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John Lennon on the roof of his East 52nd Street penthouse, New York, photographed by Bob Gruen. (August 29th, 1974)

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“Writing songs,” says Paul McCartney, “is like following a trail – and you never know where it will lead you.”

Today, the trail has led us to McCartney’s studio in rural Sussex. Rabbits snuffle around the garden and the English Channel shimmers in the distance. There are worse places to work. A quick scan of the studio kitchen reveals a copy of Mary McCartney’s recipe book and a John Lennon calendar; March’s pin-up is “Moody John” in sunglasses posed against the New York skyline.

— Paul McCartney, interview w/ Mark Blake for Q: Songs in the key of Paul. (May, 2015)

KENDALL AND SHIV ROY as CAIN & ABEL;
josé saramago / a brother named gethsemane by natalie diaz / after abel by dante émile / jonathan goldstein, ladies and gentlemen, the bible! / cain kills abel by gustave doré / the bible / succession scripts / josé saramago / the orphan and its relations by elizabeth robinson / famous blue raincoat by leonard cohen.

Paul McCartney said he still talks to former Beatles bandmate George Harrison through a tree the musician gave him.

“George was very into horticulture, a really good gardener,” McCartney told host Mary Louise Kelly. “So he gave me a tree as a present. It’s a big fir tree, and it’s by my gate. As I was leaving my house this morning [December 11], I get out of the car, close the gate and look up at the tree and say, ‘Hi, George.’ There he is, growing strongly.”

McCartney added that he feels Harrison’s spirit present in the tree.

“It’s lovely. He gave it to me, so I just planted it,” McCartney told NPR. “But then, as the years go by, every time I look at it I go, 'That’s the tree George gave me.’ George has sort of entered that tree for me. I hope he’s happy with that.”