You're worth waiting for. Write at your own pace. Your readers can wait a bit longer.

Your worth as a writer isn't hinged on your ability to constantly create & bang out writing.

You are a writer because you write. That's truly all it takes. You don't have to prove your worth to anyone. Your love for storytelling and desire to create is enough.

Literally cannot emphasize enough that my #1 writing advice is to stop being afraid. Stop being afraid of sounding too cringe, or too stupid, or too horrifying, or too horny, or too weird, or too much, or too little, or too you. You need to put your entire pussy into your art. Sure, it won't be to everyone's tastes, but if you keep yourself to the blandest tamest safest roads possible you will be of no one's tastes, not even yours.

You wouldn't be of "no one's" tastes but you wouldn't be of the right ones' tastes. Like... if you want to find an audience that genuinely and authentically enjoys your writing, you have to show them who you are, as a writer. Period. It may be more challenging than settling for something simpler and easier, but it's worth it to find people that actually enjoy what you want to write.

97 character motivations

Apply through the [link here] or below!

— W. Terry Whalin

hold your children

I'm just exploding in slow motion until the rest of episode 7 comes out

My only real and valid writing tip is that you google every word you make up for your fantasy stories. That's It

Probably the single hardest lesson for me to internalize in writing was that you don’t design a character you design a character arc.

One reason you as a writer might end up stuck with a flat or boring character, or one that just isn’t doing the things you need to create a vibrant plot, despite working out all the details of their life for hours, is because you’ve made the mistake I always do. You’ve made a character who is a blend of all the characteristics you envision for them, rather than saving some characteristics for the end of their journey. 

What do I mean by this? Maybe you envision a character who is a handsome prince, honest, brave, and true. In your plot, though, he’s going to be an antagonist for a bit but you don’t really want him to be seen as a bad guy, necessarily. But when you drop him into your story, he’s just… there. Being honest, brave, and true. 

That’s because the prince has no character arc. He is a static figure, a cardboard cutout. 

Let’s go a little deeper with a great example of one of the best character arcs in YA animation: Prince Zuko. He is, objectively, honest, brave, and true (to his cause of finding the Avatar) from the outset. But he’s also a dick. He’s a privileged, imperialist brat, who is rude to his uncle and vicious to our protagonists. 

By the end of the series, though, Prince Zuko is still honest, brave, and true, but he’s also a good person who has learned many lessons over the course of his trials and obstacles. He has failed over and over again at his initial goal of capturing the Avatar. He has failed at winning his father’s regard. He has failed at numerous smaller goals of day to day adventures. He has learned from all of these. We have seen his journey. But, if you started your vision of how to write Zuko from who he ends up being, he’s got nowhere to go as a character. 

It’s not just about what flaws he has corrected though. It’s about what lessons about life he has internalized. What flawed views of the world he has corrected and how. 

Rather than saying, “The character starts out a dick and learns to be nice,” be more specific. “This character starts out believing the empire he is loyal to is morally in the right for its conquests, but over the course of working for that empire’s ruler and seeing his cruelty first hand, not to mention fighting the empire’s enemies and mingling with its civilian victims, he becomes a better person and learns the error of his ways.” 

Already, right there, you have more than a cardboard character. You have a character who has an arc that molds to your plot. 

Helpful Questions to Ask:

Also this is not true. You do in fact have the copyright to the specific writing you did in a fic, because that’s not how copyright law works. Like this is not a grey area.

People who write IP content for corporations give up their copyright on a contractual basis–the company wants writing they can sell about characters/settings they own without getting entangled in royalty obligations etc, so they hire people. Who sign contracts saying they don’t own what they write as part of that job.

That’s why you don’t own Star Wars stuff you wrote for Disney; you specifically agreed not to own it.

Writing for IP you don’t own leaves you in a position where you can’t legally monetize it (without taking out the Owned parts ad rebranding), but it absolutely does not automatically cede or void copyright. That is super not a thing.

SUPER not a thing, I cannot say this enough.

I can’t sell my Batman fic, but neither can DC Comics without my duly authorized consent. Because they own Batman, but not the prose I composed about him.

Do not perform that kind of massive corporate overreach for them. Holy shit. Do they not own enough.

It’s fascinating that this misconception of copyright still exists. Haven’t we all seen the posts on here where authors beg fans to please not send them fanfic of their works? They’re not doing that because they feel like it, they do that because fans legally own their words and ideas, and an author who takes them even unintentionally can in fact end up in real legal trouble for taking something that’s not theirs. It doesn’t matter whether they own the canon.

ᴛʜɪʀᴛʏ ᴡᴏʀʟᴅ ʙᴜɪʟᴅɪɴɢ Qᴜᴇꜱᴛɪᴏɴꜱ