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๐ŸŽƒ๐Ÿ๐Ÿ‚ My Own Little Corner...๐Ÿ“š๐Ÿ“–๐Ÿซ–โ˜•๏ธ๐ŸŒœโœจ๏ธ

@jassiepoohbear

26. Fanfic Enthusiast. Halloween Obsessed.

I just saw a beautiful explanation of the โ€œDin Groguโ€ name and I thought Iโ€™d pass it along!

Essentially, Din is currently sponsoring Grogu as a Mandalorian apprentice. This is because Grogu cannot yet speak the Creed. That being said, the name โ€œDin Groguโ€ is showing that Grogu is still too young to have spoken the Creed and still under Dinโ€™s sponsorship.

Once Grogu can speak and take the Creed, the โ€œDinโ€ will be dropped and he will become โ€œGrogu Djarin,โ€ seeing as he will no longer require Dinโ€™s sponsorship. But having Dinโ€™s first name there for right now tells others that Grogu is still young and under his fatherโ€™s sponsorship.

I was so confused watching this but this explanation cleared a lot up for me

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His name is Sir Din Grogu, son of Din Djarin of the Mudhorn clan. Follow us of the sons of the Round, and the Mandalorian creed. Knight of the planet Plazir-15 and the only Mandalorian Jedi. This is the way

Anonymous asked:

It's when watching chapter 22 that I realize how well executed Din's flashbacks sequence from season 1 is. In his memories, the battle droid has such a threatening, hulking presence. The directing makes it looks like an enormous metal giant, towering over the people and obscuring the sky. Actually, me who hadn't watched the older Star Wars movies and series in a long time, I genuinely thought that the battle droids where that immense. Then in chapter 22, they look almost small and defenseless next to adult, Mandalorian warrior Din. He can kick them around and tackle them down with no issue. Their presentation is neatly dedramatized when showed in reality.

For me, it only makes Din's flashbacks worse (in a good way), because it shows you how in young Din's mind, the droids were insurmountable, nightmarish monsters. And this view stuck with him through adulthood. Din has come a long way regarding his relation to droids, but his mind is still scarred from these images, and it will always follow him in some way.

This is such a beautiful write up, I canโ€™t thank you enough for sharing it with me. Youโ€™re so right!

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I had a realisation this morning about Pedro Pascal and the world's current obsession with him. So hear me out. It's good I promise.

I was scrolling through Insta and saw this post from a woman whose account is all romance and stuff with her boyfriend. And she was talking about how he intentionally made himself a safe space for her and how that actually makes her want him sexually more and how freeing it is for her as a sexual woman. Relationships with guys often feel transactional, they do the dishes because they want sex later, or massages always end up in sex, or whatever. By taking away that pressure and transactional nature you feel safe enough to express your desire more and whenever it hits instead of feeling like you have to because he initiated a transaction. The fluff, or even the crazy smut relationships that people write fanfiction about, these fictional guys are often written as safe spaces.

And that's where Pedro comes in, he feels like a safe space, like he would do a good thing for you without anything expected in return, like he would enjoy a cuddle and kiss without any pressure, he would defend yours and anyone else's honour at the drop of a hat. He's a very safe feeling guy. He respects people, he loves enormously, everyone who meets him says he's so lovely and sweet.

And THAT, is what people all over the internet are going crazy horny for. Because you ask people outside of it all and it's like oh he's not that attractive blah blah blah, but to those who have watched his interviews, gotten to know him through social media etc, he is such a safe space and that makes us fucking feral for the guy.

Ok, essay over. These are just my thoughts spurred from one realisation about relationships and just what a beautiful soul that man is.

Iโ€™ll admit, Iโ€™m going to miss the little wizard guy. However I do like this thing where they completely change their logo randomly every few months.

Iโ€™ve started a collection:

Pedro Pascal and the Heart in his Beard

๏ผŠโ”ˆโ”ˆโ”ˆโ”ˆ๏ผŠโ”ˆโ”ˆโ”ˆโ”ˆ๏ผŠโ”ˆโ”ˆโ”ˆโ”ˆ ๏ผŠ

So I wanna talk for a minute about Afissa and how she represents the problems with respectability politics. Afissa is a fae who is content to accept the status quo because while it's not great, she believes if she adheres to it, she'll be reasonably protected. She keeps her mouth shut when she hears prejudiced remarks from her employers, and she even buys into some of their prejudice, disapproving of Agreus and viewing "troublesome" fae as a threat to her security.

But in the end, none of it protects her. When shit really goes down, she's confined to the Row with everyone else, because no matter how much she tried to keep her head down and behave the way a Puck should, respectability politics cannot save her. She's still fae, and she'll always be viewed as lesser. Like minorities in the real world, Afissa cannot be good enough for people who are determined to hate and fear her.

wanna underline that it was Billy Zane doing the looking out for his co-star. James Cameron very famously directed Kate Winslet in a way that left her covered in bruises and gave her double pneumonia.

and good for him. he was a pretty big star at the time, Kate was almost an unknown, and James Cameron was, yanno, himself. so for Billy to stick up for her and respect her like that was very based and sexy.

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I also want to point out his mention of the consultation with wardrobe.

When shitfuck actors and directors let their misogyny and racism convince them to do "improv" or "method" that inevitably is neither impov nor method but very much harmful to their coworkers, it's not just other actors who get hurt.

Everyone working on that set ends up in the shit.

He showed basic human dignity to his costar, as well as the people on wardrobe, the people handling props, the people behind the cameras that the glasses were flying towards.

Film is a collaboration, and the vast majority of the people who make the magic happen will never be seen, heard or known.

So it's really fucking spectacular to see Mr Zane acknowledge the humanity of his coworkers and the collaborative nature of the art they made together.