sea slugs, glass, gouache and art

@indolentjellyfish / indolentjellyfish.tumblr.com

Canadian artist, check out my Etsy shop and Instagram
Avatar

I don't post them much anymore but these guys are still the most popular thing I've ever made, by far.

I mailed off glaucus atlanticus number 996 today.

People have been tagging these as glass, but no! they are polymer clay.

(I'm still trying to think of a way to make these out of glass but haven't figured out a way that wouldn't take 37 pieces and way too long)

Avatar

Hi! I was wondering if you had a price range in mind for your squid dip pens? They're gorgeous and I'm hoping to set aside some money for when they're listed! :D

Avatar

They'll probably be somewhere between $100 and $150, and they probably won't be listed for a while so you've got time. also thank you!

Avatar

Squid glass dip pens!

I didn't get much torch time this summer so instead of trying to churn out a bunch of the same old I decided to learn a new skill. I haven't perfected it yet but I'm getting there.

Avatar

my dude;

i bought one of your sea slugs maybe a year and a half ago and it literally inspired me to take up lampworking

after a year of getting less shit, i think i am good enough to try and imitate one of your sea slugs (not for sale! just for me ☺️)

do you have any tips? and do i have your permission to basically copy your idea

thank you

Avatar

That's wonderful to hear! You have my permission but only if I get to see it c:

As for tips you probably already know the most important thing is to keep it equally hot as you work on it, as hot as you can just before the glass changes shape gives you the most time to put on details.

To make a sea slug I melt a rod to get a mass of glass, make a rough body shape, attach a pointed clear glass rod on the opposite end as the punty, add on the design of the body and shape some more, then add the "tail" and "ears" and finally heat up long metal tweezers to hold onto it and then melt the punty off and stick it directly into a hot kiln. You could also let it cool down and aneal it later.

The easiest glass to work with are transparent colours, opaque glass melts really fast and loses details quickly while semi-opaque or milky glass shocks and cracks really easy while having a smaller window of time to work with. Using a colour like blue, green, or black will let you see the orange heat in the glass so you can better judge how cold it is getting, clear makes it more difficult to see the heat.

And the real most important thing is to make sure you are wearing an apron, glasses, and have proper ventilation, you don't want to breathe in heavy metals or get nasty burns on your torso, trust me.

Please let me see your creations when they are done! Glass is a really tricky medium but as with anything, repetition and thinking of your moves ahead of time makes it doable. If you have any more questions I'd be glad to share what I've learned so far.

Avatar

THANK YOU FOR THE TIPS!! i have made two little guys!

i'm super pleased (especially since these are my first go at slugs); i made them a little too small, and the little butt-gills are a bit wonky, but i'm happy :))) will make lots more!!!

update:

getting better!!

Nice!! I think you got it! 

Avatar

my dude;

i bought one of your sea slugs maybe a year and a half ago and it literally inspired me to take up lampworking

after a year of getting less shit, i think i am good enough to try and imitate one of your sea slugs (not for sale! just for me ☺️)

do you have any tips? and do i have your permission to basically copy your idea

thank you

Avatar

That's wonderful to hear! You have my permission but only if I get to see it c:

As for tips you probably already know the most important thing is to keep it equally hot as you work on it, as hot as you can just before the glass changes shape gives you the most time to put on details.

To make a sea slug I melt a rod to get a mass of glass, make a rough body shape, attach a pointed clear glass rod on the opposite end as the punty, add on the design of the body and shape some more, then add the "tail" and "ears" and finally heat up long metal tweezers to hold onto it and then melt the punty off and stick it directly into a hot kiln. You could also let it cool down and aneal it later.

The easiest glass to work with are transparent colours, opaque glass melts really fast and loses details quickly while semi-opaque or milky glass shocks and cracks really easy while having a smaller window of time to work with. Using a colour like blue, green, or black will let you see the orange heat in the glass so you can better judge how cold it is getting, clear makes it more difficult to see the heat.

And the real most important thing is to make sure you are wearing an apron, glasses, and have proper ventilation, you don't want to breathe in heavy metals or get nasty burns on your torso, trust me.

Please let me see your creations when they are done! Glass is a really tricky medium but as with anything, repetition and thinking of your moves ahead of time makes it doable. If you have any more questions I'd be glad to share what I've learned so far.