20. Three more strips to go. Holy shit.

Untitled #21. ass haha

Untitled #22. What am I going to do? Who knows… Find out tomorrow at roughly 8:30 AM EST!

Untitled #23.

Probably the happiest ending this comic could have had

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witchleia

it’s pride month so it felt appropriate to make screencaps out of the perfect scene in Galavant where an army of gays save the day 

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me, reaching into my dresser drawer for black pants: I hope this isn’t the pair with big holes worn in the inner thighs

Marie Kondo, gently over my shoulder: why is a pair of pants you find unwearable still in your dresser drawer

me: oh shit that’s right!! The dresser is for clothes that under some circumstance I might conceivably wear!!

Marie Kondo, beaming proudly: Yes, that’s correct!! These pants must have been your favorites. How wonderful that they were so comfortable and practical that you wore them out. But now since they no longer function as pants, you should move them from the drawer where you keep your functioning pants!

me: Yes thanks I got it they’re in the fabric basket now

Marie Kondo, fading back into the darkness: I love what you’ve done with the kitchen!!

The notion of KonMari as some creepy semi-embodied but entirely benevolent spirit, like a well-intentioned Bloody Mary, is so perfect and wonderful.

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essoreese

Marie Kondo has the same powers but the exact opposite energy of the Duolingo Owl.

YES.

Marie Kondo: Your room isn’t very clean, but that’s okay, I love mess! Does this spark joy?

Duolingo Owl: I wrote the ransom note in Spanish, and if you have to use Google Translate to read it, your kid gets it. You broke your streak. I’ll break your neck.

Marie Kondo holding your child, while standing on the remains of the Duolingo Owl : The Bird did not spark joy

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Instead of making up shitty racist headcanons about Miles shoplifting join me in headcanoning him picking up ballet because he thought Gwen being a ballerina was super neat and it would help him in his spiderman job

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dracophile

Spider strength he can’t control + Lifts = Hilarity

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aethersea

Miles, muttering to himself: do not yeet the ballerina. do NOT yeet the ballerina

Jumps. JUMPS.

Miles frantically googling “How high can normal people jump??? How high can ballerinas jump?????? I don’t think I’m supposed to be able to jump straight up to the ceiling and also I keep getting stuck up there please help”

Once Mile’s spider sense pinged lightly about a balcony set and he told the crew master he had a bad feeling about it. The balcony collapsed later. No one was hurt, but now Miles has to go over sets and pronounce them clear of ‘bad feelings’

He’s not even good enough to be in shows yet, but nothing goes out without his seal of approval

honestly I have known so many stage managers and props department people who are Exactly This Superstitious. (And hell, in this case they’re not even wrong he literally has magic danger powers)

I’ve also known a few dancers, and without exception the reaction to finding out this boy can effortlessly hold them in a single arm lift or YEET them dozens of feet in the air (And catch them after!) would be PURE GLEE.

“Okay, Glynda, look, we all know he’s Spiderman. Kid’s terrible at hiding it. But imagine this. None of us tell him we know and none of us tell him how high ballerinas can really throw their partners. And each class we just keep on pretending like we’re impressed with how fast he’s improving but, y'know, he’s still got further to go.”

“Uhuh, yeah, I see that look in your eyes Glynda. You know exactly where I’m going with this. How high do you think Spiderman can throw you?”

“Okay, Glynda, stop giggling, the giggling is creepy. Dessie, please make her stop giggling.”

This is wonderful

One day, in the middle of ballet class, there was a robbery going on a block away, so of course Miles’ gotta rush over there to help out. He grabs his mask, but doesn’t have time to put on his whole suit because he said he was going to the bathroom and it’s be weird if he was gone for so long.

Cue Spider-Man kicking ass in pink ballet shoes and leggings.

This actually increased his popularity severely, and lots of people suddenly gained the interest in ballet; boys too, because if someone as cool as Spider-Man does it, everyone can do it.

When he’s back the instructors don’t comment on the rip in his shirt, the dirt on his shoes, or the smear of paint on his leggings. They make sure to treat the class afterwards. After all, it’s not every day that Spider-Man stops a bunch of bankrobbers and manages to do a high pirouette without crashing through the ceiling this time!

This keeps getting better!

Someone: *Attempts to comment on how weird it is that Miles can throw Glenda high enough she can touch the roof with her palm*

The Stage Manager:

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Ballet companies starting rumours that Spiderman doesn’t actually has super powers, he’s just classically trained

You too could scale buildings if you would just practice regularly and focus on your core

[image description: first image is a gif of Stacker Pentecost of Pacific rim saying, according to the subtitle: “You, keep talking.” 

The second image is a screenshot of Michael Scott of The office, with his hand sheltering his mouth from the right so he can whisper to the left. The subtitle says: “[quietly] I’ll kill you.” end of description.]

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Representation matters.

Happy Star Trek Day!

I was at DragonCon one year when Avery Brooks was on a panel, and a Black dude stood up and talked about how the year DS9 came on, he became the sole custodial guardian of his small son, and he was *terrified* and felt helpless, because he hadn’t really had a father himself, and he didn’t really know any Black fathers he particularly wanted to emulate, and no Black single fathers at all.  He talked about how every week he’d put his kid to bed and sit down and watch Deep Space Nine, and think to himself, “Okay, this, I want us to be this kind of father and son,” and how, silly as it might sound, the idea that Ben could be there for Jake, all the time, successfully, and earn his admiration and trust, was the only source he really had of inspiration, the only voice that was telling him he could handle this job. 

I swear to fuck there was a whole auditorium of people in tears by the time he was done, including both him and Brooks.  It was one of the most beautiful moments I ever saw about the sometimes bloodless-sounding term “representation,” and about fandom in general, and I will never forget it.

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NATO Standard Phonetic Alphabet,

The phonetic alphabet was developed as a way to spell things out over radio communications that may be less then ideal, I.E. a lot of static or weak signal. All the words were chosen because they have a distinct sound that is easy to pick out. Military and police communications use the phonetic alphabet heavily and can be helpful to know for talking over CB’s or FRS (walky talky) radios.

I’m sorry guys, i had to

I cannot fucking believe it is the yEAR 2017 GOD DAMMIT

No. Just no. The NATO phonetic alphabet should not be used like this.

are you kidding me this is EXACTLY what the NATO phonetic alphabet should be used for.

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iwhumpyou

One of the best tips for writing descriptions of pain is actually a snippet I remember from a story where a character is given a host of colored pencils and asked to draw an egg.

The character says that there’s no white pencil.  But you don’t need a white pencil to draw a white egg.  We already know the egg is white.  What we need to draw is the luminance of the yellow lamp and the reflection of the blue cloth and the shadows and the shading.

We know a broken bone hurts.  We know a knife wound hurts.  We know grief hurts.  Show us what else it does.

You don’t need to describe the character in pain.  You need to describe how the pain affects the character - how they’re unable to move, how they’re sweating, how they’re cold, how their muscles ache and their fingers tremble and their eyes prickle.

Draw around the egg.  Write around the pain.  And we will all be able to see the finished product.

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go girl give us nothing

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red-mercer

If you’re buying Apple shit in the 2020s you totally deserve the ripoff that you get

The fucking option that includes an Ethernet port just puts it on the external power supply, like it’s a fucking MacBook.

People keep saying that this is how computer adaptability works and comparing it to the decrease in the lack of CD-ROM drives and Floppy Disk readers.

But this is completely different! And do you want to know why? Because, previous changes were consumer led. They came AFTER the technology had run its course, had viable alternatives, and didn’t force a majority of customers to adapt for profit. Also, Apple is lying. This isn’t innovation, it’s a purposeful manipulation of the market that makes physical ownership of content more difficult.

The Floppy Disk wasn’t just abandoned. It was replaced by CD-ROM in the 90s as a more portable & less expensive alternative. And even then, CDs had existed for more than a decade before computer manufacturers made the permanent switch in 2003. And despite the switch, the production of the floppy disks themselves continued until 2011. By the time floppy disks truly faded from production, most ppl didn’t even own one. And when CD-ROM became “obsolete,” they weren’t ripped from the market and even today it’s fairly easy to find readers that are cheap and/or included with desktops or laptops.

But here’s the thing? CD’s aren’t obsolete. Neither are DVDs, USB, and Ethernet and SDs. Not really. What is there to replace them? You could say cloud, streaming, etc. But those aren’t actually replacements, they are just different forms of consuming materials. And a majority of consumers will be inconvenienced without those things. Like how would you even connect a wired mechanical keyboard? That’s not adaptation, it’s inconveniencing consumers until they get used to it.

But it’s more than inconvenience. What all of these exclusions do is get rid of physical data. It slowly ostracizes consumers from the very concept of physical data and that is incredibly dangerous. All softwares, ad-ons, recordings, and medias being relegated to downloadable accessibility makes these things harder to pirate or share. It also encourages monopolies as it makes smaller, independent production and sharing much more difficult. It also makes the distribution of softwares tied to research & employment more easily controlled by corporations rather than people. And most of all, it takes away consumer control of the things that they use.

Like even PlayStation did this with the PS5? Do you really think not having a physical drive is an innovation? With physical games you can reuse, share, and save. I can play Spider-Man, give to my cousin, and then let any friend borrow it. And unless I bought the physical game online, neither google or Amazon can add that to their algorithmic perception of me. But without that…you have content strictly defined on individual basis and algorithms.

It’s just that all of the growing exclusions aren’t adapting. They are willful manipulations for the sake of changing how large scale consumers ingage with technology and the internet.

The headphone jack was not obsolete. It was purposefully left out to sway the market towards $100 Bluetooth. Physical gaming disk drives aren’t growing obsolete. They are being purposefully phased out so that the consumer begins to rely on individual downloads and algorithm rather than sharing and saving. And USB/Ethernet/SD/HDMI are not obsolete either. They are just being ignored so as to get consumers to change their perception of tech and accessibility. As if having a computer that’s only compatible with apple tech that’s less than 5 years old is reasonable. As if any use of physical content is a paid luxury rather than the standard

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thechekhov

Some kid in 4019: Hey, look at this weird construction of an ancient civilization. My universal translator says it reads something like “This is not a place of honor.”…? 

Some other kid: Oh yeah I’ve heard of this. It’s a dank meme from the 21st century

First kid: What does it mean?

Second kid: Fuck if I know, let’s go inside.

oh no

Honestly the whole system is doomed to fail there is nothing u can say or do that will prevent humans from looking inside a locked box. Even w people knowing what is inside nuclear containment areas people today would still go inside to look if we werent here actively preventing them. Pandoras box is not a moral tale its just a description of what humanity is like. The only way to stop people from going somewhere u dont want them to is to make it physically impossible for them to get there and thats a lost cause if youre working on a scale of 10s of thousands of years.

Pandoras box is not a moral tale its just a description of what humanity is like

Exactly.

“Some humans would do anything to see if it was possible to do it. If you put a large switch in some cave somewhere, with a sign on it saying ‘End-of-the-World Switch. PLEASE DO NOT TOUCH’, the paint wouldn’t even have time to dry.”

- Terry Pratchett, The Thief of Time

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morvidra

“‘And there’s the sign, Ridcully,’ said the Dean. ‘You *have* read it, I assume. You know? The sign which says “Do not, under any circumstances, open this door”?’

‘Of course I’ve read it, said Ridcully. ‘Why d'yer think I want it opened?’

‘Er… why?’ said the Lecturer in Recent Runes.

‘To see why they wanted it shut, of course.’*

*This exchange contains almost all you need to know about human civilization. At least, those bits of it that are now under the sea, fenced off or still smoking.

–Terry Pratchett, Hogfather

“Probably the last sound heard before the Universe folded up like a paper hat would be someone saying, “What happens if I do this?”

-Terry Pratchett, Interesting Times

Pterry had a lot to say about humans being Like That. (And for a while he worked as a Press Officer for an electric company that had several nuclear power plants, right after the whole Three Mile Island thing - bringing us full circle to the original post.)

I can’t believe Terry Pratchett is calling me out like this.

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lynati

I can.