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Hope is Something You Give Yourself

@its1698-maybeineedyou

Be sure to subscribe to my YouTube channel A Healthy Dose of Fran for Percy Jackson, Avatar The Last Airbender, Legend of Korra, and Writing Study content out every Sunday. Fran. 24. UK. Budding YouTuber. Lesbian and proud. Feminist. Useless Vampire. Avatar Legend of Korra/The Last Airbender. Percy Jackson. Carmilla. Teen Wolf. ODAAT. Tattoos. Writing is my life, future screen and games writer in the making.

Really genuinely feel like we need to bring back internet safety classes.

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poikaboo

like this isn’t about “no one on the internet is your friend” it’s about “everyone on the internet can be entirely anonymous and disappear at a moment’s notice and you need to be aware of that and be sure of people’s intentions” it’s about “that person might be really nice and giving or they might be scamming you and you need to be able to tell the difference” it’s about “you need to be sure that the link you’re clicking on is going to take you to the right place”

it’s basic stuff i’m not trying to scare people but you need! to practice healthy skepticism online!!

In the latest Dark Moon: The Grey City update, they revealed new interesting information about the upcoming storyline!

"This story goes back 20 years before the werewolves settled down in the Sunshine City School when the new encounter and destiny began as they became one as brothers."

The Grey City will therefore be a PREQUEL to the events that are taking place in Dark Moon: The Blood Altar. It will be set throughout the 2000s, thus explaining the dates that appeared in the concept clips of the JUVENILE ver. of First Howling: ME.

The description that accompanied the second Concept Poster is just as interesting:

"On the outskirts of a port city lies a run-down house and an abandoned factory. A place where an inn is located in the dark alley Greyville, a grey city where no one cares for each other."

Dark Moon: The Grey City will be fittingly set in the town of Greyvill, a port city where everyone has to fend for themselves. The fact that Greyville is described as a city with a port implies that it is close to the sea, which is also coherent with what we saw in Teaser 1 of Under the Skin.

In the opening scene we see K (Khan?) talking to an injured man, possibly the current alpha of the pack who is about to pass his role onto K. The messy alley where this conversation is taking place also fits the description that we have of the run-down alley where the inn of Greyville is supposedly located.

One thing that doesn't fit, however, is the attitude of the characters on screen: Greyville is described as a city where no one cares about each other but K cares about the dying man and, in turn, he cares about the pups.

This contrast between the people of Greyville and the wolves of the pack will probably be very important moving forward: Greyville is a Grey City that might be violent and unforgiving. But the pack is always there for each other and no one is left behind.

Anonymous asked:

Hi! I just joined the fandom so I'm sorry if I'm asking a question that's already been asked but has there been a collective yet to see if Peacock might be interested in picking up the show? They currently have a vampire show airing and from what I recall, arent iffy about wlw content. Again sorry if this has already been addressed! Havent had a chance yet to read into all the news or efforts since I came into this fandom literally today 😭😭😭 I just wanna help any way I can.

Hey, thank you for reaching out and welcome to the fandom, we'll look into it, In the mean while join us on the First Kill Friday watch party on Twitter spaces, you never know who can pull up there.

Also we just got the #SaveFirstkill filter on Instagram it's pretty cool 😎 go and check it out.

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one of the most underrated moments in the show, I swear

Like, it's obvious that Emma's touch is what kickstarts Regina's magic, but what I love more is Regina's reaction. She fucking KNOWS it.

Like, there's no other reason for her to look at Emma in shock when the hat works. She's used magic a thousand times, and she was actively trying to use magic... she can't be surprised because it worked

she looks at Emma like that because she KNOWS that it was Emma's touch that made her magic work

I wish we could know what's going on in Regina's head after this... she knows that Emma is the product of magic, but she also knows that Emma is the savior and she was destined to break Regina's curse. So it's probably not shocking to Regina that Emma would have magic, but it's probably pretty shocking that Emma's magic could help Regina

What's also interesting, I think, is that up until this moment, Regina is still actively hostile towards Emma. Emma is literally trying to save her life, and Regina's still lying to her. Why would she lie about knowing who Jefferson is? She clearly doesn't trust Emma and likely still thinks Emma is there to destroy her life

But after this, Emma falls into the portal, and their next interaction is Regina welcoming her home, after absorbing the death curse to let her come back to Storybrooke in the first place.

Like, yeah, Regina is trying to be better for Henry, but that hostility towards Emma is gone after this moment.

I don't think that's a coincidence.

ok i love our flag means death its great but seeing people refer to it as 'the gay pirate show' like no. it's a gay pirate show. black sails didnt pop its pussy being the gay prestige pirate drama of all time, making pirates not only cool again but also intrinsically linked to queerness, just for people to give credit to another show for doing it years later. black sails walked so that our flag means death could walk also, but in a sillier way. know your queerstory.

it’s a treasure island prequel but there’s also historical pirates in it but it’s about so much more than pirates it’s actually a story about the suffering of marginalised people under colonialism but it’s also about legacy and how stories shape our past present and future and

i think every gay person should get a monthly stipend for. piercings and such also beverages. and i think every trans person should get to hit people with sticks legally

we only get snippets of what iroh was like “back when he was a different man.” we know that he joked about burning ba sing se to the ground in a goodnatured manner; that azula referred to him as “his royal tea-loving kookiness” before his change of heart; that he learned from the dragons and respected the sun warriors, but lied about it to protect them as well as his own image. we know that he was azulon’s uncontested favorite, that ozai resented him for it, that he was once a mighty general, but still a charming tea-enthusiast who kept a level head.

before the death of his son, he viewed war as a game to be won—like pai sho—rather than recognizing the brutal reality, the senseless violence and devastation war truly is. he had a reputation—as a mighty general, a fearsome firebender, the dragon of the west, next in line for the throne, a charming, affable, tea-loving ladies’ man.

we don’t see lu ten, but we can vaguely infer snippets of what he was like from the way iroh attempts to raise zuko as his surrogate son. he is endlessly supportive and yet he still makes assumptions about what zuko would want and would like, and perhaps this is based on both his own proclivities as well as those of his first son. lu ten was a soldier. he was the heroic older cousin of zuko and azula. he was raised by a loving father as a doted-on only child, destined to someday take the throne in a peaceful exchange of power and continue to promote the fire nation’s conquest, their greatness.

iroh, and by extension, lu ten, do not wholly align with the typical image of the fire nation disposition that we are shown as embodied by ozai. yes, iroh conforms perfectly to standards of fire nation masculinity. he is a powerful firebender. he is a confident chauvinist. but despite his imperialist outlook, he does not view his family as mere pawns in his game. he is so self-assured in his position that he could never be so insecure as to not love his family. he cares about his son, his nephew and niece (despite not actually being around enough to truly understand them), his father. azulon might be a powerful, intimidating figure, but he clearly cares for iroh, and iroh cheerfully conforms to his standards and expectations without breaking a sweat.

what must it have been like for the great dragon of the west to knock down your gates and raze your village to the ground with a calm yet mischievous twinkle in his eye, pouring himself a cup of ginseng tea while he oversees the abject destruction of your life, your family, your people? he laughs merrily as he summons lightning effortlessly. he is just doing his job. this is fun for him, just another game at which he excels.

ozai is heartless, power-hungry, and deeply insecure. he has something to prove, and he cares about nobody but himself. he is exceedingly easy to hate. but what about general iroh, the dragon of the west, who is completely confident in his position, who genuinely loves his family, who cultivates hobbies, who charms, who takes an interest in the arts, who approaches every conquest with a carefree cheer that chills you to the bone? what then?

 one thing you don’t see as a kid watching avatar is that iroh is, himself, growing and maturing over the course of the series. that he loved and cared for zuko in his own way at first but he also, without quite meaning to, put zuko in a position of having to parent him. iroh has never not been a beloved prince. iroh has never not had support staff. the first time iroh really lost at anything was when his son died, and it rocked him to his core, and it took him years to figure out what to do about it, and he didn’t really figure out what to do about it in time to be an effective parent to zuko until it was almost too late.

iroh was never poor. he was never despised by people who could actually deny him food, shelter, safety. zuko’s exile was something he took on as a game– a game he thought he was too clever to lose, a game he thought he could eventually turn to his advantage. season one iroh is still incredibly complacent! he was on tour, he was letting zuko grow up in a loving and supportive environment, he was getting him valuable experience in traveling the world and managing a crew instead of letting the poor kid get turned into Ozai 2 at court. he struggles a little with trying to connect to zuko past the boy’s frustration and impatience, but he’s still confident in his goals and methods.

but being poor, having to watch zuko steal to survive, having to fake like he had all the answers, while not knowing what their next move might be, and realizing for the first time they might actually die, alone, unnoticed, in abject misery, and that the fate of the world was coming down to a bunch of scared kids because iroh had fucked up? fucked up a lot? and then iroh might still continue to fuck up? i think that really scared the shit out of him. i think he really had to do some growing up in a hurry. who was he when he wasn’t a prince? when he wasn’t even a firebender? was he still a good man? was he a good uncle? could he still say that?

iroh needed to do some serious work on himself! and he does! and the kids don’t notice because he seemed so damn wise the whole time. but it’s still cool., that he grew up too.

There was a movie tie-in graphic novel called Zuko’s Story that had live action character designs but was really good which I always gotta bring up. There’s a bit here that’s relevant!

wow tumblr turned the quality of the panels super crispy so I’ll just. show the whole page.