#I wonder if the effects of the potion remained a little throughout his next generations      #just residually      #so that when he regenerates he becomes more doctor again      #less warrior      #bit by bit      #trying to regain himself      #so through at his best moments he’s the doctor      #at his darkest he is so dark and so full of war    #halfway out of the dark  (x)

I sometimes wonder if people who prefer the Russell T Davies era ever actually watched it.

Wow a Moffat Stan choosing style over substance what a surprise.

"It’s not Shiny and Pretty so it’s bad!1!!11!"

What substance?

Love and Monsters: An episode about a group of people with complex backstories (losing children to drugs, having their mother killed when they were a child) who bond over the Doctor. Manipulated and killed. Subplot about Jackie Tyler dealing with never knowing when her daughter will be home, if she ever comes home, and the shit she has to put up with because of it.

      “Let me tell you something about those who get left behind. Because it’s hard. And that’s what you become, hard. But if there’s one thing I’ve learnt, it’s that I will never let her down. And I’ll protect them both until the end of my life. So whatever you want, I’m warning you, back off.”

It parallels Elton (who lost his mother) and even Bridget (who lost her daughter), who got involved with LINDA as a coping mechanism for being left behind.

It’s also got a great ending speech:

       ”you know, when you’re a kid, they tell you it’s all, grow up, get a job, get married, get a house, have a kid, and that’s it. But the truth is, the world is so much stranger than that. It’s so much darker, and so much madder. And so much better.”

A message that RTDs Doctor tries to convey in almost every episode.

Frequently dismissed by people because “lol monster not scary”. Maybe if he was a stone angel with some pointy teeth…

Space Pig: Clearly not meant to be taken seriously. Designed to be obviously not an alien to the audience, to show the gullibility of humans and their tendency to overreact and act violently when faced with the unknown, as the soldiers did when they shot him to death when he clearly showed no threat. Also, meant as a DISTRACTION for the overreacting humans so that the real alien threat could put the world on red alert and they could get ahold of nuclear weapons.

Scribble: A product of an emotionally disturbed child from an abusive home where her only living family member refuses to give her closure of the abusive part of her childhood.

Slitheen: Skinned human beings and wore their pelt. Intended to use nuclear weapons to destroy the planet to sell for profit. A clear symbol for the destructiveness of corporate greed. But like “lol it fart and green so it bad”, right?

Lazarus: Tried to play god and delay the inevitability of aging and death. It resulted in him becoming quite literally a monster who’s fears and selfishness made him disregard other’s lives. 

       ”It doesn’t work like that. Some people live more in twenty years than others do in eighty. It’s not the time that matters, it’s the person.”

Everything ends. That’s a common theme in Davies work. He’s informing us that death is inevitable but it doesn’t have to be horrible if we make the most of what we have.

Shrivelled Ten: The Master purposefully made the Doctor pathetic and weak to destroy the will of the people of earth. The Doctor is a symbol of hope, and if you weaken him then people give in to their fate.

Max Capricorn: He planned to wipe out London just to get revenge on members of the board. His inability to let go of his anger at the board is paralleled by his inability to let go of life, hence his existence as a cyborg at 200+ years of age. but “lol head on wheals, right?”

The Master: He’s completely physically unstable, because he planned his own resurrection as a means to escape the Doctor and cause the Doctor grief. His physical instability is just a visual manifestation of his emotional/mental instability. It’s symbolism Davies uses to get his point to the audience. 

Chloe Webber: Already addressed this a bit, but I’ll continue. Chloe was being possessed by another child who she felt kinship to, because she literally had no one. She had no way to communicate to other children because of the emotional distress her father caused, and her mother also had emotional distress which caused her to not be able to communicate with Chloe about her father. The means the Isolus uses to get to Chloe is hardly relevant when you put it into the perspective of WHY she targetted Chloe.

Tinkerten: This is admittedly a Deus Ex Machina, but it’s a decently executed one, because the story arc is intended to take a backseat to character and emotional one. From a narrative perspective, Martha’s journey is less about finding a solution to the Master and more about her coming in to her own person. Furthermore, the God Symbolism is used for a reason, so it can be deconstructed (as RTD tends to do), as the minute he survives, he’s punished for his hubris. His self-righteousness (forgiving the master) leads to the Master deciding to leave him alone in the universe, and later leads to Martha leaving, as he caused a HUGE rift in her family life.

RTD knew he was writing a kids show. He took serious stories and complex emotional arcs, and buried then under sixty feet of silly to get them accross to the young audience, as he should. Moffat, however, takes silly nonsensical stories and shallow emotional “arcs”, changes the chronological order, ads some scary monsters and flowery speeches, and thinks himself mature.

I read somewhere that RTD’s Doctor Who was a serious show pretending to be silly, and Moffat’s was a silly show pretending to be serious, and I think this all explains it well, and you’re a perfect example of the people who buy into it.

Now, tell me again why I shouldn’t prefer RTD to Moffat?

This is an amazing rundown analysis, and it’s just touching the tip of the iceberg of the true depth that is hidden in the scripts from RTD era episodes (for example, how Love and Monsters is among all those things- it’s also quite explicitely a Tale of Fandom, showing how people can come together by sharing common rare interests and such, etc).

Bolded that second to last paragraph to complement it with this quote (from Moffat himself):

Reblogging with this line pulled out, because I want to remember it. It’s perfect:  I read somewhere that RTD’s Doctor Who was a serious show pretending to be silly, and Moffat’s was a silly show pretending to be serious. 

Doctor Who has never been about the monsters. It’s about the moral of the story.

Because you were the first. The first face this face saw. And you were seared onto my hearts, Amelia Pond.

Amelia Pond from Doctor Who

Here on deviantART

Amazing submission by a follower O_O

Doctor Who

          ↳One day to go 

what do you think would happen if the doctor opened the tardis door underwater do you think the whole ocean would pour in there until it was empty or what this is a serious question

why the fuck did this get so many notes

because this is a serious question

I think it would be protected by the same thing that allowed Amy to breathe when floating in space near the TARDIS.

Commissions are Open!

Hey guys,

Due to an unexpected financial emergency, I have to open commissions again. Please consider getting some art from me! It helps me pay the bills, which have taken an unexpected and foolhardy jump this month.

I really appreciate your help. Even if you can’t buy anything this time, please consider a signal boost. and tell your friends. Thank you. <3

This is my totally awesome roommate. She is an amazing artist who is having financial trouble. She mostly draws Welcome to Night Vale stuff lately, but is familiar with many fandoms. The link above shows some of her work and pricing of her commisions.

So if you want to purchase some high quality art of your own choice, drop her an ask. Thanks for helping out my friend :)

Oh Petey C, I love you already.

For those like me who can neither afford nor be arsed to leave their house on a Sunday morn to buy a copy of the Times, my good friend Blogtor Who has been kind enough to summarise the interview here. PLENTY of food for thought. Opinions?

gUYS WE’VE BEEN NOTICED

I see into your soul, Doctor

Watch the new teaser now (x)

Those outside of the US can watch the teaser here.

Five, your eleven is showing

084. Am I a good man? (x)           Series 8 of Doctor Who will premiere on saturday August 23.

Watch the trailer here!

There were 2.47 billion children on Gallifrey that day in The Time War and the thing is, despite all the corruption among the ruling Timelords, not all who were on Gallifrey were Timelords and not all were corrupt.

This is why the children matter and why he counted them apart from every other person on Gallifrey.

The children were the truly innocent ones. They could have gone on to be and do anything. Even if he couldn’t save the corrupt Timelords, the children didn’t have to be like their parents. They could have changed Gallifrey and rid it of the corruption.

And so he spent all those years thinking he murdered 2.47 billion children on his own planet because the generations before theirs had fallen into so much corruption that he had no other choice.

So, of course, when he sees a child crying, he stops and helps them because even though he can’t make up for all those he killed, if he can help one child, he will.

When he thought he destroyed Gallifrey, maybe he thought he could learn to live with it and sometimes it seemed like he could, but if 400 years of living with it showed him anything, it’s just how much he needs to find another way.

Those years weren’t lost. They weren’t erased. He still lived every moment thinking he killed them and he will never forget that. Because of it, he now knows more than anyone why he can’t destroy his entire planet despite their corruption - why he can’t keep on the path of the man who forgets.

Gallifrey isn’t really saved yet and we don’t know how he can do it, but now he has a chance. He has a chance to let those children grow up and change their world.

For once I would like to know where I’m going.

Doctor Who comics comes to Humble Bundle! 

For the next 13 days Whovians everywhere will be able to receive digital copies of Doctor Who comics at a pay-what-you-want price. You’ll receive issues from Doctor Who: Series 1, Doctor Who: Series 2, and if you pay over the average price, an additional 17 issues from Doctor Who: Series 3.

You can also receive the complete three-volume Doctor Who: Prisoners of Time and the special The Girl Who Loved Doctor Who if you pay over $15. 

Best of all, your purchase can be spent towards charity. 

The Humble Doctor Who Comics Bundle can be purchased here. 

Thank god.

anonymous asked: Ten being threatening or ten being friendly?