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@indogaysian / indogaysian.tumblr.com

deah's writing/lit blog main @shesnake

ocean vuong’s writing is fundamentally shaped by his experience as a q/ueer vietnamese refugee and he treats it with the richness and complexity it deserves. if your understanding of his poetry is primarily through snippets and quotes on the internet extracted from this larger context, or you’ve had limited engagement with a full body of his work, and esp if you’re white, you have no right to call it or him overrated or clichéd. he is an extremely skilled poet if you’ve actually read all of night sky with exit wounds (his debut poetry book), but gets nowhere near the level of earnest engagement with his poems as richard siken or frank o’hara does by so-called fans. even if his style isn’t to your taste, you can’t ignore the way his poetry has been deliberately fragmented and truncated to fit the tastes & bandwidth of white (anti-)intellectualism

white ppl who like this instead of reblogging it owe me $10 each

kim kitsuragi's memory; fragments and debris 1. - hold on, who is he to himself?

Notebook Fragments, Ocean Vuong /  One of My Ancestors series, Li Songsong/ Notes for String Theory, Candace Hicks/ Black Virtue, Robert Matta /Mnémotechnique, Cambridge Dictionary/ Decision to Leave, Park Chan-Wook/ Analysis of Kim Hyesoon’s I Want to Go to the Island - Day Twenty, Kris Shin/ Notes for String Theory, Candace Hicks/ For the Bruised Souls, Koh Jung-hee / Decision to Leave, Park Chan-wook / Bone to Ash, Li Songsong / A murmuration of migrating startlings, Ronen Zvulun/Reuters/ An aggregation 20170830, Bahk Seon-Ghi/ Notebook Fragments, Ocean Vuong / The Handmaiden, Park Chan-wook / Notes for String Theory, Candace Hicks / The Art of Memory, Frances Yates
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Disco Elysium: The Pale

Screenshot (edit) // Caspar David Friedrich - The Wanderer above the Sea of Fog (Detail); The Monk by the Sea // Alfred Stieglitz - Equivalents // Floodwaters in Jeram Perdas, Malaysia // Welcome to Revachol Devblog // Eridanus Supervoid // Sylvia Plath - The Unabridged Journals // Mark Z Danielewski - House of Leaves // Nadezda Nikolova-Kratzer // Gao Xingjian - Meditation; Waiting // pale (Wordnik)

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why didn’t you stop me? - the face of another, dir. hiroshi teshigahara - comrades: almost a love story, dir. peter chan - why didnt you stop me? by mitski

While there is no neutral pronoun in Arabic (yet), Mashrou’ Leila attempts one version of trying to neutralize the language by switching back and forth between using female and male pronouns in their song “Kalam.” We are left imagining this person as someone on the gender spectrum, someone in between, or someone very genderqueer in their presentation. The lyrics in the Arabic of my youth, mutating into the queerness of my present, gives me a spaceless, borderless home.
Mashrou’ Leila’s music reflects ways in which I, like other queer Arabs, am allowed to exist; the ways in which my country, like many Arab countries, is not actually against us; the ways in which borders like those of Israel contribute to ideas like: “queers Arabs don’t exist.”

my family’s daal recipe (punjabi malaysian)

daal (lentil curry) is a fundamental/staple food across south asia as it is cheap to make, packed with protein, flavourful, and completely vegetarian. it can also be made vegan by substituting ghee (clarified butter) with coconut oil if desired. there are as many ways to make daal as there are lentil varieties that can be cooked on their own or combined, but this is the blend i grew up eating and the one i like best. this daal is meant to have a thick and hearty texture.

daal can be served with fresh basmati rice or any kind of south asian flatbread of your choice (chapati/roti is most common, but it is really good with aloo or paneer stuffed prantha too.) my favourite way to eat it is with basmati rice and a couple of fried eggs on top :)

full recipe + instructions below the cut

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reminder to worldbuilders: don't get caught up in things that aren't important to the story you're writing, like plot and characters! instead, try to focus on what readers actually care about: detailed plate tectonics