Hurvin Anderson (British, b. 1965), Northern Range, 2010. Oil on canvas, 251 x 194 cm
tracey emin for vivienne westwood
film photographs of people holding glassware with the flash on in the 80s and 90s captivate me... it’s about the hands it’s about the glow.
Some kind of bestial Saxon or Celt, tattooed with all manner of unholy beasts and demonic runes, who has never washed his beard nor heard a word of holy scripture, is telling me to move my Yaris out of the disabled parking spot
Anonymous asked:
just had first gay sex a couple days ago... wow...
Beuaitufl stuff isn't it
TWENTY OVER LIMIT, 2023, handwoven by Alexandra Jean Auger
24″ x 19.5″ acrylic and wool yarns on cotton warp
Source: instagram.com
monks, angel, devils, and a chair
in a miscellany manuscript, alsace, ca. 1430
source: Paris, BNF, ms. allem. 222, fol. 120r-122r
he's trying his best
Julia Santa Olalla (Spanish, b. 1985), Pilar de la Cubana, 2023. Oil on canvas, 250 x 179 cm
Maximilián Kurth (1869 – 1962)
Edge of the forest, 1914
stanleystellar-deactivated20181
Gay Pride Day, NYC 1979 / © stanleySTELLAR
i miss when you could make political art without placing personal identity (and the self) at the center of everything
this piece (“artist bio” by anna daliza) sort of perfectly sums it up. the emphasis on identity politics and tokenization in art/music/performance spaces feels reductive and exploitative- like it offers a sort of racial tourism for the wealthy white patrons. none of what im saying are original thoughts btw go see White by james ijames
Garhytteån - Anna Harley , 2022.
British, b. 1931 -
Screenprint on paper , 38 x 50 cm. Ed. 30
hate how this 1) manages to make fun of Belgium without bothering to mention us 2) every single person in the notes knows this 3) it's true
Tove Jansson - Self Portraits (1936, 1937, 1940, 1942)
You will find me in my cave surrounded by my darling pet USBs