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Sol

@ilove-cheap-thrills

Volton, miraculous, boku no hero, ships y cualquier otra cosa con la que me obsesione 💗
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Crowley + ⁽ᵗʰᵉ ᶠᵉʷ ᵖʳᵉᶜᶦᵒᵘˢ ᶠʳᵃᵍᶦˡᵉ ˢᶜʳᵃᵖˢ ᵒᶠ⁾ joy ⁽ʰᵉ ᶜᵃⁿ ᶜᵃʳᵛᵉ ᵒᵘᵗ ᶠᵒʳ ʰᶦᵐˢᵉˡᶠ⁾

I had a bit of a Day but thinking about Crowley being happy helped so maybe it helps someone else too!Letting someone else ruin your day is... I mean... it's... it's NOT ON!
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What other Neil Gaiman work might you like?

The biggest thing to know about Neil Gaiman is that each work of his is a mixture of horror, fantasy, and subtle comedy.

That being said, each of his projects is pretty distinct from one another and there might be some that are more up to your tastes than others.

I haven't read some of his newer stuff (because I largely stopped reading as much since the early 2010s), but I'll do my best to remember what matters in other works.

Horror

The Sandman is a great work for horror fans. It's also great for mythology fans and other nerds, but horror is a major push and pull factors.

The comic is probably the greatest body of work Gaiman produced and it's recommended if you're a goth at heart and are comfortable with themes of death and humans being gods' toys.

The Sandman (TV) is a great adaptation, but it's very short so far and doesn't cover the best stories.

Coraline is a horror story for children. It doesn't have anything that's not suitable for kids, but it can be viscerally scary to some people. Both the book and the film are great.

Mirrormask is my personal favourite, it's a low budget film with mindblowing surreal imagery and one of the best soundtracks ever.

It's about a teenage girl who has troubles with her parents (who run a circus, btw) and who gets swiped up by her imagination into a bizarre world that is being eaten by her depression. Not a scary film, per se, but it's disturbing. However, it's a very warm film and it always makes me feel better.

Fantasy

Neverwhere is set in a dimension of twisted London Underground where everything that's straightforward in our world becomes weird and too real.

It really tickled my imagination, I highly recommend the book.

Stardust is set in a more high fantasy setting.

It features kings, witches, ghosts, and a star that fell to the Earth. It has a young protagonist who's not exactly the best or the brightest person, so if you hate such things, stick to the adaptation. In my opinion, the book is just lovely.

American Gods is a darker fantasy that asks the questions: "What if every god people ever believed in became real through the power of their worship? And then what if that worship started fading?"

It's set in the USA and because that country is such a melting pot, there are many gods. And not all of them are happy. This is the book that gave Neil Gaiman his reputation of a writer who loves weird sex scenes.

Humour

Stardust the film is often compared to Princess Bride. It's lighthearted, funny, full of imaginative adventures.

Just a very nice film with an all-star cast.

Anansi Boys is a spin off of American Gods, but it's a lot more lighthearted.

Anansi is a trickster god, so you know things will get funky.

I haven't read The Graveyard Book and The Ocean at the End of the Lane yet, but I hear they're very good as well.

Also, short story collections or Norse Mythology might be a good place to start if you want to get a feel of Neil Gaiman as an author first.

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also mr gaiman, i know you have probably heard/read this a million times

WHY. JUST WHY. I CRIED. I DONT CRY FOR MOVIES OR TV SHOWS. WHY MUST YOU DO THIS TO MEEEEE

#good omens

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Because it's good to feel things, and it's good to care about people and things, even if they don't exist, and it's good to want to know what happens next.

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Do you believe that the chemistry between Aziraphale and Crowley feels as organic as it does because of the close friendship between Tennant and Sheen?

I honestly feel like any two other actors couldn't have created such a realistic bond between the characters the way David and Michael did. I'd love to hear what you think.

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Well, they weren't friends before Good Omens. They had sort of met but they didn't really even know each other. And the chemistry turned up about 45 minutes into the first table read.

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So, I was rewatching the kiss scene frame-by-frame, as one does, and I realized something. First I thought, well, Alex, you probably saw that wrong, let’s keep going. A minute later, however, I was confronted with the reality of no, not mistaken. 

Maybe I am late to the party and everyone has already seen it and knows about it, but in case there are people that haven’t: Aziraphale not only puts his hand on Crowley’s back, he puts his left one on his waist BEFORE that.

Not just that, he slides it up and also uses it as leverage to pull Crowley closer. I could go through those few seconds one frame at a time, but that would take forever, so I will give you the highlights in chronological order.

His hands flutter around at first and don’t settle anywhere, which is actually really useful since it shows us what the angle for that looks like.

Now, the next time his left hand moves up, look at the progression. It does not go down the same way as before. Instead, it moves inward and against Crowley’s waist. And it STAYS THERE right up until he moves both of his hands away.

Look at the angle!!!! Look at how it moves INWARD and towards Crowley instead of straight down like before.

Still moving towards Crowley with a slight downwards drift because he is aiming for his waist.

Now it is too low for us to see but I think it is very obvious where his hand has settled. Maybe I am going insane after only thinking about this show for almost a month straight. Maybe not. Call me crazy but the angle here is DIFFERENT. The second one very much looks like he is holding onto Crowley.

Aziraphale kisses back. Fully kisses back. Somehow, that wasn’t enough for Michael Sheen, no, he had to fully commit to it and *close his eyes* when he reciprocates, too. Look at this!!! The way his eyes flutter shut when Crowley first grabs him, then open, and then CLOSE AGAIN when he starts holding him in return. Kissing back with his eyes closed and his arms wrapped around him. The last picture is right before he moves his hand to his waist/the frame after the camera angle changes.

Anyone else losing it right now? No? Just me? That’s fine, although I most definitely am not. Fine, that is. Michael Sheen I’m sending you my fucking therapy bills.