tbc (maybe)
Streaming companies are the landlords of media. You will rent in perpetuity, and never actually own anything.
✨🏴☠️ PIRATE AND DOWNLOAD YOUR FAVORITE MEDIA IMMEDIATELY. PIRATE AND DOWNLOAD YOUR FAVORITE MEDIA IMMEDIATELY 🏴☠️✨
1. Download Firefox
2. Add the following extensions: uBlock Origin, AdBlocker Ultimate, Privacy Badger, Privacy Possum, minerBlock (ClearURLs and Don’t track me Google also recommended but not necessary for this)
3. Go forth brave soldier
fat bodies tutorial!
ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on that. there’s also been a lot of complaining about “boo hoo fat characters are hard to draw so i can’t include them in my work Ever” goin on lately so if that’s your case then this is for you too!! and also just for anyone who would like help with fat bodies in general, ofc. anyway, let’s get this show on the road!!
let’s start with some common misconceptions. these are the two main attempts at chubby bodies i run into, so i’ll focus on them.
the Anime Chubby i see everywhere, and it’s just……so wrong in many ways. first of all, there is almost no additional body fat compared to your average thin character - except for where it’s added in “attractive” places (breasts, hips, thighs). the breasts are way too perky, and don’t have the realistic shape fat would give them (though how to draw accurate breasts is another tutorial all on its own lmao). there is still a thigh gap, which usually only happens in very thin people, and bones are still visible on the surface of the skin, which also rarely happens in fat people.
the Michelin Man is better in some ways, but still not that great. it’s a slightly better attempt, but basically all that’s done there is taking a thin character and blowing them up, while giving no thought to fat distribution. the thigh gap is usually still present, and they look a lot more hard than soft - and fat is very soft and pliable.
here’s a chart on how fat usually distributes (if you can’t read my messy writing, “1. next to no fat, 2. moderate amount, 3. most of the fat distribution”). basically, the more muscle an area has, the more prone it is to develop fat, such as the abdomen, thighs, and upper arms. it’s important to note that fat sits on top of muscle, and that it does distribute in different levels, and not evenly across the body as shown in the Michelin Man.
now, here’s an accurate fat body with all of that kept in mind!! notice how the fat isn’t only kept to aesthetically pleasing areas, and how it sits realistically on the character’s body. their breasts sag a lot more, which happens even in thin people with larger breasts, and the nipples are pointing more downwards than straight out. there is no thigh gap in sight, there are no bones in sight, and most importantly, they have fat rolls, which are very important in drawing a convincing fat character!! as far as i know i’ve never met a single person with no rolls at all, and everyone has them, whether thin or fat - they’re just more prominent and more consistently present in fat people. pay close attention to where they are and how they’re shaped.
here are a couple of drawings showing how fat is affected when sitting vs stretching. as seen in the first, the fat specifically on the stomach is distributed a lot more evenly and stretched out, so it becomes “flatter”. the love handles are still pretty visible, though, as well as the fat on the thighs and arms. the breasts are raised with the shoulders, and the fat on the shoulders and near the neck forms rolls as it’s being pushed together.
in the second, there is a lot less room for distribution, so the fat is all pushed together. the breasts sag and the stomach forms rolls and spills into the lap. a good analogy for the way fat works is to liken it to a water balloon, and thinking of how its shape would change when resting flat on a surface, hanging off of a ledge, held upright, etc.
here are a few extra tips i find a lot of people miss!
first on the top is the hip/pubic region. the first circle is showing the way the bellybutton is folded in fat people, as opposed to stretched out in thinner people. the second is the stomach fat spilling over onto the pubic region and creating a separation in the two areas, which is something that’s missing in a lot of art. in addition, the pubic mound also gains fat, making it round as seen in the profile drawing i did up there (i’ve heard people refer to it as fupa?). the last in the hip region is the lack of a thigh gap. i can’t stress this enough!!!! if you’re trying to draw a convincing fat character, make sure their thighs are pretty much always touching!! for reference, mine literally don’t separate until my feet are about 2ft from each other.
the bottom right is showing the double chin, which a lot of people are afraid to draw!! fat does distribute itself here too, and there’s nothing wrong with it, so don’t feel like you shouldn’t give fat characters a double chin in your work for fear of it looking like a caricature.
in the bottom middle, it’s showing how fat affects different types of breasts with the presence of more or less breast tissue.
lastly, at the very right are stretch marks with their usual locations and directions, which i also can’t stress enough!!!!! i sometimes forget to add them honestly, but they’re so important in accurately portraying fat characters, as they literally come from the skin being stretched from fat being gained (and they’re also just rlly neat lookin like why wouldn’t you lmao). some people have less and some people have more, feel free to experiment with them!
the last thing is body types!! there isn’t one single way for a person to be fat, so feel free to experiment with shapes once you’ve learned the basics!!
so there you have it, a tutorial on how to draw chubs!! now go forth and make some accurate fanart or some rad fat characters, because the world could always use more of both. hmu if you have any questions or concerns, and thanks for reading!!
EDIT: someone pointed out the bad wording in the tutorial. thank you for bringing it to my attention and sorry for offending anybody. i’ve updated the tut, so please reblog this one!
Okay so I am literally about to cry. I’m not an artist, but I love looking at art. And like. It makes me feel so worthless to see beautiful art with “fat” characters that are just extra curvey because I am so not that, and seeing only the sexy curvy drawings makes me feel like I am somehow the wrong kind of fat. But this. This is so spot on. I have stretch marks and I have a double chin and I have like a fatty pouch in my pelvic area and my breasts are not perky and my thighs do not touch and just… All of it. Seeing art of someone who looks like me makes me feel… Worthy. Some artist thought a body like mine was worth drawing, and that is so wonderful and validating and flattering. People enjoying said art is so good too. And like. Wow. I just want to cry.
This is a very good resource. Take note, people: “I wasn’t trained to draw fat people” is not an excuse.
the white suit tho
Great thought, but for those unaware, Kate Mulgrew’s gorgeous tux from The Killing Game was 100% a reference to Dietrich’s suit in Blonde Venus (1932) with Cary Grant, a pre-Code film directed by Josef von Sternberg. It’s hard to tell in Killing Game, but Mulgrew’s lapels are also sequined. So is the stripe in the trousers. It is basically a replica of Dietrich’s suit, no question.
Okay, so I have a PhD in queer fashion and media. So this is something I happen to know a lot about. So let me explain a few things.
For starters, You cannot get a more explicitly queer-coded woman than Marlene Dietrich.
Cary Grant (another closeted Queer in Hollywood) is also in Blonde Venus, and although their chemistry is great, their romance is unbelievable because it’s very clear that they are both absolutely queer. Hattie McDaniel appears in this film, another Queer in Hollywood (and the first Black person ever to win an Oscar). In both Blonde Venus and Morocco (1930), Dietrich flirts with both men and women. Dietrich was considered a Drag King in her day. She famously proclaimed, ‘I am a gentleman at heart.’
Dietrich often refused to wear trousers, and openly declared that she had plenty of women lovers. She is an iconic staple for queer sexuality even today. She famously kissed a woman in Morocco whilst wearing a tuxedo- with an audience watching and cheering. She then kisses a man, the audience applauds, and she exits. This scene (below) was added at Dietrich’s own behest. The scene was extremely controversial, and they had to defend it against the censors for months.
This very scene is one of the many reasons The Hays Code was enacted (rules from a super-Catholic man who bribed his way into Hollywood and forced the religious ideologies onto the screen), and this scene was one that The Hays Code often pointed to as ‘immoral’ and ‘perverted’ and ‘sexually explicit.’ You can thank the Hays Code for the split beds Lucy and Ricky had, for rules that a kiss must not last longer than a certain amount of time, that, absolutely, NO queer ANYTHING could be acknowledged to exist. Everything had to be subtext, and that’s why so many old black and white films feel really queer.
But Dietrich openly proclaimed herself queer, dressed in men’s clothing, kissed women on screen- and became a Queer icon not just in fashion, but in sexuality, decadence, and identity. The so-called famous ’Dietrich’s Sewing Circle’ (of which Hattie McDaniel was a member) was essentially every Queer woman in Hollywood who all had affairs with each other. Books have been written on this. Here’s a brief article about one of those books that goes through some of the basics.
Okay, Queer Fashion Film Academic, what’s your point?
The point is that by wearing a duplicate of a Dietrich suit- one where she openly flirted with women, no less–Janeway is 100% coded as queer in The Killing Game.
Especially with that tuxedo scene and the way she’s talking to Seven. In fact, most of the scenes in those episodes where she is talking to Seven, you will notice that Mulgrew plays Janeway with a bite- her eyes linger on Seven just a bit longer, her body language is just a bit more open and fierce than usual.
Even in Paris, for a woman to wear what Mulgrew/Janeway is clearly coding herself as a Queer person through that specific outfit. She is wearing a giant billboard that says I AM QUEER.
By putting Kate Mulgrew in a replica of a Dietrich 1940s tuxedo, Janeway is visually coded as queer through replication and imitation of one of the most Queer icons in cinematic history. That suit is too famous, too iconic, too specifically loaded with subtext and text of queerness through Dietrich.
I am convinced that the costume department 100% knew what they were doing, and part of me wonders if Kate Mulgrew herself had pushed for that suit. Why? Because Kate Mulgrew herself was the one who pushed for Janeway to have a same-sex relationship.
Watch Blonde Venus. Watch Morocco. Then, watch Kate Mulgrew in The Killing Game. She imitates Dietrich’s body-language, her mannerisms, the smirk, in that opening scene. There is no question- Janeway has been possessed by Dietrich’s characters.
Funnily enough, for the rest of those two episodes, Kate Mulgrew is also very clearly imitating another Queer woman through her voice intonation and mannerisms, general fashion and hairstyles: Katharine Hepburn.
Because of her absurd visual and voice similarity to Katharine Hepburn (another Queer in Dietrich’s sewing circle), Mulgrew once played Hepburn in Tea at Five.
Like Dietrich (bisexual), Hepburn was very clearly Queer coded, as she was a lesbian. She was also famous in Hollywood for her male-coded attire, though she preferred regular suits to Dietrich’s tuxedos.
She, like Dietrich, had the same problem whenever they teamed up with Cary Grant- watch Philadelphia Story and tell me that the real ending of that movie is not Hepburn’s character, Grant’s character and Stewart’s character all ending up in a thruple together. The movie makes no sense if that’s not the real ending.
Hepburn wore trousers on film sets and this upset the studio so much they literally stole her trousers, trying to force her into a skirt. Hepburn just walked around in her knickers, refusing to wear the skirt. Eventually, the studio gave her back the trousers.
Okay, I’m going off tangent. Here’s your takeaway:
Kate Mulgrew, (because she’s an absurdly amazing talent), is very heavily is influenced in mannerism, voice, accent and appearance by two of the most Queer-Coded women in cinematic history in The Killing Game. Through fashion and performance, she embodies Dietrich’s Blonde Venus and Morocco characters, and through appearance, voice and body language, she gives that image an additional layer of of Hepburn’s fierce, Queer persona.
Conclusion: Arguably throughout all of Voyager, but specifically In The Killing Game, Kathryn Janeway is visibly Queer.
By the way, although she never got credit for it, the person who wrote Blonde Venus was Dietrich herself. Both she and von Sternberg were suspended for several months because the movie was considered too salacious by the Hays code, and it caused production problems for over a year.
The BFI has a great write-up on Dietrich’s queerness and fashion, you can read it here: https://www.bfi.org.uk/features/my-best-girlfriend-queer-dietrich-screen
That white suit means so much more than you thought.
tumblr user who thinks lolita fashion is related to the book: and i heard that the death metal fans are killing people with knifes
yeah if only people. googled stuff before posting
weird that they share the same name tho. what a coincidence
Lolita fashion isn't connected to the book, a lot of the parts of the wikipedia article are in serious need of updating. According to Lolita scholar Megan Catherine Rose, the most probable origin of the name is mentioned by Kamikaze Girls author Novala Takemoto to be from French brand Agnès B. Lolita, popular with Japanese girls in the 80s. This brand made the name Lolita be synonymous with girly, frilly clothing.
Prior to this brand's popularity, the fashion was being born from numerous other styles like Natural kei.
As a reminder, Lolita fashion isn't remotely about sexualization but about empowerment, and was created by Japanese teenagers and young women rebelling against misogyny.
Wait you’re a white guy named Brian who is into pup play omg it’s just like family guy
Here you go!!! 🥰 This is my biggest tutorial yet - long and detailed guide attempting to explain how I approach technical aspects of lineart (lines weight and coloring/ color choosing!)
I have some older art tips that I keep forgetting to post here. I'll add a few in the next few days, at least those that aren't too outdated!
This one is about giving an extra feel of weight to your characters.
a couple snippets from a presentation i gave at school this past week on storyboarding!!
‼️DISCLAIMER: I am still a student and have only worked on student and indie projects! This is just stuff that I personally find helpful as an amateur, so feel free to take it with a grain of salt!
Happy boarding, friends! ✍️💕
Inking Tip: Line Weight
In contact with light = Thinner lines
Further into the background = Thinner lines
Credit: Helioscope PDX
ordered pizza from a small local place and they didnt actually cut it so i've chosen to revert to a wild animal and begin ripping it apart instead of just using a knife to portion slices
absolutely visceral experience. food is so much more satisfying when you have to fight it. i may be feral
i am not proud to say this but that pizza lasted fifteen minutes. i normally am not that gluttonous, but this goes beyond glutton. there was gluttony and wrath. a whirlwind of sauce, cheese, and pepperoni, all atop a flatbread that was shred apart by my own hands due to the neglect of another
in that moment i was wild. i was free. i understood the simplest joys in life. the joy of eating and manifesting my own destiny
been reflecting on this all day and the unsliced pizza experience honestly ruled. i think everyone should try it sometime or another. you have not truly lived until you just absolutely obliterated a pizza in such a feral manner
is this you
yes
run
My best friend and I have this tradition we call “chicken dinner” where we get a rotisserie chicken, lay it on a tarp, start on opposite ends of the tarp, and on the count of three we both run at the chicken and start ripping into it with our bear hands. We will be on our knees fighting for the best pieces of meat, ripping into the chicken with our faces, and it is the most viscerally delicious chicken I have ever had in my life. Grease gets everywhere. We have to do this outside. We have to tie our hair in buns beforehand.
You have never known the joy of food until you are lunging at your friend to rip the best part of the chicken out of their hand, rolling around on the tarp, stuffing it in your face before they can retaliate, and you realize “holy shit did I just growl?” And then you realize they are doing it too.
The chicken gets decimated. It’s absolutely destroyed. We aren’t allowed back inside until we have been hosed down. It’s the best.
This feels like the Yang to the Yin of the Shower Beverage, where in a peak of Unhinged civilized decadence, you experience the full flavor profile of a beverage whilst in the midst of a Hot Shower. Similarly carnal in it's satisfaction, and worrisome when to your mom when she asks you what you did this weekend, and you explain. At Length.
Gun to my head I think consciousness is an extraordinarily complex, self-referential, stimulus response.
Gun away from my head I think consciousness is a mineral grain in the dark matter plate tectonics of nonbeing what got squeezed so hard it popped like a zit through the Planes and into the vacuum of incarnation and the suffering we experience as beings is like that of the blobfish that was only meant to exist under the weighted blanket of immense pressure in darkness
Our only hope to return is to compress this universe into a density equal to or greater than that of our origin and hope it shits us backward through whatever hole(s) we came out of.
Gun safely stored and unloaded according to California law there's only one consciousness and it's moving really fast, thus creating the illusion of multiple intelligences. It also has the properties of a massless plasma like some sort of weird quantum lightning.
i found the gun and reloaded it and am pointing it at people but i don't even know why
Following you around with mild disinterest, making no effort to stop you.
Incoming: First sneak peek of enamel pins based on real mushrooms coming next month, or early May, via a kickstarter! My dumbass had to draw 60 pins 🤡!! (and this is me trying to resist drawing more! There's so many GOOD mushrooms irl hahaha) I'm 120 + hours in just the design process and will share them more as I start actually finalizing them and get started on the Kickstarter. Weeehooooo! And now you know why I'm being such a quiet shut-in. 😅
bro she puts him down in 1 fps just like that
Literally 1 frame
A curiosity test to explain some cultural context, bias, why some things go more viral than others, or simply curiosity.
(reblog if possible for more data).
bigweld
bigweld
you guys reblog this every wednesday every wednesday i wake up and wonder what day it is and i see bigweld in my tumblr notifications and im like ah its wednesday again bigweld wednesday just like last wednesday its wednesday its bigweld wednesday
guess how i found out today is wednesday

i hate you
























