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defenestrator Incorporated

@itsjsilveira

Its got electrolytes

Parts of the country where self-service gas pumping is illegal.

I didn’t know about New Jersey’s law so imagine my shock when a pump jockey sprinted at my car and kicked my door shut when I tried to get out to get gas. I rolled down my window and asked him “Is there a law against pumping your own gas or something?” And he looked at me like I’M nuts and just said “…yes?”

okay but imagine this in the reverse. when i left new jersey as a driver for the first time and sat in my car for about ten minutes wondering where the attendant was until a nice man tapped on my window and just said the words “New Jersey?” and when I nodded he told me to get out of the car so he could teach me how to pump gas (and nicely didn’t laugh at me when I shot gas out of the nozzle across the side of my car).

me and the boys (all from new jersey) went on a road trip out of state and had to get gas and it ended up being sort of a Group Puzzle for the gang as we huddled around the gas pump and nozzle and tank and whatnot. just picture five people standing around the gas tank opening like its part of an escape room. it was very silly.

Source: reddit.com

Here’s an invaluable writing resource for you.

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Was looking for this information just yesterday. Thanks so much.

Y’all I could have used this so many times before oh my good god

QUICK NOTE: these times are only applicable to single travelers or small groups. for example, your cavalry division is probably not making even 30 miles a day, because then they could be as many as 25 miles away from the supply wagons, and die.

Does anyone else remember playing music in Windows Media Player and just sitting there and watching this for like two hours

It’s interesting that this thread of development was mostly abandoned. I think it only shows up in clubs now, where there’s been some continued development in abstract music visualization.

Either people listen to iTunes, which doesn’t automatically provide a visualizer, or they use streaming platforms such as YouTube, Spotify, etc, which don’t provide customizable visualizations. YouTubers often just use some fixed background, sometimes anime-based, or a simple equalizer-type visualizer.

Milkdrop2 is the hardware accelerated visualizer engine used by WinAmp, and there are still people writing new presets for it to this day, although it’s a small nerd community and they mostly use it themselves and yes, for clubs.

There’s a few modern implementations of the Milkdrop shader engine that make it easier to use on modern systems, including ProjectM on desktop and Butterchurn on web. I used to use ProjectM a lot.

iTunes also still has a built in set of visualizers on desktop, although they’re the same ones its had for years.

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HOW ADORABLE IS THIS KITTY

Does tumblr know this is a TV series…? Like, it’s an entire show where a Japanese wildlife photographer just travels around the world to quietly film cats and talk to them? You get to watch him for like, an hour to half an hour??? It’s called “Iwago Mitsuaki no Sekai Neko Aruki” (or Iwago Mitsuaki’s World Cats Travelogue) it’s the cutest thing ever.

My cat loves to watch this show whenever it’s on. It’s the only thing on TV he’s interested in.  Please watch it if you can, it’s AMAZING!

This show… is so pure. Thank you for telling us about it

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I want more villains who care about their henchmen. I wanna see the bad guy fly into a rage because the hero hurt their very favorite bungling goon and it was nearly his birthday.

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"how dare you fail me you miserable oafs!!" should be retired. "How DARE they bully my adorable oafs!!!" should be industry standard.

Underlings having to hold back their dark lord like an overprotective parent because they don't really want a famous hero to get outright murdered just on their behalf.

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I had to draw something

I don’t want to go ‘realism in fiction’ bc we all know how much of a dogwhistle that can be. But it really always bothers me that this isn’t the norm. Like, how the fuck do all these dark lords and evil empresses and what not keep any minions or lieutenants or what not around?

Literally, what is stopping them from just walking to Hero and going ‘I surrender, get me the hell away from this asshole!’ when most Heros will immediately turn them in a redemption story and all.

Like, how they hell do the villains keep anyone working for them without a solid health plan, 401K, and recreational facilities? Isn’t that the minimum. Has no one actually read Machiavelli?

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Indeed; one of my least favorite tropes is the whole "I don't need you anymore" bit, where a villain backstabs a fellow villain working beneath them, which inevitably ends up with the betrayed villain aiding the heroes in order to spite the big bad.

Luckily, I can just draw something that cuts that bullshit out!

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An NPC has fallen into the toxic sludge in gm_bigcity! Build the airboat, and begin the rescue!

Uh oh, that was RDM! Convince the admin!

New LEGO Garry's Mod®.

Each set sold separately. Background models not included.

Sara Jacobsen, 19, grew up eating family dinners beneath a stunning Native American robe.            

Not that she gave it much thought. Until, that is, her senior year of high school, when she saw a picture of a strikingly similar robe in an art history class.

The teacher told the class about how the robe was used in spiritual ceremonies, Sara Jacobsen said. “I started to wonder why we have it in our house when we’re not Native American.”

She said she asked her dad a few questions about this robe. Her dad, Bruce Jacobsen, called that an understatement.

“I felt like I was on the wrong side of a protest rally, with terms like ‘cultural appropriation’ and ‘sacred ceremonial robes’ and ‘completely inappropriate,’ and terms like that,” he said.

“I got defensive at first, of course,” he said. “I was like, ‘C’mon, Sara! This is more of the political stuff you all say these days.’”

But Sara didn’t back down. “I feel like in our country there are so many things that white people have taken that are not theirs, and I didn’t want to continue that pattern in our family,” she said.

The robe had been a centerpiece in the Jacobsen home. Bruce Jacobsen bought it from a gallery in Pioneer Square in 1986, when he first moved to Seattle. He had wanted to find a piece of Native art to express his appreciation of the region.

       The Chilkat robe that hung over the Jacobsen dining room table for years.   Credit Courtesy of the Jacobsens      

“I just thought it was so beautiful, and it was like nothing I had seen before,” Jacobsen said.

The robe was a Chilkat robe, or blanket, as it’s also known. They are woven by the Tlingit, Haida and Tsimshian peoples of Alaska and British Columbia and are traditionally made from mountain goat wool. The tribal or clan origin of this particular 6-foot-long piece was unclear, but it dated back to around 1900 and was beautifully preserved down to its long fringe.

“It’s a completely symmetric pattern of geometric shapes, and also shapes that come from the culture,” like birds, Jacobsen said. “And then it’s just perfectly made — you can see no seams in it at all.”

Jacobsen hung the robe on his dining room wall.

After more needling from Sara, Jacobsen decided to investigate her claims. He emailed experts at the Burke Museum, which has a huge collection of Native American art and artifacts.

“I got this eloquent email back that said, ‘We’re not gonna tell you what to go do,’ but then they confirmed what Sara said: It was an important ceremonial piece, that it was usually owned by an entire clan, that it would be passed down generation to generation, and that it had a ton of cultural significance to them.“  

Jacobsen says he was a bit disappointed to learn that his daughter was right about his beloved Chilkat robe. But he and his wife Gretchen now no longer thought of the robe as theirs. Bruce Jacobsen asked the curators at the Burke Museum for suggestions of institutions that would do the Chilkat robe justice. They told him about the Sealaska Heritage Institute in Juneau.

When Jacobsen emailed, SHI Executive Director Rosita Worl couldn’t believe the offer. “I was stunned. I was shocked. I was in awe. And I was so grateful to the Jacobsen family.”

Worl said the robe has a huge monetary value. But that’s not why it’s precious to local tribes.

“It’s what we call ‘atoow’: a sacred clan object,” she said. “Our beliefs are that it is imbued with the spirit of not only the craft itself, but also of our ancestors. We use [Chilkat robes] in our ceremonies when we are paying respect to our elders. And also it unites us as a people.”

Since the Jacobsens returned the robe to the institute, Worl said, master weavers have been examining it and marveling at the handiwork. Chilkat robes can take a year to make – and hardly anyone still weaves them.

“Our master artist, Delores Churchill, said it was absolutely a spectacular robe. The circles were absolutely perfect. So it does have that importance to us that it could also be used by our younger weavers to study the art form itself.”

Worl said private collectors hardly ever return anything to her organization. The federal Native American Graves Protection and Repatriation Act requires museums and other institutions that receive federal funding to repatriate significant cultural relics to Native tribes. But no such law exists for private collectors.

       Bruce and Gretchen Jacobsen hold the Chilkat robe they donated to the Sealaska Heritage Institute as Joe Zuboff, Deisheetaan, sings and drums and Brian Katzeek (behind robe) dances during the robe’s homecoming ceremony Saturday, August 26, 2017.   Credit NOBU KOCH / SEALASKA HERITAGE INSTITUTE      

Worl says the institute is lobbying Congress to improve the chances of getting more artifacts repatriated. “We are working on a better tax credit system that would benefit collectors so that they could be compensated,” she said.

Worl hopes stories like this will encourage people to look differently at the Native art and artifacts they possess.

The Sealaska Heritage Institute welcomed home the Chilkat robe in a two-hour ceremony over the weekend. Bruce and Gretchen Jacobsen traveled to Juneau to celebrate the robe’s homecoming.

Really glad that this is treated as hard hitting news, no really, I am

This is why spaces like Tumblr are so vital in changing the narrative. We cannot back down from the truth.

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saw someone say "if i didn't know better i'd think [the missing submarine case] was just viral marketing for markipler's iron lung" ajnd was briefly captivated by this world where markiplier sends 5 billionaires to their deaths to promote his movie

personally i think there should have been at least one episode where sokka collects aang and zuko and is like, “looks like we’re running low on supplies.  time for a GUYS-ONLY field trip.  three days of hunting and fishing and polishing our swords.  y’know, manly warrior stuff.  (aang, sotto voce: actually sokka i’m a vegetarian as you know–)  you girls have fun sitting around braiding your hair and talking about your crushesand then the entire episode is just zuko and sokka lying around by a river, plucking blades of grass and staring up at the stars confiding in each other their deepest feelings and most secret insecurities while aang braids flower crowns, and whenever the screen cuts back to katara and toph and suki, they’re fighting and screaming and hacking away at river pirates and evil spirits and legions of assassins and hired mercenaries with swords.  you know, as girls do.

and when the boys finally drag themselves back to camp (they stayed up way too late discussing what true leadership really means and whether or not power always corrupts)  they find suki and toph and katara lounging around with black eyes and fresh bruises and bloodstained weapons and sokka shrieks, “what were you guys DOING while we were gone???”  and karata just shugs innocently and says in her sweetest voice, “oh, you know.  just girly things”

they are absolutely still wearing the crowns and they don’t have a single fish to show for their efforts

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i did it