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H▪︎21

@ilobug

I think ive said it before but you really gotta feel bad for oedipus that wanting to fuck your mother got named after him. He really did not want to do that . It is central to oedipus rex how badly he didnt want to do that. Dick move by freud

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‘redditors need to know this’, ‘twitterinas need to know that’… no. you need to know one thing and that is that you are not allowed to complain about werewolf fuckers. this is the werewolf fucking website. grow up and go fuck a werewolf.

What does this gif have to do with werewolves?

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if you have to ask you’re not ready

can you explain? i don’t get it

This is like someone just informed the newcomers about the devils sacrament taking place every full moon and the devil itself popped up asking “what sacrament?” with a cheshire grin.

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CREATURE????

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just when you think it couldn’t be worse, you have to battle a creature

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I’m choosing to believe him because I think there should still be mystery and adventure in the world

Okay I looked this one up. He said he talked to God, made up some songs, and lost nine kilos during his 20ish hours in the water. He was also completely nude when he was rescued.

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hero’s journey

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and this man? Odysseus

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he also ate some kind of stick

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whoever said all-nighters are exhausting is a liar i'm doing great. i've never felt better in my entire life, the birds are chirping as they welcome me into the gates of morningdom

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hello 🐙

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This is not anthropomorphization but genuinely something theyre known to do. I've heard divers say octopuses and cuttlefish get fascinated by hand gestures and will sometimes respond to them like. We probably do look like we have little cephalopods on the ends of our arms, to them. Like we're always putting on a puppet show.

Series of recreating classic artwork in my style (gay)

These are the illustrations of mine that get reposted the most without credit lmao so if you’ve seen these in the wild, it me

Top two are available as mini prints in the artist's etsy shop!

[ID: Three digital paintings of classic art reinterpreted as WLW scenes. The first two are drawn in a flat-color style with soft color palettes and intricate line art, while the third has more dimensional shading and portrays a warm atmospheric light. 

In the first painting, a dark-skinned woman in a long pink dress and flower crown sits side-saddle atop a knightly steed. She leans over a knight, a light-skinned woman in full Gothic plate armor, who stands by with arms wide and stares at her with a mix of defiance and enchantment. They are almost close enough to kiss, though the woman on the horse appears to be spurring it away, teasingly.

In the second painting, a light-skinned blonde woman and a dark-haired, medium-skinned fairy lounge on a flowery hillside. The fairy sits with her butterfly wings open behind her while the human reclines in her lap. Both wear flower crowns and gauzy white dresses. A swan looks up at them from the bottom right corner, while a pair of birds, one dark and one light, fly above them with beaks touching.

The final painting is set inside a chapel at a pipe organ. One woman sits at the organ, concentrating on the keys, while a second props her head on her hand and stares engrossed at the organist. Both women have curly, dark hair and medium skin. The organist wears a long yellow gown, while her audience wears full plate armor and has a sword lying forgotten by her feet. The scene is backlit by golden light coming through a stained glass window behind them. End ID]