Etta's Guide to Writeblr (March 2023)

So you fled here from Twitter/TikTok... Where to start?

Welcome to Writeblr! Pull up a chair, open those documents, and pour yourself a cup of your favorite tea, coffee, or cocoa. The first thing you'll want to do is start following other writers. Check out this post for recommendations! Search through the notes to find hundreds more. Since I made that post, a bunch of people mentioned they're lurking and still trying to figure out tumblr, so I thought I'd make this post to help people get settled.

How to set up your blog

How to make writer friends

Misc. Notes on using Tumblr

Again, welcome to the community! I hope you have a ton of fun!

exactly what I needed, thank you Almost got blocked twice today, I am brand new!

Blog Posts Masterlist

Getting Published/Querying:

Editing:

Genre-Based Advice:

Character-Based Advice:

Scene-Based Advice:

Recommendations:

“My husband got involved with a younger woman at work.  I was relaxed about it at first.  He’s thirteen years younger than me, so I thought: ‘Shit happens.’  But then she got pregnant.  Luckily through the divorce process I had the opportunity to take over this shithole place with no heating, which I’ve turned into an art studio. And now I’m living my best life.  Everything is for sale except the pink chandelier and the dog.  Anyone is free to stop by at anytime.  You can eat or drink whatever you want.  All the young people in the neighborhood love me.  I’m the oldest person in our friend group.  Everyone else is in their twenties or thirties.  They call me Queen Mama.  I call them my adopted kids.  I always help them with their school projects and resumes and interviews.  I only ask one thing in return.  Each of them has to teach me one new thing every week: a piece of music, a trend, an idea.  Just so I can stay up to date.  Before you take the photograph, let me go inside and put on some make-up.  We were out until 2 AM last night.” (Amsterdam, The Netherlands)

Casually asks ‘who domesticated grain in your fantasy world?’ but while ripping her shirt off with a WWE stage and a roaring crowd just behind and slightly to the left. 

So the thing about this is that, the grain is a metaphor*. Like, the grain is very much a metaphor. I don’t need a fantasy author to look me in the eye and say it was a guy named Tim. But the everything around food usually forms an enormous part of a society’s structure and culture. What are your fantasy world/kingdom/culture’s food sources? What internal myths do they have around the production of food? Customs? How do people share meals? What’s the etiquette? What are the differences between regions, ethnic groups, or social classes? Who spends their time making meals, and how much time is it? How many people can the food sources you create support? If someone breaks bread with a stranger, is that stranger now their friend? Who disagrees? What does your protagonist think? Why does your protagonist think?

An author doesn’t have to info dump all of this in the first chapter. But there’s a helluva difference between a small agrarian village one bad harvest away from starvation, and Picard ordering ‘Earl Gray, Hot’. (Although the local blacksmith and the annoyed personnel in Engineering being asked to fix another replicator after an irate captain kicked it may share a certain common spirit lol.)

And again, the grain is a metaphor. Except for when you very much should figure out the design of your fictional country. I find designing societies from their food source up interesting. Others won’t. But there should be something that a writer finds interesting about their fantasy that they want to explore. Find your grain.

Terry Pratchett read an interesting fact about clowns and eggs once, and decided to make that everyone’s problem. He famously read constantly, always looking for interesting things to put in his books and in some cases build his plots around. Your writing would benefit from the same mentality. The reader doesn’t need an entire encyclopedia thrown at them. But you should put thought into your setting and how it interacts with your culture, history, and society. If you don’t, or even worse if you aren’t sure how all of these interact, then it doesn’t matter how interesting you make your characters or plot. Readers will identify situations in your story where the characters and plot are in conflict with the setting you didn’t pay attention to. 

It’s not that you need to fill out a hundred page questionnaire on your worldbuilding. It’s that your intellectual curiosity and eagerness to explore how things work will enrich your story for the reader. GRRM is absurdly good at the things he’s good at, a list that includes great character arcs, deftly controlling the reader’s sympathy, and intricate plots. His worldbuilding though is abysmal.** In contrast, elements of Anne Mccaffrey’s writing didn’t age well. Her first published book looks like a debut novel, her prose and characterization could have been improved on, and the pacing has issues. But she thought about how her world worked in ways that GRRM simply never bothered to. The effort she put into designing a society that would incorporate dragons into it’s structure, and the consideration she put into the needs of these dragons and their riders and how those would put stress on the social and political systems, is phenomenal. I do genuinely enjoy GRRM’s books lol. But if you wanted to read a novel that had dragons as a feature then Anne Mccaffrey’s Dragonflight is what I’ll recommend every time. Her characters actively use the clues given in how their society is designed to figure out their response to the overall plot, in a way that’s so much more rewarding then having GRRM pencil in years-long winter and then just ignore the implications. 

Absolutely get invested in your characters and your plot! The reader will enjoy them all the more for the passion you bring. But your writing will always benefit from your curiosity in how the world you design works, and in how the characters and plot are actively informed by the setting. That’s the larger point. Cultivate that curiosity and willingness to explore and experiment, because that’s what will keep your plot, characters and setting from coming into conflict with each other. 

*No it’s not, figure this out lol. Get Tim’s number. Has he figured out grain can be fermented yet. Is he free on Saturday. 

**For more, the blog A Collection of Unmitigated Pedantry is fantastic reading! 

Did you know the Inca never invented the wheel?

Okay, that’s not entirely true. They did have wheeled toys for their children, like tiny little oxen you could roll along the floor. But they never invented the wheel as a means of transport.

You might think this is odd. The Inca were a very advanced people with cities, elaborate art, temples, and a “writing” system that actually involved using knotted cords and has changed our entire definition of “recorded language.”

But now I’m gonna show you something, and ask…

Does it make a little more sense now why they never bothered with the wheel?

If you were writing a book about people who lived in steep, inhospitable mountains, would it have occurred to you that “a series of terraces, via which things can be manually lowered or raised” would make more sense than wheels?

Who invented your grain?

this post is a lot of pressure but also useful

The 5 Most Essential Turning Points in a Character’s Arc

You spend so much time creating a character because you want them to feel real. You want to connect with them and use them to create an experience for your readers. Their character arc is how that happens.

Don’t miss out on these essential turning points that make an arc feel not only whole, but complete.

1. The Inciting Incident

Your inciting incident gets your plot moving. It isn’t going to be the first sentence of your story (also called your hook), although it could be if you crafted your first sentence for that purpose.

An inciting incident is a plot event that guides your character in a new direction. It’s the successful prison break, the meeting of instant rivals, or the moment your protagonist wins the lottery in your first chapter.

Without the inciting incident, your protagonist’s life would carry on as usual. They wouldn’t start the arc that makes them an interesting person for the reader to stick with throughout your story.

2. Introducing the Protagonist’s Main Flaw

Every protagonist needs a primary flaw. Ideally, they’ll have more than one. People aren’t perfect and they rarely get close enough to only have one negative characteristic. Protagonists need that same level of humanity for readers to connect with them.

There are many potential flaws you could consider, but the primarily flaw must be the foundation for your character’s arc. It might even be the catalyst for the story’s peak.

Imagine a hero archetype. They’re great and well-intended, but they have a problem with boasting. Their arc features scenes where they learn to overcome their need to brag about themselves, but they get drunk and boast in a bar right before the story’s peak. The antagonist’s best friend hears this because they’re at the same bar, so they report the hero’s comment to the main villain. It thwarts the hero’s efforts and makes the climax more dramatic.

Other potential flaws to consider:

3. Their First Failure

Everyone will fail at a goal eventually. Your protagonist should too. Their first failure could be big or small, but it helps define them. They either choose to continue pursuing that goal, they change their goal, or their worldview shatters.

Readers like watching a protagonist reshape their identity when they lose sight of what they wnat. They also like watching characters double down and pursue something harder. Failure is a necessary catalyst for making this happen during a character’s arc.

4. Their Rock Bottom

Most stories have a protagonist that hits their rock bottom. It could be when their antagonist defeats them or lose what matters most. There are numerous ways to write a rock-bottom moment. Yours will depend on what your character wants and what your story’s theme is.

If you forget to include a rock-bottom moment, the reader might feel like the protagonist never faced any real stakes. They had nothing to lose so their arc feels less realistic.

Rock bottoms don’t always mean earth-shattering consequences either. It might be the moment when your protagonist feels hopeless while taking an exam or recognizes that they just don’t know what to do. Either way, they’ll come to grips with losing something (hope, direction, or otherwise) and the reader will connect with that.

5. What the Protagonist Accepts

Protagonists have to accept the end of their arc. They return home from their hero’s journey to live in a life they accept as better than before. They find peace with their new fate due to their new community they found or skills they aquired.

Your protagonist may also accept a call to action. They return home from their journey only to find out that their antagonist inspired a new villain and the protagonist has to find the strength to overcome a new adversary. This typically leads into a second installment or sequel.

Accepting the end of their arc helps close the story for the reader. A protagonist who decides their arc wasn’t worth it makes the reader disgruntled with the story overall. There has to be a resolution, which means accepting whatever the protagonist’s life ended up as—or the next goal/challenge they’ll chase.

-----

Hopefully these points make character arcs feel more manageable for you. Defining each point might feel like naming your instincts, but it makes character creation and plotting easier.

Want more creative writing tips and tricks? I have plenty of other fun stuff on my website, including posts like Traits Every Protagonist Needs and Tips for Writing Subplots.

You gotta write for funsies sometimes. Everything doesn’t have to be groundbreaking. Like. Who cares if it’s a little silly it is made out of love

For those concerned about the horse’s ears,

The horses do indeed wear earplugs to protect them and to prevent spooking. The horse and rider both are generally required to wear hearing protection in this particular kind of show.

AO3 Tagging Inspiration.

Mainly a reference for me bc I always blank when it comes to tags. Sharing in case it helps anyone else, but not intended to be prescriptive. Further references:

Don’t Add Fanfiction To Your Goodreads Shelf

Hi folks, I know some of you like to use Goodreads to track all your reading and don’t want to distinguish between books and fanfiction.

I am, however, begging you not to do this. It is extremely jarring and disconcerting to be a fic author and find your works somewhere in the wild where you did not personally put them. Fics are not books, are not published in the same way as books, and exist in a precarious legal space.

Please don’t attempt to elide the separation that exists between fandom and the world of official publishing.

Well this is much nicer than how I said it 🤣

[ID: tweet from @westiectweets — “PSA: Don’t Fucking Add Fic to Goodreads What the Fuck”]

update to add:

if you are a fic author and you find your fic on Goodreads, you can get it removed!

Here’s how:

I hope this helps some of my fellow fic authors!

Don't you sometimes get an absolutely extrodinary, mind blowing, such an awesome idea for a story, but you just don't have enough skill level to pull it off?

Write it anyway.

Write it anyway, write it anyway, write it anyway.

There are so, so, so many reasons:

Write it anyway.

no writing workshop can help you improve your writing as much as this screenshot can

— Anne Morrow Lindbergh (via writingdotcoffee)

My latest sticker sheet, which of these do you relate to?

(A few of these remaining!)

Shop / Instagram

everyboddy shut  UP im THINKING about finctional character

I feel like when I say ‘relatable’ what I really mean is ‘resonant.’ I don’t want characters who I feel are like me, I want characters who have emotions so strong I can feel them through the page.

I think this is important because a lot of us forget the power of stories to make us feel things about characters who are not like us, who have experienced things that we never will. The purpose of listening to someone else's story should not necessarily be identification, but understanding.

How to Survive the Editing Process

Writing a first draft takes so much of your time and energy. When you finish something, celebrate your accomplishment! It’s proof of your creativity and hard work.

If you want people to read your work, then it’s time to edit.

Editing can seem scary. Daunting. Confusing.

Use these tips to get started.

1. Take a Break from Your Work

It’s so important to let your brain reset after finishing any story. Close your draft and spend the next few days or weeks doing other hobbies. When you feel ready to return with a newly energized, distanced perspective, you’ll get your best editing work done.

2. Start With Developmental Editing

Writers often think that they have to start editing line by line, looking for grammar and spelling issues. While you’re free to do that, you’re likely going to add and remove plenty of content before your final draft is done. 

Instead, start with developmental editing. Read through your work and take notes about how the larger plot points are working or not working. Does each chapter move your characters through each point on your plot outline or your visualized storyline?

This step may involve adding new scenes or removing others. It can also mean reworking old scenes so they’re less wordy, more descriptive, more actionable, or whatever you feel like is missing.

Take notes about plot holes too. You don’t have to fix them on your first read-through, but note where they’re happening and why they’re holes. You can return in your second read-through to address them.

You can also break your developmental editing into questions, like:

3. Save and Start a Second Draft

After reading through your manuscript and noting the things above, create a copy for your second draft and start working on your notes. It’s good to have a separate second copy in case you want to include something from the original draft later on or just want to compare where you story started/how it ended up.

Again, you’re not supposed to worry about line work at this point. Focus on bigger-picture story issues like plot mechanics, how scenes work/don’t work, plot holes, and your theme(s).

Reminder: there’s no timeline for getting these steps done. Work when you have the energy and take breaks when you don’t. Your manuscript will stay right where you save it.

4. Reread Your Work

When you’ve worked through your list of notes, make a copy of your manuscript and start Round 3. Reread your story and start a new list of bigger-picture notes as needed. This time, the list should be shorter or include new notes that you didn’t catch before. They may also include notes for new scenes you just added.

The point of this reread is to make sure that your manuscript still works. Your plot shouldn’t have any holes, it should flow smoothly, and it should be engaging. 

Here’s a key concern for many writers: how do you edit your story without getting away from your original intentions?

Keep your eyes locked on why you write your original draft. If you make edits/scene removals or additions with that purpose or theme in mind, your story will stay on track. It may eventually look completely different than what you originally wrote (if that’s your editing journey), but the heart of it will remain the same.

Try posting your story’s purpose or theme on a sticky note attached to your monitor.

You could also write the theme in your document’s header so it appears on every page.

5. Save and Start a Fourth Draft

Yes, it’s time for another new copy that’s your official fourth draft.

Remember—you can still walk away and return to your work later! Burnout won’t result in the story you’ve been working so hard to create. Get some sleep, see some friends, enjoy your other hobbies. You’ll come back ready to go.

The fourth draft is another chance to read through your work and ensure that everything works. Your chapters should get your characters closer to your theme/purpose with each page. The scenes should flow, not repeat information, and keep you engaged.

When you have a small list of edits or none at all, it’s time to start line work.

The spell check feature of any word processing software is a lifesaver, but it’s also not perfect. You’re going to have sentence structures that spell check deems incorrect when it actually works for your writing style or character. You’ll have fake names you made up that spell check wants to change.

If you use spell check, proceed slowly. Read every sentence with a flagged issue to make sure it’s a good or bad suggestion.

You can double your line work by combing through it by yourself. Print your story and grab a highlighter or use the highlight feature on your computer. Note linework issues that you can fix with a quick edit when you get a chance, like:

6. Send Your Work to Beta Readers

Repeat the saving, making a copy, and editing as many times as you want. When you feel like you’ve got your strongest draft yet, you can send it to beta readers.

How you define beta readers depends on your specific situation. You may have a few writing friends who know the craft well and will read your work with a professional eye. You might have a family member or best friend who doesn’t know about the craft of writing but always reads your work.

There are also places like Reddit threads and Facebook groups where people volunteer as beta readers.

The primary reason to get fresh eyes on your work is to get notes from someone who hasn’t been working on the content for months or years. 

Their advice might not always be usable, but it’s still an important part of editing. Your beta reader might suggest points where they lost interest because your pacing slows down or point out places where you described your protagonist as having long hair when they have short hair during the rest of the story.

You’ll know which suggestions are actionable and which aren’t based on who’s speaking and how it resonates with your story’s purpose. You’ll probably get better advice from other writers who have been through editing before, but that doesn’t mean their advice will always be correct.

Check in with your story’s purpose or theme before taking action on a beta reader’s notes.

When Should You Stop Editing?

One of the final battles during your editing experience will be recognizing when you can stop working on your manuscript.

There will always be moments where you could think of a new scene or a new way to rewrite a scene. That doesn’t mean you have to!

Ask yourself these questions to finish your editing when your story is strongest:

Question 1: Have I Worked Through the Most Essential Plot Mechanics?

A finished manuscript doesn’t need more structural work. But structural, I mean that you’ll be at peace because your manuscript:

Question 2: Are My Edits Improvements or Are They Inconsequential?

You could spend a lifetime swapping character names, adjusting your world map, or revising how you describe locations. You might like your edits better, but they aren’t vital to your story’s plot or character development. If there’s no substantial improvement with your edits, you’re likely done with your manuscript.

-----

Editing can be tricky at first, but using steps like these will help you whack through the densest parts of the work. Take your time, give yourself space to rest, and you’ll create the story you’ve been working so hard to finish!

me looking up exactly what a 1987 hubba bubba gum wrapper looked like so that I can describe it with 100% historical accuracy in my fanfiction that three people are going to read

Fanfic writers just becoming Gandalf about the most obscure detail no one else is ever going to bother to look up