half agony, half hope

@ingu / ingu.tumblr.com

multi fandom blog, expect anything

If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

life is for taking therapeutic walks and being in your own bubble and reading books in bed and drinking iced beverages and eating fruit and gaining new experiences and dozing in sunlight and finding love in everything and not letting guilt consume your life actually

art nouveau really slapped and served and they were so right about florals and curves and unconventionality and originality and being inspired by the shapes of nature and wanting to incorporate fine art into home design and rejecting the compulsory conformity of mass manufacturing like every time i see an utilitarian square bricks and metal building i want to kill myself immediately

I think the best part of KinnPorsche, and it really comes to mind with this latest episode, is that every character thinks they’re in a different genre and it’s the funniest thing watching it clash with the reality.

Kinn is just living his best rom-com life where he falls for his sassy but kind assistant bodyguard that he can no longer live with out.

Porsche is basically a YA novel where he falls for his sexy morally ambiguous love interest who’s secretly sweet but *gasp* his past has come to haunt him!

Pete thinks he’s in a dark psychological thriller where he must battle his inner demons and brooding but hot captor to maintain his humanity but it threatens to over take him at any moment as he is torn between his newly found dark desires and the reputation he prides himself on.

Vegas acts like he’s in gothic bodice ripper novel where his entire world becomes the kind, empathic heroine Pete and he will do anything to keep him to himself and Pete is going to help him overcome the truama of his past with his love.

Kim sees himself in this brooding noir style detective film where he must uncover the dark past of his family but oh no he finds himself falling for the pure and sweet ingénue Chay and must wrestle with the dangerous life he leads and the mission he’s devoted himself to and the love of his life

Porchay thought he’s living his Wattpad dream life where he meets his idol and gains his respect as he tutors him and they slowly develop a sweet friendship that turns into a heartfelt romance

They really demonstrate how all the characters are protagonists of their own story, and that’s how they make their decisions, based on the assumptions on the world around them. They think they know the story their in, and that’s the role they have taken, but the tragedy and the complications of these relationships is that they aren’t in a single genre story. They’re people, achingly human people, interacting with other complex people and what is salvation for one is a damnation for the other.

They aren’t in any specific genre (you know, beyond on the whole mafia thing) and that’s where the miscommunication happens, that’s how the drama unfolds, that’s how all these different romances keep missing each other, because they’re all operating on different wavelengths based on the story they think *THEY’RE* in and not stopping to really consider the other perspective.

It’s absolutely hilarious, it’s terribly tragic, it’s utterly beautiful and performed so well by the writers and the actors.