Avatar

High tide came and brought you in...

@hiddencait / hiddencait.tumblr.com

Multifandom multishipper with far too many faves to list. Current fandom boyfriends/girlfriends: Daniel Jackson of Stargate SG1, Faith Lehane of Buffy, & Billy Bones of Black Sails. Bi. Demigirl. INFJ. Hiddencait on AO3. Ask box always open for prompts!

One under-appreciated breed of fic writer are the ones who hyperfocus on logistics to the exclusion of all canon shortcuts, and thus usually strike upon an awesome way to flesh out the worldbuilding or characters.

Like, I’m not necessarily talking realism here since often it’s still pretty far from realistic, but more like, “someone has to be running spies in this fantasy kingdom, and we’ve seen the whole royal court, so which background character is it? How does that change these three major interactions?” Or “real life historical nobility did in fact have some things to do that were like jobs, how does this human disaster cope with running an estate?” Or “there’s no reason for a sci-fi robot detective to know how to whitewater kayak, where’d she learn?” Or “if this guy is serving the emperor directly he has to be way high up in the space empire servant hierarchy, why is he doing this menial task for someone else? What’s his motive? Does he perhaps have the secret space telepathy?”

Anyway I’m always DELIGHTED to find a fic or writer who asks these questions because the fics themselves are universally bangers.

person who knows how logistical things works has picked up the cannon, hefted it thoughtfully, and put a single chalk mark precisely on the problem.

Avatar

English added by me :)

meanwhile, the cat is like “I am living my best life right now, I am coming back as a cat in a Buddhist monastery at least four or five more times”

Anonymous asked:

best advice i ever got as a writer was to pick a hobby that i hated more than writing and stick with it. i’m a runner now and it’s miserable and i Hate It and writing is so lovely in comparison. bonus: i’m in excellent shape and running gives you a lot of time to think about writing. i’ve solved a lot of plot complications while running.

This is such funny advice. Writing is so excruciating, you gotta take up Self Torture so that writing feels like a fun little break 😭

Avatar

Are you struggling with being a writer? Well Have You Tried Poison Testing As A Hobby,

Production houses: but if the writers stay on strike we can't guarantee the future safety of your favorite shows 🥺🥺😭😭

Viewers who 1, have already lost their favorite shows because they were cancelled in spite of good ratings and good reviews or 2, have stopped watching new content entirely until the entire series has aired and concluded as a result of so many good shows getting cancelled on cliffhangers and thus leaving said viewers unable to gain closure with those characters and with a hollow viewing experience, so they've begun a, watching older shows they know came to a planned conclusion or b, revisiting their old favorites and enjoying the nostalgia or c, reading new books or fanfic instead: YOU ALREADY CAN'T GUARANTEE THE FUTURE OF OUR SHOWS SO GET FUCKING WRECKED AND PAY WRITERS WHAT THEY DESERVE!

Avatar

This. :/

also netflix apparently doubled subscriptions by cracking down on passwords, so

While not quite true, it’s a good sentiment.

  • Don’t pirate books, for example, because while it does hurt the publisher, it hurts the author more, since they’re only paid by their direct sales numbers. Get the book from a library instead, since that drives a sale, supports a public service, and is free to you. (The exception being textbooks. The authors have usually already been paid all they’re ever going to get, if they got paid at all, and the publisher rakes in an obscene profit.)
  • Don’t pirate indie stuff, whether it’s movies, books, music, art, video games, whatever. If it’s indie, you are directly hurting a creative who just wanted to put something nice into the world, and not being able to eat directly impacts their ability to make more nice things. Caution: certain industries like video games and music are very volatile, and companies that used to be indie might not be anymore but might still be cruising on that indie cred. Similarly, a well-known and well-loved studio you’ve been a fan of for years might seem huge to you but is actually still just a couple schmucks barely scraping by. Look into a company, see how big it is, and if it’s a subsidiary of something larger. If it’s just a few people, don’t steal, but if it’s actually a multi-million dollar company with several dozen employees, yeah, it’s probably fine.
  • Do pirate from the giant names: Disney, EA, Activision, Warner, Sony, major tv networks, etc. It’s almost guaranteed that the people who actually worked on the project were paid terribly, have gotten all they’re going to get from it, and the company is bringing in so many billions of dollars with each project that you won’t make a dent.
Avatar

THIS

I keep seeing the argument of “pirate from the giant names” with the implication that it hurts no one, because the company is so big.

I write for Marvel comics.

I write for Marvel comics, my reviews are good, people love the characters I’m writing for, and our illegal downloads are through the roof, because people think piracy hurts no one.  It hurts the creators who have fought our whole careers to get through a door that traditionally has only been open for straight white men.  Am I the best thing in comics today?  Nah.  My ego isn’t that big.  But I’m good and I’m getting better; give me ten years and I might well be the best thing in comics.

And that doesn’t happen if people pirate my comics and Marvel stops seeing it as worthwhile to give me money.

Comics fall under the book category FYI

You would be amazed how many people don’t see it that way, or willfully refuse to see it that way.  Or maybe you wouldn’t, I don’t know your life.  But I will tell you that the way we’re hired is very, very different.

Books, I currently have contracts going to 2023.  Even if the pirate hordes descended on me like avenging angels, the odds are very poor that they could get my books canceled.  They’d have to target my publishers so severely, so exclusively, that I became a liability.  This is because book contracts have been developed over decades to protect the author–not perfectly, by a long shot, and there are shitty contracts out there, but by and large, once your signature is on the paper, your book’s going to happen.  Maybe without publisher support.  Maybe with such a small print run that it becomes effectively e-only.  But it’s going to happen.

(This is speaking to traditional publishing, where we have a larger piracy problem than indy or small press publishing, but also more buffer to absorb and survive it.  Doesn’t make it okay, doesn’t make it fun, makes it somewhat different.)

Comics, I have a contract, such as it is, through September 13th, which is when my script for Ghost-Spider #4 is due.  If Marvel decides before then that you know what?  You’re not selling well enough, we’re going in a different direction, goodbye, there’s nothing I can do about it.  I’m on a work-for-hire contract, and it comes with absolutely no guarantees.  That’s basically what happened to us with Spider-Gwen: Ghost-Spider.  Our sales weren’t strong enough (but oh, those illegal downloads), and we got told to wrap it up.  Now, my editors like me, and I’m pretty low-maintenance/low-scandal as comic writers go, so I don’t think it’s likely that I’d get canned with three days’ notice, but the possibility is always there.

And people make excuses for comic piracy, saying “Marvel and DC won’t miss the money.”  Maybe they will, maybe they won’t, but I definitely will.  I like being able to eat.  Pirating comics is like punching a specific person in hopes that it will cause them to rock back on their heels and bump the rich guy behind them.  We are not the rich guys.  But we’re the ones getting punched.

I’d argue that there’s room for slightly more nuance here. Like yeah, it’s one thing when it’s diverse voices finally getting a foot in the door, but another when it’s Hickman or Morrison writing some fucking crossover event that’s going to hijack all your books for the next year and a half and demand that you buy all these other books to figure out what’s going on.

And I’d argue that claiming nuance, in the sense of “I want to read this, I deserve to read this, I don’t want to stand in my local comic store reading a copy I haven’t paid for while the clerks glare at me,” makes it easier to self-justify pirating my next title, or Leah’s, or anyone else’s, who’s not already a huge superstar who seems impossible to fire.

Is Marvel going to cancel House of X due to piracy?  No.  But downloading it illegally rather than buying it still makes it harder to pay the artist, the letterer, the colorist, all of whom are possible to fire.  And what about the assholes?  If you (generic, non-accusatory “you”) can justify pirating Hickman because you think he doesn’t need the support, how many of the “women don’t belong in comics” assholes are going to use the same logic to pirate me, since I’m a meritless diversity hire?

Theft is theft.  The margins on comics, even from the major publishers, are incredibly thin.  Not every illegal download is a lost sale, but enough of them will turn into nails, and that’s what they drive into our coffins.

In before I start seeing people bitching about rainbow capitalism MY favorite rainbow capitalism story is about Subaru. Yes the Japanese car company.

In the nineties, they were struggling. They were competing with a dozen other companies targeting the main demographic at the time: white men ages 18-35, especially after a failed luxury car launch with a new ad agency. “What we need is to focus on niche demographics,” they decided, and then focused on people who enjoyed the outdoors. The Subaru was excellent at driving on dirt roads that many other vehicles couldn’t at the time, so it was perfect for all those off-road campers; they started making all-wheel drive standard in all their cars to help with that. And the people who wanted cars to go do outdoor stuff? Lesbians.

Okay. Of course it wasn’t only lesbians buying Subarus. They’re on the list with educators, health-care professionals, and IT people. But the point is, this Japanese car company interviewed this strange demographic (single, female head of household) and realized one important factor: They were lesbians. They liked to be able to use the cars to go do outdoorsy stuff, and they liked that they could use the cars to haul stuff rather than a big truck or van. Subaru had a choice to make then. They had four other demographics they could market to, after all–the educators, the health-care professionals, IT professionals, and straight outdoorsy couples. Their company didn’t hinge on this one “problematic” demographic.

And they decided “fuck it,” and marketed to lesbians anyway. This included offering benefits to American gay and lesbian employees for their domestic partners, so it didn’t look like a cash grab. (This was not a problem. They already offered those in Canada.)

Yes, there was some backlash. They got letters from a grassroots group accusing them of promoting homosexuality, and every letter said they’d no longer be buying from Subaru. “You didn’t buy from us before, either,” Subaru realized, and ignored them. It helped that the team really cared about the plan, and that they had many straight allies to back them up. There was also some initial backlash when Subaru hired women to play a lesbian couple in the commercial, but they quickly found that lesbians preferred more subtlety; “XENA LVR” on a license plate, or bumper stickers with the names of popular LGBTQ+ destinations, or taglines of “Get out. Stay out.” that could be used for the outdoors–or the closet.

Subaru said “We see you. We support you.” They sponsored Pride parades and partnered with Rainbow Card and hired Martina Navratilova as spokeswoman. They put their money where their mouth is and went into it whole hog. In a time where companies did not want to take our money, Subaru said, “Why not? They’re people who drive.” And that was groundbreaking.

It wasn’t blatant, it was cheeky and pretty low key, but really really effective. It played into the “if you know you know” vibe in exactly the right way.

i had to explain the Lesbian Subaru Stereotype recently, so, here you go.

When Toni Morrison said the grandeur of life is the attempt, not the solution… And how she went on to explain that it’s about behaving as beautifully as one can under completely impossible circumstances. The power that has, you know? It’s really just the making room for what breathes in the presence of the attempt. In the coming-to-be. 

This is the one.

Q: How do you survive whole in a world where we’re all victims of something?“

Ms. Morrison: Ummm, how do you survive whole–I can’t do this quickly, for one–how can you survive whole and when we’re victims of something, um. You know that’s a nice fat, eastern/western philosophical question about ‘how do you get through’?

Sometimes you don’t survive whole, you just survive in part. But the grandeur of life is that attempt, it’s not about that solution.

It is about being as fearless as one can, behaving as beautifully as one can, under completely impossible circumstances. It’s that, that makes it elegant. Good is more interesting. More complex, more demanding.

Evil is silly. It may be horrible but at the same time it’s not a compelling idea: it’s predictable, it needs a tuxedo, it needs blood, it needs fingernails, it’s all that costume, in order to get anybody’s attention.

But the opposite, which is survival, blossoming, endurance, those things are just more compelling intellectually, if not spiritually and they certainly are spiritually. This is more fascinating job.

We are already born. We are going to die. So you have to do something interesting that you respect in between.”

Hypothetical AO3 Author’s Note:

I wrote this for Me but I posted it for You. Yes You, the person reading.

I took this little piece of myself that made me happy and I put it out into the world for everyone to see and I did that for You.

Unless You didn’t like it, in which case it is Not For You, and You should use the back button.

But if You liked it, please know that I posted it for You as a gift. It’s a gift of my time and my creativity and my talent.

I hope You like it. I hope You’ll tell me that You liked it. That’s why I posted it.

But I wrote it for Me.

happy pride specifically to queers who dont feel safe within the lgbtq community. black queers, other queers of color, jewish queers, disabled queers, mentally ill queers, working class queers, rural area queers… i am giving you all a kiss on the forehead.

Avatar

Fuck Around and Find Out

We have regular doors on either side of revolving doors because 492 people died at the Cocoanut Grove in 1942. We have radar for air traffic control and the Federal Aviation Administration because two planes collided over the Grand Canyon in 1956. Natural gas smells like that because it didn’t before it blew up the New London school in 1937 and killed around 300 people. We have a LOT of fire safety rules because of the Triangle Shirtwaist factory fire. We have stronger cockpit doors because of 9/11 and stronger security for employees because of Pacific Southwest Flight 1771 and lighted aisles on planes because of Air Canada Flight 797.

I mean, that’s just off the top of my head after getting home from working twelve hours overnight. Two hundred and twelve episodes of @disasterarea-podcast, and nearly all of them involved the disaster in question spawning new regulations or rules to prevent the same thing from happening again.

actually i’d like to point out: we have safety regulations because people PROTESTED AND FOUGHT AND STRUCK AND DEMONSTRATED AND RAISED HELL. it took the bereaved families of those who died in the triangle shirtwaist factory years of campaigning for the government to pass regulations about fire and door locks. it took open warfare--the government was sending in troops, dropping bombs-- for miners in appalachia to get basic safety regulations. it takes parent groups and boycots and unions fighting cops in the street. it takes marches on washington. it takes a lot of journalism.

the government does nothing for the silent dead, the humble dead, the polite dead. a dead body is shoveled into the ground and forgotten by the next business quarter.

safety regulations are not written in the blood of silent, disposable victims. they’re written in the blood of those who split their knuckles and screamed their throats raw for a better world.

don’t ever underestimate the value of protest.