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Fellas Is It Gay To Kiss Women

@ihavenohotcocoa / ihavenohotcocoa.tumblr.com

Call me Coco | He/Him | Ghost Trick Sideblog: @countdown-to-ghost-trick | Creator of @ask-timeline-trio | DO NOT INTERACT if you are exclusionary in any way | Je parle français
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Hey btw, if you're doing worldbuilding on something, and you're scared of writing ~unrealistic~ things into it out of fear that it'll sound lazy and ripped-out-of-your-ass, but you also don't want to do all the back-breaking research on coming up with depressingly boring, but practical and ~realistic~ solutions, have a rule:

Just give the thing two layers of explanation. One to explain the specific problem, and another one explaining the explanation. Have an example:

Plot hole 1: If the vampires can't stand daylight, why couldn't they just move around underground?
Solution 1: They can't go underground, the sewer system of the city is full of giant alligators who would eat them.

Well, that's a very quick and simple explanation, which sure opens up additional questions.

Plot hole 2: How and why the fuck are there alligators in the sewers? How do they survive, what do they eat down there when there's no vampires?
Solution 2: The nuns of the Underground Monastery feed and take care of them as a part of their sacred duties.

It takes exactly two layers to create an illusion that every question has an answer - that it's just turtles all the way down. And if you're lucky, you might even find that the second question's answer loops right back into the first one, filling up the plot hole entirely:

Plot hole 3: Who the fuck are the sewer nuns and what's their point and purpose?
Solution 3: The sewer nuns live underground in order to feed the alligators, in order to make sure that the vampires don't try to move around via the sewer system.

When you're just making things up, you don't need to have an answer for everything - just two layers is enough to create the illusion of infinite depth. Answer the question that looms behind the answer of the first question, and a normal reader won't bother to dig around for a 3rd question.

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bfleuter

This is good advice on worldbuilding.

And also. 

I would really like to play a vampire-hunting sewer-nun and her pet alligator in a ttrpg.

Woops uh oh oops woops.

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tbposting

See this, this is what I like about TikTok. Little moments like this

[ID: A TikTok video. The original contains two trans women, one of whom is saying "Wanna see what two trans girls do behind closed doors?" as she closes a door. There are three duets (response posts that are glued to the video they're responding to), of men who say "is it Warhammer?" as the original video pans to a table.

The woman says "It's fucking Warhammer." All three of the men cheer enthusiastically. /end ID]

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shofarsogood

JUNIPER!!!

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Mythbusters have 3 categories of myths

  1. the general public doesnt know how physics works
  2. the general public doesnt know how lying works
  3. oh crap this ones real

4. Turn up the dynamite, let's MAKE it real

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did anyone ever tell the Backstreet Boys why

My FAVORITE quote, of all time, is from the like, 2008 VH1 Top 50 Best Boy Band Songs special when AJ was commentating this song’s #1 win and he said, “I’ve never understood this song. WHAT WAY do I want it? And why DON’T I want it that way if SHE wants it that way? What’s the way? This song makes no sense. But man, they paid me to sing it.”

He was so distressed about his confusion, and I loved it. I love this song. It is truly the song of all time.

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caseuoiseau

The songwriter, Max Martin, has written or contributed to the lyrics for a huge number of pop hits since the 90s. Max Martin is Swedish, and English is not his first language, a fact which feels incredibly obvious once you know it.

It’s not my intention to mock him for this–his English is miles ahead of my Swedish!–but this sincere vagueness and novel interpretations of English grammar are a noticeable quirks of his songs, especially his earlier work, so much so that trying to tease apart the individual words and phrases of the songs is a task designed for a Greek tragedy. His songs are the aursl embodiment of “no thoughts just vibes.”

Citation: Slate’s 2014 article/highlight reel of some of Martin’s most baffling lyrical Decisions:

They don’t bring it up in that article, but Martin is also responsible for Britney Spears’s “…One More Time,” and I’m sorry to anyone in whom something was awakened with those lyrics, but our good friend Max thought “hit me” was contemporary American slang for “call me.”

I feel like this adds a thin, waxy coating of surrealism in a genre whose worst examples can lean hard toward bland vapidity, and I love that Backstreet Boys lyrics are still making people question their sanity 25 years on. But mostly I can’t get over the thought of all of these singers–many of them already really big before they worked with Martin–puzzling their way through these lyrics enough to figure out how to sell the shit out of them.

“hit me up” the phrase he was probably thinking of was “hit me up”.

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my dealer: got some straight gas 🔥😛 this strain is called “public transit” 😳💊 you’ll be going wherever you want for an affordable price 💯👨‍💻

me: yeah whatever i dont feel shit

5 min later: dude i swear the bus should have been here by now

random guy at the bus stop with me: the transit app is lying to us