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[I saw] that you could write stuff that worked, that had a lyrical meter to it, but that was not conscious of having to rhyme all the time. It’s changed me. I don’t think I’ll be able to go back to any other way of writing now. Just write what you’ve got to say and sing it, and don’t worry about whether it works as a verse or a chorus. That’s what he taught me. It’s amazing. I’m excited about writing words again, you know?
Damon Albarn, on using Lou Reed’s approach to write lyrics on Merrie Land - Rolling Stone Magazine, 10/12/2018
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Damon Albarn et Tony Allen
(Paris Match, 29/11/2018 - 📸 Hélène Pambrun)
Damon is an intellectual machine-gun; talking to him leaves one feeling intellectually strafed, his ideas and high concepts delivered in dry Essex tones. He’s an Estuary polymath, an artistic Renaissance man who is perpetually one step ahead.
The Oxford Mail, 30/11/2018
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PLEASE STOP
But don’t stop
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The Good, The Bad & The Queen at Studio 13
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I think you have to talk to the individual (Morrissey) to understand what they’re trying to say, but he’s a tricky fellow. My only communication with him was a series of hilarious emails when I tried to get him on the Gorillaz album, Humanz. I’d a great tune for him called Circle of Friends, but I couldn’t convince him, so he was one of those that got away. I don’t agree with his politics at all, but it doesn’t mean that when a Smiths song comes on that it doesn’t move me.
Damon Albarn, talking about Morrissey’s sympathy for far-right politics, The Irish Times, 22/11/2018 (via damonalbarnisperfect)
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“I don’t know if anyone else agrees with me but I know I think music is part of our national health.”
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Damon Albarn à Paris, 18/11/2018
📸 Remi Kabaka
