Ej

idk why god keeps playing with me like this i am NOT one of your strongest soldiers i WILL end it all

illustrations pour Arte et le podcast Fenetre sur cour

https://www.instagram.com/bonjoursimonleclerc/

I forgot how funny post game RDR2 is so here is a compilation i’ve had for months 

famous last words that make me go feral and tender at the same time

— “Happy.” Raphael (1520)

— “I’m still learning.” Michelangelo (1564)

— “A great leap in the dark.” Thomas Hobbes (1679)

— “It has all been most interesting.” Mary Wortley Montagu (1762)

— “Now is not the time for making new enemies.” Voltaire, when asked by a priest to renounce Satan before his death (1778)

— “Go live in the country. Stay in mourning for two years, then remarry, but choose somebody decent.“ Alexander Pushkin, Russian poet, to his wife (1837)

— "Take courage, Charlotte; take courage.” Anne Brontë, to her sister Charlotte Brontë (1849)

— "I must go in, for the fog is rising.“ Emily Dickinson (1886)

— "Now comes the mystery.“ Henry Ward Beecher (1887)

— "Pull up the shades; I don’t want to go home in the dark.“ O. Henry (1910)

— "Swing low, sweet chariot.“ Harriet Tubman (1913)

— "It’s very beautiful over there.“ Thomas Edison (1931)

— "I don’t think two people could have been happier than we have been.“ Virginia Woolf to her husband (1941)

— "Are you happy? I’m happy.“ Ethel Barrymore (1959)

— "I love you. Sleep well, my sweetheart. Please don’t worry too much." Rob Hall, to his wife (1996)

— "A life is like a garden. Perfect moments can be had, but not preserved, except in memory.” Leonard Nimoy (2015)

— "I want to be with Carrie." Debbie Reynolds (2016)

Actually

The question I get the most is how I write characters that feel like real people. 

Generally when I’m designing a human being, I deconstruct them into 7 major categories:

1. Primary Drive: This is generally related to the plot. What are their plot related goals? How are they pulling the plot forward? how do they make decisions? What do they think they’re doing and how do they justify doing it. 2. Fear: First, what is their deep fear? Abandonment? being consumed by power? etc. Second: tiny fears. Spiders. someone licking their neck. Small things that bother them. At least 4. 3. Physical desires. How they feel about touch. What is their perceived sexual/romantic orientation. Do their physical desires match up with their psychological desires.

4. Style of self expression: How they talk. Are they shy? Do they like to joke around and if so, how? Are they anxious or confident internally and how do they express that externally. What do words mean to them? More or less than actions? Does their socioeconomic background affect the way they present themselves socially?  5. How they express affection: Do they express affection through actions or words. Is expressing affection easy for them or not. How quickly do they open up to someone they like. Does their affection match up with their physical desires. how does the way they show their friends that they love them differ from how they show a potential love interest that they love them. is affection something they struggle with?

6. What controls them (what they are weak for): what are they almost entirely helpless against. What is something that influences them regardless of their own moral code. What– if driven to the end of the wire— would they reject sacrificing. What/who would they cut off their own finger for.  What would they kill for, if pushed. What makes them want to curl up and never go outside again from pain. What makes them sink to their knees from weakness or relief. What would make them weep tears of joy regardless where they were and who they were in front of. 

7. WHAT PART OF THEM WILL CHANGE: people develop over time. At least two of the above six categories will be altered by the storyline–either to an extreme or whittled down to nothing. When a person experiences trauma, their primary fear may change, or how they express affection may change, etc. By the time your book is over, they should have developed. And its important to decide which parts of them will be the ones that slowly get altered so you can work on monitoring it as you write. making it congruent with the plot instead of just a reaction to the plot. 

That’s it.

But most of all, you have to treat this like you’re developing a human being. Not a “character” a living breathing person. When you talk, you use their voice. If you want them to say something and it doesn’t seem like (based on the seven characteristics above) that they would say it, what would they say instead?

If they must do something that’s forced by the plot, that they wouldn’t do based on their seven options, they can still do the thing, but how would they feel internally about doing it?

How do their seven characteristics meet/ meld with someone else’s seven and how will they change each other?

Once you can come up with all the answers to all of these questions, you begin to know your character like you’d know one of your friends. When you can place them in any AU and know how they would react.

They start to breathe.

This is actually like the best character creation system I have read so far. Op lays it out as simple as possible so even people like me who don’t really care for character creation can easily figure out what they need to do to make a complex, interesting character. I will definitely be using this!

The Mandalorian Chapter 5: ‘The Gunslinger’

date a dork who makes your cheeks hurt from smiling too much

date a dork who makes both sets of cheeks hurt

so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god

okay so i just got my dream job??? a week after applying to it?? and now i’m thinking….maybe this is the good luck post

…..not even six hours later i got an offer of a well paying full time long-term job with free room and board in queens in nyc, allowing me independence and a way to escape an abusive situation and an unhealthy environment

likes charge reblogs cast, folks, this is the good luck post

there was this version of take me to church that i heard a while a go and it was like 

angrier??? and more intense is the only way i can describe it i may have imagined it 

FOUND IT

THE ACCURACY

literally paramore was right

about…?

name one thing paramore was wrong about

ill wait

if it’s with you i’m down

What if you poked me in the chest and your finger broke through like you were cracking into a rotted plank of wood and dust came out and I just crumpled into nothing and my spores got into your nose

I would not hang out with you again that's for sure!

Well there you have it!

What’s your fantasy?

I wake up, my debt is all paid off, my bank account is full, my relationships with my family are healthy, and I’m able to travel anywhere in the world.

reblog for this ultimate fantasy life to come true