Peter Paul Rubens, 1577-1640
El nacimiento de Apolo y Diana (boceto) / The birth of Apollo and Diana (sketch), 1625, pluma y aguada de pigmentos opacos sobre papel verjurado, 42x56 cm. [The mother is Latona]
Museo del Prado, Madrid
Giacinto Gimignani, 1606-1681
Venus and Cupid with putti, n/d, oil on canvas, 44.4x31.1 cm
Private Collection
André-Joseph Allar, 1845-1926
Hécube découvrant le cadavre de son fils Polydore, 1871, plaster
Musée Granet
Johann Baptist Lampi, 1751-1830
Zofia Wittowa Potocka (1760-1822) als Vestalin
Pinacoteca, Palazzo del Buonconsiglio, Trento
Daniel Seiter (Saiter, or Seyter), ca.1642/47-1705
Sansone e Dalila, n/d, oil on canvas, 96.5x136 cm
Private Collection
Verdier François, 1652-1730
Junon demandant à Jupiter de lui consacrer la Nymphe Io métamorphosée en vache, n/d, huile sur toile, 790x970 cm
Versailles, Châteaux de Versailles et de Trianon, Inv. MV8305
After Annibale Carracci, 1560-1609
Hercules and Omphale, n/d, red and black chalk; outlines partly pricked for transfer; framing outlines in black chalk, 39x43.3 cm
Metropolitan Museum of Art, Inv. 87.12.82
Karl Heynen-Dumont, 1885-1955
Amazon on horseback, n/d, bronze on wooden base, 58 cm
Private Collection
Giovanni Battista Boncori, 1633-1699
Le Triomphe de Judith, n/d, huile sur toile, 62x80 cm
Private Collection (© Galerie Tarantino)
After Rosso Fiorentino (Giovan Battista di Jacopo), 1594-1540
The three Fates, ca.1540/45, engraving, 23.4x16.2 cm
Private Collection
Frederick Arthur Bridgeman, 1847-1928
Sappho, ca.1910, oil on canvas, 108x70 cm
Private Collection (Leicester Galleries)
Attributed to Michelangelo Maestri, 1741-1812
Medea in her chariot, n/d, gouache, 45.7x61 cm
Private Collection
Milan Kunc, 1944-
The Three Graces: Agriculture, Nuclear Power and Chemistry, n/d, oil on canvas, 160x130 cm
Private Collection (Sotheby’s) / Artist Website
Ferenc Kósa, 1919-2005
Leda and the Swan, n/d, watercolour, paper, 21.5x23 cm
Private Collection
Benjamin West, 1738-1820
Erasistratus the Physician discovers the love of Antiochus for Stratonice, 1772, oil on canvas, 127x182.9 cm
Birmingham Museum of Art
Attributed to Domenico Pieratti, 1600-1656 or Giovanni Battista Pieratti, 1599-1662
Venus with a dolphin, n/d, marble with a modern revolving bronzed pedestal marble, 82 cm
Private Collection
Kneeling beside a dolphin and wringing her luxuriant tresses, this beautifully carved marble Venus can be convincingly attributed to Giovanni Battista (1599-1662) and Domenico (1600-1656) Pieratti. Both in the employ of the Medici Grand Dukes, the Pieratti brothers were among the leading marble sculptors in early Baroque Florence, fusing an inventive approach to classical prototypes with the Mannerist aesthetic of the preceding generation.(Sotheby’s)
Henryk Siemiradzki, 1843-1902
Parnassus [Muses], 1900, oil on canvas, 91x147 cm
Private Collection (Sothebys)
Henryk Siemiradzki, 1843-1902
Birth of Venus (Water Nymphs), 1900, oil on canvas, 91x147 cm
Private Collection