y’all ever see a piece of fan content about your favorite character that is so horrifically different from what you personally believe and you just
Yes yes we've all seen the Amazon versions
Or tumblr fandom headcanons
It’s not your job to be likable. It’s your job to be yourself. The right people will like you anyway.
Love the part in Evil Dead 2 where Jake is being dragged into the cellar and Annie is trying to drag him out by the legs, but even when she's getting hit by a torrent of blood she's still pulling, like
Girl he's soup
I'm watching the behind the scenes, it was 55 gallons of fake blood. Let me reiterate that.
Really important question:
Do we think Eddie is a swimming trunks kinda guy? Or a speedos kinda guy?
I need thoughts
I need answers
For science 👀
A pair of old cut up cotton pants made into shorts with threads dangling from it
This is true. That lad does not own a pair of swimming anythings but he sure is resourceful af 🤌
Yeah but what if they were grey cotton pants
Okay just using this photo as an example but imagine the fabric clinging to him when wet 👀
Lord
I mean I'm of the belief that he has only one pair of swimming trunks. Black ones with little white skull and crossbones on them. But this? This is a good idea too..
traditionally this is why warrior cultures usually either have VERY short hair or VERY long hair. you have to either shave it off or tie it up. the in between zone (pictured) is where the devil dwells on earth
soul sisters arrested for being way too cute (they've tried running a man over)
an eddissy commission i did for @starryshells :) thanks for commissioning smthg so cute! commission info here!
Reblogging just for Hellcheer cuteness!!!
Proposal, by @emeriart (commissioned for With a Little Help From My Friends)
also i just saw u like writing steve so,, I come bearing another request
steve harrington who’s been dating you for a while, sleeping over for the first time and hanging around your room while you go take a shower,, and he notices your diary literally just being open on your desk (you’re smart like that) and he just can’t help himself so he reads a bit and reads about how you’ve crushed on him for MONTHS,,
which is funny,, bc he has to ask you out about 3 times before you said yes
"stevie!" it echoes against your bathroom walls, and it's enough to draw your boyfriend up from his bed and into the room with an inquiring: "hm?"
"can you grab my towel? it's just right there," you point a manicured finger over in the direction of your bedroom, where the aforementioned item is draped over the back of your desk chair.
he goes to fetch it, but still turns his cheek back to speak with you. "you know, you left some things out on your desk."
you take the towel from him with a grateful smile, winding it around your torso and stepping out of the basin. "i know, i know, i have to clean up. my mom has been up my ass about it, sorry."
he lounges back against the bed, eyebrows quirking upward. "no no, you just.. left something very interesting out. and being the avid reader i am, i had to take a gander..." when you catch sight of the frilly pink notebook in hand, your entire body flames up in heat, but in your stubborn nature, you're quick to refuse his gaze. "... and?"
"three times? you made me ask three times??"
you drop the lotion in hand, bending down to pick it up from the ground. "you.. need anything stevie? just brushed my teeth, i'd be happy to give you some head if you'd like, just-"
"oh no no no no!" he gasps, rising from the bed. "you are not about to get away with this with an offer like that!" he's choking back laughter, despite the words that seem to display anger.
"alright, then, i'll just get to bed then."
"ok well, if you were really offering..."
This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but it’s also kind of an amazing two-line poem? “His Wife has filled his house with chintz” is a really elegant and beautiful counterbalancing of h, f, and s sounds, and “chintz” is a perfect word choice here—sonically pleasing and good at evoking nouveau riche tackiness. And then “to keep it real I fuck him on the floor” collapses that whole mood with short percussive sounds—but it’s still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8
I hate that my aesthetic sense agrees with this but everything you just said was correct
I went back to dig up this post because I was thinking about poetry.
This is one of those non-poem things that are among my favorite poems.
As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: “fuck him on the floor.” The use of “chintz” is indeed great word choice.
Because I’m insane, decided to scan the poem:
Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.
There are further things I love about this poem, though: I like the casual connotations of “keep it real” juxtaposed with “chintz.” It causes me to interpret the “chintz” more strongly as meaning something fake, a facade. There is also of course the coarseness of “fuck,” which is a contrast with “chintz” but a different kind of contrast, gutsy and carnal where “chintz” is flimsy and inanimate.
And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is “filled with chintz”—something that here connotes fakeness, in contrast with “keep it real.”
The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wife’s marriage and domestic sphere, but the encounter itself is a taste of something “real.” That’s a story, and it’s just two lines.
This is EIGHTEEN SYLLABLES, y’all. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.
From a technical standpoint (and ive taken 300- and 400-level poetry classes so I can say this) this is damn near flawless as a poem.
Kept thinking about this ever since I saw it and had to do something
there's art now
Ah dang to go further; the floor is framed as a refuge. As if there is literally no other space in this house that hasn't been populated by his wife with flimsy inanimate fakery. There is no space for this man in this house save for the floor. There is no space for him on the sofa, oon the counter tops, and most notably, no space for him in the marital bed.
I’d also like to point out the use of the word “has.” The wife has filled the house with chintz. She isn’t filling the house with chintz. She doesn’t fill the house with chintz. She has filled the house with chintz. Use of the past-tense makes the wife a subtly removed element in the story, someone whose presence we see in the environment, but who is blissfully distant during the actors throes of passion. There is an element of physical as well as emotional separation from the wife that is catalyzed by being fucked on the floor. Use of the past tense is an end to the wife presence in the actors life, a carnal catharsis amid cold fragility and emotional distance.
This is my new favourite post in the world
everyone cheer for the one (1) time tumblr had reading comprehension
white knuckle gripping it through a silly little oil painting of kermit the frog because i feel disconnected from my body and am desperately trying to not go get another tattoo to solve it
oh kermit the frog we're really in it now
here is the finished kermit btw
the notes are so right. You don't bother to check every egg until the day one is cracked.
This transition is straight out of a horror movie
Vlak s kupeji my beloved💜💜💜
“Under The Sea is the most complicated production number we’ve ever done. There is one live actor and everything else is digitally created. We thought, how do we do this? How do we begin? And I remember thinking about Fantasia (1940). I thought of Walt Disney and I remembered when he did Fantasia, the Nutcracker Suite sequence, he used the Ballet Russes as a template. He used their bodies to help him create the dancing flowers or the snowflakes or the mushrooms. I thought we should work with a dance company. So we brought the Alvin Ailey company over to London to work with them to create this musical number and we asked them to actually replicate these different sea creatures and how they moved. So that our CGI artists would have a body to work from and to mold from. It was insanity in a way. But I will say, at the end of the day, having that beautiful dance company there with us and being able to work with actual dancers was really the key. I think that was the key to getting into this [musical number] and figuring it out.” - Rob Marshall THE LITTLE MERMAID (2023) Dir. Rob Marshall



















