Al Pacino in Serpico (1973)
In the old days, if someone had a secret they didn’t want to share… you know what they did? They went up a mountain, found a tree, carved a hole in it, and whispered the secret into the hole. Then they covered it with mud. And leave the secret there forever.
In the Mood for Love I 花樣年華 (2000), dir. Wong Kar-wai
The sun looks ghostly when there’s a mist on a river and everything’s quiet. Days of Heaven (1978) dir. Terrence Malick
100 FEMALE CHARACTERS IN 2021
1. Sook-hee ☆ The Handmaiden (2016) dir. Park Chan-wook
2001: A Space Odyssey (1968) dir. Stanley Kubrick
Luisa felt that even after people die, they’re still present. She wondered how long she would live on in the memory of others. But she preferred not to fill her mind with thoughts of death.
Y Tu Mamá También (2001) dir. Alfonso Cuarón
Visually, technically, and logistically, this was one of the most challenging scenes to capture. Over four months, Denis Villeneuve and Roger Deakins mapped out every detail of the fight, the lights, and the holograms. Yet the biggest challenge was deciding which of these elements would dictate the shots. They finally concluded that music would lead the way. Villeneuve started by editing a glitching version of Elvis Presley’s 1970′s Vegas rendition of “Suspicious Minds,” and the song became the baseline for everything that followed. Roger Deakins’ lighting came next. The Art Department then designed and built an extensive set on which Ryan Gosling and Harrison Ford filmed their fight scene. The holograms were shot last to be able to adjust their performances around the main actors, not the other way around.
— The Art and Soul of Blade Runner 2049, written by Tanya Lapointe
Grace Kelly as Margot Wendice in DIAL M FOR MUDER (1954).
Pull it. Don’t distribute it. Even if everything I’ve said is totally Looney Tunes… I know this book will drive people crazy.
IN THE MOUTH OF MADNESS (1994) dir. John Carpenter
LA PLANÈTE SAUVAGE / FANTASTIC PLANET – 1973, dir. René Laloux