Margery S. Hellmann, James Joyce, Wavewords: From Ulysses, (detail), The Windowpane Press, Seattle, WA, 1996, Edition of 50 (video here) [Set in Optima and Arrighi types, text letterpress printed on Rives BKV & UV Ultra papers, inset title paper label] [Artist Books from the Nancy Bloch Collection, Mortimer Rare Book Collection, Smith College Libraries, Smith College, Northampton, MA. © Margery S. Hellmann]
Margery S. Hellmann, James Joyce, Wavewords: From Ulysses, (detail), The Windowpane Press, Seattle, WA, 1996, Edition of 50 (video here) [Set in Optima and Arrighi types, text letterpress printed on Rives BKV & UV Ultra papers, inset title paper label] [Artist Books from the Nancy Bloch Collection, Mortimer Rare Book Collection, Smith College Libraries, Smith College, Northampton, MA. © Margery S. Hellmann]
Margery S. Hellmann, James Joyce, Wavewords: From Ulysses, (letterpress on die-cut board), The Windowpane Press, Seattle, WA, 1996, Edition of 50 [Set in Optima and Arrighi types, text letterpress printed on Rives BKV & UV Ultra papers, inset title paper label] [Walker Art Center, Minneapolis, MN. © Margery S. Hellmann]
Margery S. Hellmann, James Joyce, Wavewords: From Ulysses, (letterpress on die-cut board), The Windowpane Press, Seattle, WA, 1996, Edition of 50 [Set in Optima and Arrighi types, text letterpress printed on Rives BKV & UV Ultra papers, inset title paper label] [Walker Art Center, Minneapolis, MN. © Margery S. Hellmann]
Margery S. Hellmann, The Show, The Windowpane Press, Seattle, WA, 1995, Edition of 35 [Colophon: Contains the poem 'The Show' by Emily Dickinson. «This production was performed by Margery S. Hellmann under the direction of Bonnie Thompson Norman at The Windowpane Press»] [University of Puget Sound Collins Library, Archives & Special Collections, Tacoma, WA. © Margery S. Hellmann]
Margery S. Hellmann, The Show, The Windowpane Press, Seattle, WA, 1995, Edition of 35 [Colophon: Contains the poem 'The Show' by Emily Dickinson. «This production was performed by Margery S. Hellmann under the direction of Bonnie Thompson Norman at The Windowpane Press»] [University of Puget Sound Collins Library, Archives & Special Collections, Tacoma, WA. © Margery S. Hellmann]
The Show by Emily Dickinson
The Show is not the Show But they that go – Menagerie to me My Neighbor be – Fair Play – Both went to see –
(Bibl.: The Complete Poems of Emily Dickinson, Edited by Thomas H. Johnson, Little, Brown and Company, Boston, MA, and Toronto, 1960, p. 532)
Margery S. Hellmann, Blow. Winds from Christina Rossetti and the Beaufort scale, (letterpress printed from handset type on a 1926 Chandler & Price platen press, some hand coloring), The Windowpane Press, Seattle, WA, 2012-2015, Edition of 30 [University of Puget Sound Collins Library, Archives & Special Collections, Tacoma, WA. © Margery S. Hellmann]. Book Binder: Bonnie Thompson Norman
Margery S. Hellmann, Blow. Winds from Christina Rossetti and the Beaufort scale, (letterpress printed from handset type on a 1926 Chandler & Price platen press, some hand coloring), The Windowpane Press, Seattle, WA, 2012-2015, Edition of 30 [University of Puget Sound Collins Library, Archives & Special Collections, Tacoma, WA. © Margery S. Hellmann]. Book Binder: Bonnie Thompson Norman
Who Has Seen the Wind? by Christina Rossetti Who has seen the wind? Neither I nor you: But when the leaves hang trembling, The wind is passing through. Who has seen the wind? Neither you nor I: But when the trees bow down their heads, The wind is passing by.
From: Anna Margrit Annen – weit, (exhibition view), Kunsthalle Luzern, January 16 – March 20, 2022 [Contemporary Art Pool, Le Lignon. © Anna Margrit Annen. Photo: © Kilian Bannwart]
From: Anna Margrit Annen – weit, (exhibition view), Kunsthalle Luzern, January 16 – March 20, 2022 [Contemporary Art Pool, Le Lignon. © Anna Margrit Annen. Photo: © Kilian Bannwart]
From: Anna Margrit Annen – weit, (exhibition view), Kunsthalle Luzern, January 16 – March 20, 2022 [Contemporary Art Pool, Le Lignon. © Anna Margrit Annen. Photo: © Kilian Bannwart]
Anna Margrit Annen, Delta 9, (acrylic and lacquer on cotton), 2008 [© Anna Margrit Annen]
Anna Margrit Annen, Untitled, (acrylic, mother of pearl, varnish on cotton), 2013 [© Anna Margrit Annen]
Anna Margrit Annen, Untitled, (acrylic on cotton), 2018 [Kunstmuseum Luzern. © Anna Margrit Annen]
Anna Margrit Annen, Untitled, 1993 [Carnegie Mellon University Libraries, Pittsburgh, PA. © Anna Margrit Annen]
Willi Baumeister, Schwarze Zeichen, (screen printing), 1951 [© Willi Baumeister Stiftung, Kunstmuseum Stuttgart, Stuttgart / VG Bild-Kunst, Bonn. Bibl.: Brigitte Pedde, Willi Baumeister 1889-1955. Schöpfer aus dem Unbekannten, Designed by Henrike Noetzold, Willi Baumeister Stiftung, Stuttgart, 2013, CC BY-NC-SA 3.0 (pdf here)]
Brigitte Pedde, Willi Baumeister 1889-1955. Schöpfer aus dem Unbekannten, Designed by Henrike Noetzold, Willi Baumeister Stiftung, Stuttgart, 2013, CC BY-NC-SA 3.0 (pdf here)
Willi Baumeister, Monturi, Weißer Diskus, (oil with resin and sand on hardboard), 1954 [© Willi Baumeister Stiftung, Kunstmuseum Stuttgart, Stuttgart / VG Bild-Kunst, Bonn. Bibl.: Brigitte Pedde, Willi Baumeister 1889-1955. Schöpfer aus dem Unbekannten, Designed by Henrike Noetzold, Willi Baumeister Stiftung, Stuttgart, 2013, CC BY-NC-SA 3.0 (pdf here)]
Willi Baumeister, Figur in absoluter Stellung, (tempera, pencil and papier-mâché on cardboard), 1919 [© Willi Baumeister Stiftung, Kunstmuseum Stuttgart, Stuttgart / VG Bild-Kunst, Bonn. Bibl.: Brigitte Pedde, Willi Baumeister 1889-1955. Schöpfer aus dem Unbekannten, Designed by Henrike Noetzold, Willi Baumeister Stiftung, Stuttgart, 2013, CC BY-NC-SA 3.0 (pdf here)]
Willi Baumeister, Figur mit streifen II, (oil and papier-mâché on canvas), 1920 [© Willi Baumeister Stiftung, Kunstmuseum Stuttgart, Stuttgart. Bibl.: Brigitte Pedde, Willi Baumeister 1889-1955. Schöpfer aus dem Unbekannten, Designed by Henrike Noetzold, Willi Baumeister Stiftung, Stuttgart, 2013, CC BY-NC-SA 3.0 (pdf here)]
