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Godofred

@godofred42069

Here to let myself rot

Last week I accidentally took an edible at 10x my usual dose. I say “accidentally” but it was really more of a “my friend held it out to my face and I impulsively swallowed it like a python”, which was technically on purpose but still an accident in that my squamate instincts acted faster than my ability to assess the situation and ask myself if I really wanted to get Atreides high or not.

Anyway. I was painting the wall when it hit. My friend heard me make a noise and asked what was wrong—I explained that I had just fallen through several portals. I realized that painting the wall fulfilled my entire hierarchy of needs, and was absolutely sure that I was on track to escaping the cycle of samsara if I just kept at it a little longer. I was thwarted on my journey towards nirvana only by the fact that I ran out of paint.

Seeking a surrogate act of humble service through which I might be redeemed and made human, I turned to unwashed dishes in the sink and took up the holy weapon of the sponge. I was partway through cleaning the blender when it REALLY hit.

You ever clean a blender? It’s a shockingly intimate act. They are complex tools. One of the most complicated denizens of the kitchen. Glass and steel and rubber and plastic. Fuck! They’ve got gaskets. You can’t just scrub ‘em and rinse them down like any other piece of shit dish. You’ve got to dissemble them piece by piece, groove by sensitive groove, taking care to lavish the spinning blades with cautious attention. There’s something sensual about it. Something strangely vulnerable.

As I stood there, turning the pieces over in my hands, I thought about all the things we ask of blenders. They don’t have an easy job. They are hard laborers taking on a thankless task. I have used them so roughly in my haste for high-density smoothies, pushing them to their limits and occasionally breaking them. I remembered the smell of acrid smoke and decaying rubber that filled the kitchen in the break room the last time I tried to make a smoothie at work—the motor overtaxed and melted, the gasket cracked and brittle. Strawberry slurry leaked out of it like the blood of a slain animal.

Was this blender built to last? Or was it doomed to an early grave in some distant landfill by the genetic disorder of planned obsolescence? I didn’t know, and was far too high to make an educated guess. But I knew that whatever care and tenderness and empathy I put into it, the more respect for the partnership of man and machine, the better it would perform for me.

This thought filled me with a surge of affection. However long its lifespan, I wanted it to be filled with dignity and love and understanding. I thought: I bet no one has hugged this blender before. And so I lifted it from its base.

A blender is roughly the size and shape of a human baby. Cradling one in your arms satisfies a primal need. A month ago I was permitted to hold an infant for the first time in my life, an experience which was physically and psychologically healing. I felt an echo of that satisfaction holding my friend the blender, and the thought of parting with it felt even more ridiculous than bringing it with me to hang out on my friend’s bed.

when your art program’s closing message hits you straight in the heart and makes you stop and contemplate the state of it all

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hey writers if you want to make a metaphor for racism, please maybe remember that racism is literally based on nothing. Africans weren’t enslaved en masse because the Robo-Musa threatened to destroy the world, they were enslaved because it was economically rewarding and politically convenient. If at any point your allegory for racism includes “so <oppressed group> did this major catastrophe and” then you have not only missed the point but you are literally reinforcing the ideas that racism have let racism self-perpetuate (that e.g. black people are naturally dangerous and violent and must be contained or begrudgingly accepted by the Nice White People)

Unless you establish that catastrophic event to be a lie with propagandistic purpuses. “Actually we invented this fact about this group of people so we could justify their oppression” is a thing that happens. Often.

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incredibly important cut content. beyond me why they decided to leave out integral character building like this

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(average succession fan voice) its about gas. it's about farting and bloat and restraint and release. it's about vulnerability, bottling up your feelings until they explode. if one can't fart in front of another then what else are they hiding. it's the fart motif